Sentences with phrase «dynamics of power in»

The dynamics of power in child custody mediation.

Finally, the artist presents a series of wall drawings produced using the surrealist technique of automatic drawing in order to embellish and extend these themes, subconsciously pushing against the edges of how the artist herself constructs many of the characters in her performance work, with a particular focus on the dynamics of power in relationships.

He explores the shifting dynamics of power in human behaviour and includes moving unseen footage from the Bosnian war.

The parabolic symbolization of the technocracy is not the exact discription or analyses of the reality of the power of the technocracy, but it is to reveal the dynamics of its power in history.

Not exact matches

But the former dominatrix says the very premise all of her trainings is based on — the idea that hidden power dynamics often impact minorities and women in unfair ways — seemed totally foreign to so many would - be students five years ago when she started teaching.

Often, these kinds of interactions can skew power dynamics in relationships between men and women, and leave the men coming out on top.

Underpinning Bravo's depiction of the power dynamics between a boss and her underlings (played out in the open floor plan of a cramped SoHo loft), are the very real problems of a working business: What to do if your client doesn't pay, how to deliver on a tight budget, and even what if your assistant ordered more printer paper than toilet paper.

Imagine summoning 411 trillion watts of power — 1,000 times more than the United States uses in any instant — at the flick of a switch, recreating the atom - altering dynamics deep in the core of a star.

The dynamics of the relationship have shifted so customers have more power in their relationships with companies.

Trump seemed to view the relationship with Cruz in terms of power dynamics.

In the VC industry — where 89 percent of investing partners are men, according to a study by the National Venture Capital Association — sexual harassment can be especially troubling because of the power dynamics at play, said Kate Mitchell, co-founder of Scale Venture Partners and co-chair of the NVCA's Diversity Task Force.

Trump has previously said little about the #MeToo movement, which has led to a reexamination of power dynamics and expectations for men and women in the workplace.

Notions of «power over» dynamics, hierarchical thinking, authoritarianism, success meaning «winning» over someone else who is a «loser», more money and more power and more authority is more successful... everything that causes so much trouble in a capitalist, patriarchal mindset.

Tim, it's nice to meet someone else peculiarly interested in the psychological and social dynamics of power and leadership.

In my opinion, however, many, many Christians are unbelievably naive when it comes to human nature and the kinds of power dynamics exposed in this conversatioIn my opinion, however, many, many Christians are unbelievably naive when it comes to human nature and the kinds of power dynamics exposed in this conversatioin this conversation.

Milligan records complaints about optics and power dynamics, with some claimants offended by the masculine decor in the office of the archdiocese's solicitor.

The second is more along the lines of author Frank Herbert, who explored in his Byzantine * Dune * saga just about every major system of power dynamics from religious / mystical to technological to political to tribal to financial to ecological to physical.

I also think it showing up now is perhaps because it's just the natural progression in a conversation to explore the power dynamics of authority misuse in the Emergent movement.

Christians affirm that the dynamics of death and the demonic powers have been defeated and put to death in the cross and resurrection of Jesus Christ.

Central to the beauty and power of the ballet Swan Lake — of which Black Swan is a sort of contemporary, hallucinatory offspring — are contrasts and dynamics, complimentary parts of a yin - yang whole: Light and dark, good and evil, soft and loud (as in Tchaikovsky's famous music).

The psychological dynamics of this examination are further complicated by the fact that any of these three stages may be further enmeshed in a triadic collusion between (1) our flesh, which is already prone to sin, (2) a superpersonal demonic power, «the enemy,» and (3) our own will, fully determined by us.

The Revolution of 1989 in east and central Europe» a world - historical series of events ignited by moral passion, informed by moral conviction, sustained by deft and morally sophisticated politics, and supported by a resolute demonstration that the Soviet Union could not compete with the United States in a serious arms race» raised further questions about classic foreign - policy realism and its narrow focus on «hard power» as the analytic prism for understanding both the dynamics of world politics and the exigencies of American foreign policy.

In fact, the problem of sexual differentiation is finally irrelevant to the principle of power conceived in relational imagery, even though sexual differentiation has a bearing on the specific dynamics of relational power involving the two sexeIn fact, the problem of sexual differentiation is finally irrelevant to the principle of power conceived in relational imagery, even though sexual differentiation has a bearing on the specific dynamics of relational power involving the two sexein relational imagery, even though sexual differentiation has a bearing on the specific dynamics of relational power involving the two sexes.

How rooted we must be in both this world and eternity, how deeply we need to understand the power of the kingdom already here and the hope of its full presence, that is, the dynamics of the Christian life, is beautifully expressed in the Confession of 1967.

The participation of the Minjung is being short - circuited in the vortex of these complex global power dynamics; their network is undercut in every direction, so that their struggle is difficult; and the violence of power against them grows more sophisticated day by day, intensifying their unrelieved sufferings.

A sense of apprehension about a rapidly changing society with little knowledge and understanding of the dynamics, structures, and uses of power in that society produce in clergy a crippling anxiety.

Early on in the The Fast and the Furious, we see how the power dynamics of the crew play out.

It involves first becoming aware of power dynamics in our own life context.

This ontological turn has opened up space for new ways of thinking about democracy, but in my view it has some troubling entailments too — it culminates in the effective detachment of political dynamics from social relations of power and results in the unvindicated privileging of the former over the latter.

Vitally, during her talk, she was able to link this imbalance in the dynamics of power between state institutions to the implementation of a security - focussed and, ultimately, retrogressive foreign policy towards Pakistan's neighbours and in the state's linkages with the global imperium.

Later in the fall, the Rainbow Rebel coalition, which Diaz backed, wrested control of the Bronx Democratic party from Joel's father, Assemblyman Jose Rivera, changing the power dynamics in the borough.

New York state's fractured Democratic senators announced Wednesday an agreement to unify, reshaping dynamics in Albany and paving the way for an expansion of Democrats» power in state government.

The collection addresses the role of archivists and the call of justice, arguing that archivists are record - makers and should be «active participants in the dynamics of power relations.»

Willems explores human rights education today in the United States and how, in a time of changing international power dynamics, a comparative approach to complex human rights stories can facilitate meaningful learning.

«This is about power dynamics in a permissive environment,» says anthropologist Kathryn Clancy of the University of Illinois, Urbana - Champaign, the study's lead author.

Hsu said the research contributes to understanding about how local conditions or cultural changes drive dynamics in a broad range of markets including rise of organic agriculture and the growth of energy and wind power.

In contrast to the problem of power outputs, the exact inverse dynamics approach to calculating net joint moments may not exert any substantial effect on the results recorded (Cleather & Bull, 2010).

Moreover, the question of why we can't all share what the cultures of the world have to offer is a political one, deeply rooted in the power dynamics of history.

Rock Art Depicting Stone Age Camel Dating Back 40,000 Years Discovered in Russian Ural Mountains Cave Queer women who date despite significant age gaps challenge mainstream standards of beauty, rewrite stereotypical relationship power dynamics, and subvert

AMC's well - acted series recalls John Carpenter's snowy monster freak - out, though it's less interested in creatures than the shifting power dynamics of desperate men.

After a whirlwind courtship and two previous movies, Anastasia and Christian Grey of the Fifty Shades trilogy are tastefully wed — everything in this film is exceedingly tasteful — but the power dynamics in the relationship are shifting as Mrs. Grey demonstrates unexpected spunk.

It easily could have been familiar and routine stuff, save for the fact that it provides a genuinely provocative examination of power dynamics and the role of sex in that battle for power, as well as a protagonist whose motives and actions remain a puzzle until the final minutes of the story.

Throughout her career, Bigelow has reveled in the power wielded by good and bad strong - people at the expense of the masses, though the power dynamics of K - 19 are less ambiguous than inconsistent, so as to serve a formulaic narrative of male bonding under duress.

With Oscar nominee The Square out in UK cinemas, MUBI celebrates with a Ruben Östlund double - bill, introducing us to more of the Force Majeure director's work, from his visual storytelling to his sagacious observation of social power dynamics.

For Western audiences, the film also documents — without overtly critiquing — the role of religion, and the power dynamics between men and women, in contemporary Iranian society.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosIN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Riding out these degradations is hard going at times, but this heady thematic mix of «issues about the justice system, gentrification, power dynamics, and racial profiling» also boasts an energetic «music video aesthetic... to give a sense we're playing in Leah's New York fantasies.»

Not even the no - nonsense headmistress (Nicole Kidman) is completely immune to the flattery of their male charge; her wistful, lonely teacher (Kirsten Dunst) and the imperious oldest student (Elle Fanning) all fall under the sway of the charming soldier, who delights in the newfound upheaval in power dynamics and the passive - aggressive sniping on his behalf.

Paul Thomas Anderson reteams with his «There Will Be Blood» star Daniel Day - Lewis (in what is reportedly the actor's final role) for another strange tone poem, this focusing on the ego of the male creative genius, the inscrutability of relationships and the power dynamics that emerge between couples.

Over a night of gamesmanship, the title of the film is examined in shifting power dynamics between a woman who has spent her professional life subsuming her femininity for power in a traditionally masculine arena and the girl who has spent her life exploiting femininity to the same ends.