Sentences with phrase «e nero»
Bruce Nauman Light Trap for Henry Moore No. 1, 1967 Foto in bianco e nero (157.5 × 105.7 × 5.1 cm) Glenstone Museum, Potomac, Maryland.
https://www.inexhibit.com/
Un look da ufficio smart casual in bianco e nero.
Un look elegante in bianco e nero, tra ruches e pizzo Sangallo.
Not exact matches
Grand Palais, Paris (2011); Art 40 Unlimited, Basel (2009); and concerning the group exhibitions: Par Tibi Roma Nihil, Palatine Forum, Rome (2016); Todo o Patrimonio é Poesia curated by Filipa Oliveira, Fórum Eugénio de Almeida in Évora, Portugal (2016); SubBrixia project, ordine e disordine, produced by Brescia Museums Foundation, Brescia Mobility and the City of Brescia (2016); Industriale Immaginario, Maramotti Collection, Reggio Emilia (2015 - 2016); NERO SU BIANCO, curated by Robert Storr, Lyle Ashton Harris and Peter Benson Miller, American Academy in Rome (2015); Corsaro, performance realized at the exhibition Non Basta Ricordare curated by Hou Hanru, MAXXI National Museum of XXI Century Arts, Rome (2014); You Can not Take It With You, Institut Culturel Italien de Paris, Paris (2014); Intenzione Manifesta.
Ilaria Gianni collaborates with magazines such as «NERO», «Lo Specchio +», «Circa», «Flash Art», «Arte e Critica», and is one of the Italian contributors for artforum.com.
Among the most historically important have been de Chirico, gli anni Venti (de Chirico in the 1920s), 1986 — 1987, then transferred to Palazzo Reale in Milan, and Boccioni 1912 Materia, 1991 — 92; Marino Marini — Mitografia (Marino Marini — Mythography), 1994 — 1995, which analyzed the evolution of the most characteristic aspect of the artist's output; Morandi ultimo — nature morte 1950 — 1964 (The Later Morandi — Still Lifes 1950 — 1964), 1997 — 1998, then transferred to the Peggy Guggenheim Collection in Venice, and de Chirico, gli anni Trenta (de Chirico in the 1930s), 1998 — 1999, and recently Alberto Burri, opera al nero (Work in Black), 2012 - 2013, focused on a particular aspect of the artist's production: the treatment of black in his «Cellotex» works; Emilio Vedova, De America, in collaboration with the Fondazione Emilio e Annabianca Vedova, based on a series of about fifty paintings on canvas and paper, all in black and white, realized in 1976 - 77.