Sentences with phrase «e paper color»

For the first time ever, the electrophoretic display prototype can produce full color without the use of a color filter array, setting a new standard for bright, reflective e paper color displays.

Not exact matches

Designed to be loved by the public and easy to install for cities and developers, the Soofa Sign is made up of a color 32 - inch E Ink electronic paper display and is powered by Visionect's advanced signage technology, which allows the e-paper screen to use up as little energy as possible and seamlessly update the sign with real - time content.

Invited Paper: A Full Color Electrophoretic Display Speaker: Michael D. McCreary, CTO E Ink Corp., Billerica, MA, USA

E Ink screens do have more of a gray, off - white color than paper.

«E Ink Triton is a response to market need for a color ePaper display that mimics the printed paper experience.

«E Ink Triton is a response to market need for a color ePaper display that mimics the printed paper experience,» said Scott Liu, Chairman of E Ink Holdings.

The Kindle and the Nook now offer black - and - white E Ink technology, which replicates the look of printed paper, and new iPads include full - color IPS LCD displays.

This morning E Ink Holdings announced the availability of a new color - changing film known as Prism that's based on the company's electronic paper technology used in devices like Amazon's Kindle and the Pebble smartwatch.

«E Ink Triton is a response to market need for a color ePaper display that mimics the printed paper experience,» E Ink Chairman Scott Liu said in a statment.

E Ink has announced its new Advanced Color Paper, the first electrophoretic («electronic paper») display able to produce full color sans the aid of a color filter aColor Paper, the first electrophoretic («electronic paper») display able to produce full color sans the aid of a color filter aPaper, the first electrophoretic («electronic paper») display able to produce full color sans the aid of a color filter apaper») display able to produce full color sans the aid of a color filter acolor sans the aid of a color filter acolor filter array.

Introduced in 2001 by E Ink, the active matrix electronic paper display makes it possible for each of the individual screen pixels to change color for the first time, expanding the potential and versatility of the technology.

From the very beginnings of the technology, the creation of commercially - available color electronic paper displays has been the goal of all EPD manufacturers (image source: E Ink).

The Soofa Sign is made up of a color 32 - inch E Ink ® electronic paper display and is powered by Visionect's advanced signage technology, which allows the e-paper screen to use up as little energy as possible and seamlessly update the sign with real - time content.

The puzzle piece: E Ink's 9.7» electronic paper display, with drivers (colored orange and white) located alongside the whole length of both sides of the rectangular screen.

The most common solution to displaying color on e ink had traditionally been a color filter array overlaid over a black and white electronic paper screen.

Capsules filled with negatively and positively charged particles color the surface of an electronic paper display black or white when an electric charge is applied (Image source: E Ink ®)

E Ink Prism is a different kind of paint: the thin electronic paper film can transform architectural materials into dynamic, programmable products that can change colors and patterns.

And now that E Ink has created the first full - color electronic paper, e-readers have found yet another way to remain relevant.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

2008 Text / Messages: Books by Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Out!

«Red, Yellow, Blue», Hiram Butler Gallery, Houston, Texas «Celebrating the Spectrum: Highlights from the Anderson Collection», de Young Museum, San Francisco, California «Knowing Space», School of Visual Arts, New York, New York «Drawings & Works on Paper», Galerie Lelong, New York, New York «W U N D E R K A M M E R», Bartha Contemporary Ltd, London, United Kingdom Reductive Minimalism, University of Michigan Museum of Art, Ann Arbor, Michigan Structured «Color», McKenzie Fine Art, New York, New York «Editions» 14», Lower East Side Printshop, New York, New York «Real Estate», Ventana 244, Brooklyn, New York «Coloring», Atlanta Contemporary Art Center, Atlanta, Georgia

Helen Frankenthaler (American, 1928 - 2011), «Geisha,» 2003, Ukiyo - e woodcut in 23 colors on Torinko paper, pencil signed and dated lower right, edition 39/50, published by Pace Editions, Inc. (New York, NY), gallery label (Lillian Kornbluth Arts, Santa Barbara, California) affixed verso, image / sheet: 38 «h x 26 «w, overall (framed): 42 «h x 30 «w. Provenance: Estate of Lillian Kornbluth (Paterson, New Jersey / Santa Barbara, California)

2008 DAC Leap Year Benefit Auction, Dumbo Arts Center, New York, US Based on Paper - The Marzona Collection, MIMA Middlesbrough Institute of Modern Art, Middlesbrough, UK Colour Chart: Reinventing Color, 1950 to Today, MoMA, New York, US Art Dubai, Dubai International Financial Center, Dubai, UA; Tranzitdisplay, Prague, CZ A Room of One's Own, Castello Di Rivoli, Rivoli (Torino), IT Once Upon a Time, Yvon Lambert and Markus Schöb & Hans Widmer, Paris, FR Artist Space 2008 Spring Benefit, Irving Sandler Benefit Exhibition, Artist Space, New York, US Bomb 27th Anniversary Gala and Silent Auction, The Bowery Hotel, New York, US Lo And Behold, Patrick De Brock Gallery, Knokke, BE Voyage à Rome, Collection Lambert, Rome, IT Strip - Bilder in Folge / Images in Line, Kunstmuseum, Stuttgart, DE Vinil: Gravações e Capas de Discos de Artista, curated by Guy Schraenen, Museu Serralves Museu de Arte Contemporânea, Porto, PT Who's Afraid of Jasper Johns?

Helen Frankenthaler Tales of Genji V, from Tales of Genji 1998 Ukiyo - e woodcut in 49 colors from 21 woodblocks, with pochoir, on TGL handmade paper, the full sheet, S. 42 1/4 x 47 in.

One of the finest examples of her work, available at VFA, is Geisha, a 23 color Ukiyo - e woodcut on Torino paper, done in the ukiyo - e genre of art that was popular in Japan from the 17th through 19th centuries.