Sentences with phrase «dynamic sequence of»

The putatively unique «I» of a singular psyche, conceived as a dynamic sequence of private acts of representing, is in any case only a sequence of abstractions — there is no such thing as a whole and completed «now» of an isolated Self.

Not exact matches

In non-living things visible to the naked eye there is no clear distinction between whole and part, and no dynamic unity, as though something like a sequence of experiences were influencing the parts.

«Cells have not selected against dynamic oscillations in their control circuits, but have made use of them to organize the staggering complexity of cellular dynamics into a well - ordered rhythmic sequence of biochemical processes.

After a great deal of excitement over the playoff atmosphere and the dynamic opening sequence, the room crashed with a dull thud when Nikita Zadorov scored on the Avalanche's first shot on goal.

Researchers from LSTM, along with a team of international biologists who have recently sequenced the genome of the king cobra, say that their work reveals dynamic evolution and adaptation in the snake venom system, which seemingly occurs in response to an evolutionary arms race between venomous snakes and their prey.

Using a mix of live - action sequences, animation and satellite data, the NASA - produced film Water Falls melds science with art to convey the dynamic nature of the water cycle.

The second sequence, which involved large slip rates, may have caused substantial stress loading, prompting the unstable dynamic rupture of the mainshock.

Gene activity is not only determined by the sequence of the DNA, but also by the dynamic three - dimensional structure of the genome.

The dynamic sequence — which spans about 8 months — has thrilled astrophysicists accustomed to static snapshots or mere points of light.

Because this region covers the entire CenHs - binding region (around 750 kb), the authors [6] postulated that CenH3 - containing and dimethyl - K9 H3 - containing nucleosomes are interspersed and that the position of these nucleosomes is dynamic, so that a population of cells may have the same DNA sequence interacting with both types of nucleosome.

This year (2015) was a dynamic and busy one for the field of next - gen sequencing.

Chromosomes and genes are non-randomly positioned in the cell nucleus and the vision of a dynamic and complex organization of the nucleus is replacing the classical view of genomes as linear sequences.

The secret to the success of the Yoga Burn Program lies in what's referred to as Dynamic Sequencing.

As Yoga Burn relies on dynamic sequencing, you WOn't even see how it slowly raises the degree of sophistication.

Yoga Burn is a metabolism boosting, body shaping program designed for anyone, beginners and seasoned girls since it uses specific strategies of dynamic sequencing that effect in astounding benefits on your body like getting flexibility, alleviating tight muscles, enhancing health and resistance, feeling energized and rejuvenated, looking younger and fitter and getting the clarity and focus you must be successful.

Looking at this situation functionally, a shortened pectoralis minor will inhibit lower trapezius and such dynamic will affect the activation sequence of scapular musculature during arm elevation, as it needs to occur during freestyle swim.

Classes will be offered in the Hatha tradition weaving a creative mixture of dynamic slow flow sequences with therapeutic modalities such as yin, self - massage ball rolling and guided meditation and visualization (yoga nidra).

Dynamic set training is a unique sequence of repetitions and sets during a work out that are meant to work and tire the muscles to promote its growth.

This is a powerful, energetic class that emphasizes the coordination of breath with movement as you flow through dynamic posture sequences.

More dynamic and rigorous than your usual massage, limbs and joints are manipulated in a sequence of movements, inspired by yogic stretching.

The asanas in this sequence represent the air element with a more dynamic flow, and increase the ability to open these pathways and resolve dullness of the skin.

The dedicated practice of 12 dynamic and powerful yoga asanas of a sun salutation sequence activates the solar plexus (located behind the navel, the central point of a human body) that heightens one's creativity, intuitive abilities, and enhances the well - being.

By practicing these two actions, you'll create a physical imprint of the central dynamic that's required for the two arm balances in this sequence — producing the momentum to skillfully shift forward while maintaining the ability to put on the brakes before you go too far.

An asana practice that includes a sequence of dynamic yoga postures, taken from the Ashtanga Yoga Method.

Jonathan Mostow luxuriates in the pure surface pleasures of the his many taut, formally dynamic action sequences.

Fun enough and full of uncommonly dynamic skating sequences (Robbie is a hockey player and noted New York Rangers fan, after all) and larger - than - life performances, «I, Tonya» is more than the trashy pop time machine that audiences might expect.

Their first big punchup, at a secret casino nightclub in Busan, South Korea, is, well, a marvel of thrillingly dynamic action, a stunningly choreographed, seemingly uncut sequence that ranges all over a big space on multiple physical levels.

Visceral action (including an opening sequence that masterfully sets the tone for the rest of the film); a sharply written and directed script; rich, dynamic characters; and, as promised, the world's cutest cat (other than yours if you have one) combine to create a gut - busting, endearing, salty - sweet, and highly re-watchable comedy.

The Wachowskis and cinematographer Bill Pope take advantage of currently available technical trickery to create visually distinct levels of reality while setting high - speed cameras in motion to make the action sequences particularly dynamic and fluid.

In Waters» obsessive «re-directing» of opening sequences, he explores the poetic and absurd possibilities of this dynamic in - between space.

Johnson stages some of the most dynamic action sequences ever seen in a «Star Wars» movie and sets them to a ticking - clock narrative that heightens the tension.

The movie's shambling, episodic structure ensures that certain sequences fare much better than others, and it's ultimately clear that Nebraska is at its best when focused on the father / son dynamic between Dern and Forte's respective characters - with the heartfelt authenticity of such moments generally compensating for the movie's various deficiencies.

Outside of Genndy Tartakovsky's splashy animated sequence, the image is fashionably desaturated and drained of colour from the red end of the spectrum especially (the crimson Screen Gems logo is here metallic blue), but within its mostly - teal palette there's an impressive dynamic range.

Director Steven Soderbergh shoots those dance sequences with dynamic flourish (The camera is almost always moving in ways that punctuate the actors» motions) and plenty of polish (The stark contrast of the darkened house of the club with the perfectly lit stage is itself a contrast to Soderbergh's washed - out cinematography for the scenes outside of the club).

There are plenty of dynamic action sequences yet none of them felt like they were dragged out for too long like we've seen in some of the Marvel or DC movies.

The family dynamic is a solid foundation to a story that — let's face it — only exists to go from one sequence of the creature threatening these characters to the next.

The film's design is a marvel of diverse locales, images of space that look authentic, and worn ships that give a sense of their construction (most notably in a dynamic sequence that has Kirk and his trusty engineer Scotty, played by Simon Pegg, racing through their ship as its center of gravity changes).

About halfway through the film, there's a sequence that completely changes the dynamic of its story and makes the already - shaky relationships between these characters even more hostile.

A few louder sequences — usually connected to action beats — made more dynamic use of the spectrum, but those didn't pop up with great frequency.

Quieter scenes present a good sense of place and atmosphere, while the action sequences open things up in a dynamic manner.

It's a neat, dynamic sequence that's unfortunately and fatally undermined by Lin's decision to set it against an incredibly dark backdrop of London streets and make so many rapid cuts that it's doubly incomprehensible most of the time.

It's no coincidence that the very first sequence of the film revolves around their dynamic.

While these stories never directly overlap, collectively they feed into a larger portrait of unrest, culminating with an eruption of gunfire between the military and rebel forces strung together like a dynamic action sequence.

Largely employing a variation on continuity editing, the opening scenes are ponderous and there is little sense of dynamic montage, aside from the punctuation of the axial cuts, until the stunning and disorientating «Battle on the Ice» sequence.

With wholly magnificent sequences that make sharp use out of natural light (a burning house sequence, a fight in nighttime Shanghai) or utilize precise framing (Bardem's entrance), Skyfall has beautifully stylized cinematography that never rings with pretentiousness; this is camerawork that labors uniquely to present its dynamic environments, with the presentation of story coming first.

Action sequences, on the other hand, deliver maximum punch with great dynamic range, bold staging, lively and aggressive directionality and panning, and an excellent foundation of bass.

Here we have a scenario with the possibility of dynamic action sequences, and in flashes (that is all Liman and his three editors allow us), we catch glimpses of them.

«Workman, who has created opening sequences for 10 Academy Award shows, casts a spell by combining over 200 gorgeous film clips with filmmaker interviews, music and quotations to create dynamic and evocative montages that deepen the exploration of a question for which there is no definitive answer.»

Once basic literary terms (such as point - of - view, dynamic and static characters, conflict, exposition, rising action, climax, falling action, and resolution) have been taught and reviewed by the teacher, the students are to ready to read Edgar Allan Poes story «The Tell - Tale Heart» and discuss it in terms of plot sequencing and character development.

There's one particularly interesting and open corner sequence that helps define the dynamic character of each car.