Sentences with phrase «dynamic gestural»

Large scale dynamic gestural painting in ochre, magenta, mikado yellow, apricot and burnt orange.

He even uses actual mud from the cove, and the rough texture provides a dynamic gestural presence offering a stark contrast to prismatic strokes of bright color that conjure the ethereal nature of light.

Yanyan Huang's elegant, calligraphic paintings draw from the raw beauty nature and they sit alongside the vibrant, urban colors with dynamic gestural movements of Emily Joelle Lambert.

Few contemporary artists have developed a visual vocabulary as immediately recognizable as the Chicago - born artist Christopher Wool's — and what's remarkable is that he was able to achieve this distinction across a number of different series, from his influential text paintings to his elegantly minimal canvases marked by fences and other repetitive forms to his dynamic gestural abstractions that borrow from graffiti culture.

At 73, she has spent more than 50 years pitching dynamic gestural painting up against the cool austerity of the grid.

Not exact matches

Showing work made over this expansive time period will offer an insight into Hodgkin's relationship to India while also revealing the evolution of his pictorial language — from the figurative work of the 1960s through to the dynamic, gestural style of recent years.

The artwork of the great Dutch - American painter possessed an extraordinary visual impact through their vigorous gestural movement and sense of dynamic incompletion.

The Abstract Expressionists, sometimes called the New York School, were never a formal association, but they shared a desire to break away from conventional subjects and techniques and, significantly, to produce a completely abstract art that reflected in dynamic, gestural form the unique personality, psyche and emotions of the artist.

Leaving these forms unpolished, he assembled them with chains, ropes, and double T - girders to create dynamic large - scale structures that echo the gestural nature of action painting.

Marylyn Dintenfass is an American painter, printmaker, and sculptor known for her oil paintings, and a dynamic color palette and gestural imagery...

In characteristic fashion, these large - scale abstract paintings combine a diverse range of technical approaches, references and rhythms, creating dynamic and bold compositions with strong gestural identities, in a constantly shifting yet unified visual language.

To achieve these opposing states, her paintings are active and dynamic; bold colors and shapes next to neutralized palettes and detailed scratches in the painting surface; combinations of strong gestural strokes next to figurative elements; raw textured surfaces adjacent to text and calligraphic details.

Moran's earlier paintings tend to be more loosely gestural with dynamic brushstrokes alive with painted energy and subtly rich colour.

Vibrant primary and secondary colors are densely layered, and the material plasticity of the artist's chosen medium is emphasized through drips and large areas of overspray, suggesting a sense of dynamic movement and revealing the gestural marks of the artist's process.

The earlier paintings tend to be more loosely gestural with dynamic brushstrokes alive with painted energy and subtly rich colour.

Moto Okawa: I can feel the dynamic and gestural movement in your marks, whether painted or printed.

She creates vivid, dynamic paintings that revel in a harmonious balance between gestural brushwork, hard - edge geometric spatial arrangements and layered, architectural compositions.

This show, Ms. Tyson's 10th solo outing with the gallery since 1995, presents an overview of her dynamic works on paper from 2002 to 2016 — ranging from penciled sketchbook studies and life - size ink drawings to colorful portraits that are painted on glass and then pressed on to paper to achieve a more gestural, emotional representation of her troubled figures.

The gestural movements and dynamic forms also invite the viewer's touch and active participation.

Redwood's paintings channel the dynamic energy of gestural abstraction while remaining within a representational space.

Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces defined by veils or blankets of color.

This was the period when Scully's paintings pushed forward his many early attempts to retain a vivid and exaggerated dynamic edge, when his coy and brilliant hedonism found its écriture, and when earthy bands of color became wider and more expressive as if to protrude into a deeper tonality through his pulsating, gestural applications.

He has painted dynamic, gestural canvases; monochromatic, minimalist works; grids; calligraphic images; patterned or striped paintings, and he has experimented with collage.