Yet there is something inherently compelling in the mix of utopia and
dystopia on display, and the ways in which these are drawn out over the course of the film make it a fascinating, if often frustrating experience.
Not exact matches
Rather, the new and ominous possibility
on the near - term horizon was something quite different: the happy, if thoroughly dehumanized and massively coercive,
dystopia of Huxley's brilliant imagination.
Mad Max — Dystopian; Society is crumbling and fucked up but still exists The Road Warrior — Post-apocalyptic; Society has completely fallen apart and everyone is
on their own Fury Road — Post-apocalyptic
dystopia; A new, completely fucked up society has emerged from the rubble of the old one.
The demonstrators choose The Handmaid's Tale, now a series
on Hulu and based
on a Margaret Atwood novel, in which women are relegated to second - class citizenship without reproductive rights in a male - dominated
dystopia.
The good news is that we are not
on the verge of what the Boston Globe has called a «Matrix - like cyberpunk
dystopia» in which we all become robohumans, controlled by implants that «impose false memories» and «scan for wayward thoughts.»
The good news is that we are not
on the verge of what The Boston Globe has called a «Matrix - like cyberpunk
dystopia» in which we all become robohumans, controlled by implants that «impose false memories» and «scan for wayward thoughts.»
About Site - A book designer and PhD student now focused
on writing Urban Fantasy books, young adult novels, SCIFI, and
DYSTOPIA.
New
on Kickstarter is Blood Alloy, a 2D Metroidvania shooter with a deeply»80s
dystopia vibe.
Based
on the «2000 AD» comic, Alex Garland's script sees Judge Dredd (Karl Urban), totally committed yet unsympathetic law enforcer in a future
dystopia, going up against a gang leader who rules from the top of a 200 storey tower block.
«Children Of Men» For a film which is, ostensibly at least, science fiction (it creates one of the most coherent, fascinating futuristic
dystopias ever seen
on screen), «Children of Men» sums up our War -
on - Terror, immigration - panic era better than any contemporary drama could.
Ramin Bahrani's Fahrenheit 451, which airs
on HBO Saturday night, updates Bradbury's
dystopia for the social - media age, meaning that television is no longer bringing about the downfall of civilization: the internet is.
Though he doesn't quite connect the dots between them, each entry into the series continues the trek into full -
on, post-apocalyptic
dystopia.
Blu - ray adds deleted and extended scenes; five featurettes: «The Final Run» «
Dystopia,» «Allies Reunited,» «A Look Back,» «Going Out
on Top»; «Visual Effects»; gallery of over 300 images.
But each of these releases, in its way, hit the spot, arriving at that precise moment
on the calendar when audiences are starting to feel done with heat and noise and ambient buzzing
dystopia.
Divergent Director: Neil Burger Starring: Shailene Woodley Synopsis: Set in a futuristic
dystopia, a teenager seeks to break free from her homogeneous society that divides people based
on human traits.
Bill Paxton's presence as Cage's ideology - spewing new Master Sergeant seems meant to align Edge of Tomorrow with Aliens
on some level, if not to suggest a
dystopia where the dim - bulbed Private Hudsons of the world now ceaselessly march their impressionable troops into the maw of the enemy.
It's masterful acting, reinforcing the concept that this whole
dystopia teeters
on a razor's edge because one girl couldn't stand to kill her friend.
Lanthios's romantic
dystopia, which screened last year at Fantastic Fest, is
on its way to be being one of the year's best regarded films.
Key features of the
dystopia — Megasaki as a play
on Nagasaki, mushroom - cloud animations, and, most uncomfortably, the establishment of dog internment camps — refer to historical violence inflicted
on the Japanese by the U.S.
Lucile Hadzihalilovic's unforgettably unsettling Evolution is set
on a rustic island somewhere off the coast of France, perhaps in the stretch of azure sea between the YA
dystopia of The Giver and the chilly urban streets of Under the Skin.
1984 is based
on the classic science fiction novel by George Orwell, which offered a bleak vision of a future
dystopia where one's thoughts and actions were controlled by a totalitarian government ruled by an entity known simply as «Big Brother».
The result is a film that has the integrity to stay true to the parameters of Suzanne Collins» fictional
dystopia but is nevertheless flat and — for a universe built
on kids killing kids for televised entertainment — disappointingly lacking in tension and satirical bite.
If much sci - fi is about the philosophical question of what it means to be human, or of imagining
dystopia to comment
on the politics of today, Arrival takes a more personal, emotive approach to the genre.
It's impossible from one moment to the next to understand what's going
on in Once Upon a Time in Mexico beyond a vague sense of Rodriguez's irritation with Dubya's
dystopia and a feeling — sometimes operatic, sometimes not — of loss and the will to vengeance.
After more than a year of surviving this
dystopia, the Abbotts continue
on with their lives; Lee's wife Evelyn (Emily Blunt) is preparing to give birth, their hearing son Marcus (Noah Jupe) is learning the ropes from his father, and their deaf daughter Regan (Millicent Simmonds) is still struggling to come to terms with her role in a tragedy that struck the family, several months earlier.
Ramin Bahrani's Fahrenheit 451, which airs
on HBO Saturday night, updates Bradbury's
dystopia for the social - media age, meaning that television is no longer bringing about the downfall of civilization: the internet is.
A sure hit with 4 - 6 grade lovers of
dystopia, or those wishing to nibble
on the genre.
On the other hand, in regards to fiction genres,
dystopia - based YA novels outperform others.
The attractions of computer role - playing have been harnessed in this gripping, reluctant - reader - friendly novel about a
dystopia in which inhabitants» fates depend
on how their avatars perform in virtual battles.
Junot Díaz fiction editor at Boston Review, has issued a special call for stories, essays, and interviews
on the theme of global
dystopias.
A book designer and PhD student now focused
on writing Urban Fantasy books, young adult novels, SCIFI, and
DYSTOPIA.
On the heels of my discussion on the allure of dystopia in fiction, here is my list of top ten all time best dystopian novel
On the heels of my discussion
on the allure of dystopia in fiction, here is my list of top ten all time best dystopian novel
on the allure of
dystopia in fiction, here is my list of top ten all time best dystopian novels.
Waiting
on Wednesday: After: Nineteen Stories of Apocalypse and
Dystopia
«
On Amazon.co.uk, self - published works regularly show up in the top 100 bestselling books list, which this month includes The Girl Who Never Came Back by Amy Cross, a 30 - year - old self - published writer of paranormal and fantasy,
dystopia and erotica; and The One You Love by Paul Pilkington, the first in his Emma Holden suspense mystery trilogy.
Oregon, Taiwan, or between About Blog A book designer and PhD student now focused
on writing Urban Fantasy books, young adult novels, SCIFI, and
DYSTOPIA.
Huxley: The
Dystopia has been in development for a while and this week they released a mysterious new webpage with a countdown timer
on it.
Galvanised by YouTubers, and brought together
on open platforms like forums and twitter they pushed Microsoft away from their always - online
dystopia.
Bombarded by story after story
on the collapse of our republic into a
dystopia uninhabitable to any except the lizard people running the oval office (alternative fact: Steve Bannon is a gutter cigarette in human form), it...
Wired's Chris Kohler said the game was «stamping
on well - trod ground,» and Game Informer's Andrew Reiner said the
dystopia of Rapture had developed «the familiarity of a local shopping mall.»
«If we reach this goal we will start work
on this exciting, much - demanded project, and implement Easter eggs in Broken Sword: the Serpent's Curse, offering a glimpse of this futuristic
dystopia.
Call of Duty: Black Ops 3, a twisted tale of men vs machines in an Asimovian
dystopia where the only thing you can count
on is the soldier at your back.
The Surge takes place in a distant future
dystopia where Earth is
on its last legs.
Drawing
on Fritz Lang's film Metropolis (1927), Bercea's images oscillate between
dystopia and utopia.
He positions his artistic practice as a tool for reflection
on local realities in crisis, as the contemporary place for critical reflection and creation, and between the edges of progress and
dystopia.
Allan Stone Projects is pleased to present Dancing with
Dystopia,
on view June 11 - August 7, 2015.
Entitled Cellular World, the exhibition will bring together new commissions and existing work by artists examining the interface between humans and technology, reacting
on how our current situation sits
on a precipice between utopia and
dystopia.
The show will reveal how the two fields have represented ideas of utopia, or anticipated emerging notions of
dystopia, since the early 1970s, with a strong focus
on work produced over the last five years.
Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and
dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based
on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.
Today, we're thankfully more practical in eking out our incomes: we look to the sun and its instruments (see this Thursday's opening of the «Heliotropes» group show at Geary Contemporary) or envision terrible futures in our analogue pasts («that old school
dystopia» at Theodore: Art
on Friday).
Tagged as: #J20, bridget riley, CalArts, Cindy Sherman, George Caleb Bingham, harvard, Jenny Saville, Kadir Nelson, Living in
Dystopia, martin luther king jr, Maxence Cyrin, St Louis Art Museum, Studio Museum in Harlem, The Women's March
on Washington, Vija Celmins, Yayoi Kusama