Sentences with phrase «dynamic planes of color»

Not exact matches

The 34 - inch display is large enough to capture all of the action, while an in - plane switching (IPS) system delivers amazing color contrast and dynamic range.

Maher creates dynamic sculptures from concrete, aluminum, and resin; in his vibrant paintings, Dunlap divides the picture plane into interlocking geometries of shape and color; in video and sculptural works, Tenser considers autonomy and dependence.

Diebenkorn's practice is unique in that he deftly marries the flat color and planes of brushwork so lauded by the Abstract Expressionists with representational subjects that are influenced by some of Matisse's visual tropes and his dynamic creation of space through form and color rather than perspective.

Whereas de Kooning embraced active, dynamic brushwork in such milestones as Woman I, 1950 - 52, Diebenkorn's compositions bring together soft planes of color that undulate and flow within the frame.

In attempting to evoke the wonder, curiosity, and magic moments that unfold in life, taking shape as form, dynamic color planes, and a surreal perspective on space, Rebecca Norris Webb returned to her home state of South Dakota to produce a body of work.

Inspired by his studies with Hans Hofmann, Pace's work from the 1950s is characterized by dynamic brush strokes, shifting planes of color, and pulsating jagged forms.

Dynamic, thick brushwork that veer from forceful to ambiguous are carefully laid over abstract color planes allowing occasional glimpses of delicate grids of silkscreen.

Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces defined by veils or blankets of color.

Encapsulating his distinctive «push and pull» technique of implying space while asserting the primacy of the flat canvas, Auxerre demonstrates the robust way in which Hofmann's paintings dramatize the dynamic oscillation between volumes and voids on the one hand and two - dimensional color planes on the other.