Alternatively, Julio Ceballo's visually - charged and
dynamic paintings derive their inspiration from the tension and chaos that exist between civic and civil progress.
Not exact matches
His
dynamic and meticulously
painted images place «disparate things together and force them to interact and depict a narrative
derived from the artist's own individual responses to existence.»
For Incident in the Museum 1, Bram transforms the gallery space through a series of
dynamic, geometric shapes and planes of colour that are determined according to six perspectival vanishing points (two to each
painted wall) which
derive from three designated points outside the gallery.