The only son of the Surrealist painter, Max Ernst, Jimmy Ernst united abstraction and representation and formal invention and mythic imagery, creating
dynamic surfaces filled with geometric armatures often evoking medieval stained glass.
Not exact matches
Filled to the brim with cheeky social commentary, this is one of those rare action films that hits you heavy with satire, while also engaging you on the
surface level with an intriguing story and a strong visceral
dynamic.
Once inside, the audience experienced a
dynamic inter-dispersal of movies and images around them, created by over a dozen slide and film projectors
filling the concave
surface with a dense collage of moving imagery.