Not exact matches
Summary: Title: Guerrilla Marketing to Heal the World: Combining Principles and Profit to Create the World We Want
Authors: Jay Conrad Levinson, Shel Horowitz Contributing writers: Cynthia Kersey, Frances Moore Lappé, Ken McArthur, Yanik Silver
Publisher: Morgan James Pub date: April 19, 2016 ISBN: 978 -1-63047-658-8 (paperback); 978 -1-63047-659-5 (
eBook) Price: $ 24.95 Contact: Shel Horowitz, 413-586-2388,
or via email
NetGalley provides a place where
authors /
publishers can upload their
ebooks (ARCs
or older titles) and reviewers can request a copy for review.
Last week, for the first time ever, a major
author —
or, in many minds (as though it's a matter of opinion), THE world - premiere
author of the # 1 best - selling series in publishing history, J.K. Rowling — has decided (with her
publisher) to release the
ebooks directly.
$ 3 is still not a huge stretch compared to the $ 10
or more most traditional
publishers are charging for
ebooks, but as an Indie
author, I want to make sure to keep a handle on what my readers are expecting and willing to pay.
Also, if you had, in the past, a book publishing contract with a
publisher that has expired, we can help you to re-publish your book as a self published
author either as an
eBook or in print.
Projects like Hugh Howey's
Author Earnings are already maximizing on the available information to help authors make sound decisions concerning publishing route, ebook pricing, and more, but traditional publishers are also slowly coming along in terms of looking at all the possible pieces of information surrounding a book or author, and using that information to drive consumer engag
Author Earnings are already maximizing on the available information to help
authors make sound decisions concerning publishing route,
ebook pricing, and more, but traditional
publishers are also slowly coming along in terms of looking at all the possible pieces of information surrounding a book
or author, and using that information to drive consumer engag
author, and using that information to drive consumer engagement.
Whether it's the latest title from a legacy
publisher's hottest
author,
or a graduate - level biochemistry textbook, there is a severe disillusion on the part of the reading public that
ebooks should automatically... [Read more...]
Authors typically are paid a percentage (which can be up to 40 %) of the sale from their
ebook or agree to a flat fee from the
publisher which will remain fixed regardless of the number of books sold.
Why should indie
authors or small
publishers pay for ISBNs on
ebooks when those bring them absolutely no value?
I'd heard stories about
ebooks from reputable indie
authors or traditional
publishers suffering from formatting problems, and I didn't want to run into the same issues.
OnlineComputerBooks contains details about free computer books, free
ebooks, free online books and sample chapters related to Information Technology, Computer Science, Internet, Business, Marketing, Maths, Physics and Science which are provided by
publishers or authors.
We can't view a comparable list of
ebooks because 1) not all
publishers or authors of
ebooks provide them to libraries and 2) not all
ebooks available are purchased by libraries.
Authors, writers,
publishers of
eBooks, audiobooks and short texts can... A) sell their
eBook through their
author page on XinXii - without
author contract - in real - time, without technical skills - with an own authorpage and online shop - enter all information such as description, tags, cover, price... - upload an
eBook in one
or multiple formats: PDF, ePub, mobi, doc, xls... - high royalties per download - consolidated real - time sales reports - keeping full editorial and copyright control
or B) sell their
eBook through their
author page on XinXii and additionally on major
eBook retailers - we convert
eBooks to the ePub and mobi format for free - we distribute to the leading
eBook - shops all over the world for free - we provide consolidated sales reports Readers have... - the opportunity to discover new titles in all categories and genres - an easy access to a huge variety of content - can instantly download after purchase - have the opportunity to rate and comment on
eBooks
My tentative conclusions are these: 1)
ebooks are «leveling» the playing field for female
authors since, for the first time in publishing history,
authors do not have to wait for the largesse
or permission from
publishers to get our books into the hands of readers, and traditional publishing has always favored males (to date).
Publishers (
authors, musicians, and filmmakers) can choose on what format they like their materials would be delivered to the customers: either electronically (
eBook, MP3, video)
or traditionally (print, CD, DVD).
However, as
publishers make a grab for perpetual e-rights, etc., and as they screw up publishing of
ebooks, I then wonder if I want to hold off on traditional publishing until I see how things settle out in terms of
authors keeping
or getting back rights.
Your
ebook is published by you (the
author or publisher) at Smashwords.
(cont'd)- I'm giving away hundreds of listings on the Vault, and as a result of doing so, won't see one thin dime of income on the site until October
or later - Given all the time and money I've already sunk into developing the site, I don't even expect to earn back my upfront investment until sometime next year - I'm already personally reaching out to
publishers on behalf of
authors who are listed in the Vault, on my own time and my own long distance bill, despite the fact that I don't stand to earn so much as a finder's fee if any of those contacts result in an offer - I make my The IndieAuthor Guide available for free on my
author site and blog - I built Publetariat, a free resource for self - pubbing
authors and small imprints, by myself, and paid for its registration, software and hosting out of my own pocket - I shoulder all the ongoing expense and the lion's share of administration for the Publetariat site, which since its launch on 2/11 of this year, has only earned $ 36 in ad revenue; the site never has, and likely never will, earn its keep in ad revenue, but I keep it going because I know it's a valuable resource for
authors and
publishers - I've given away far more copies of my novels than I've sold, because I'm a pushover for anyone who emails me to say s / he can't afford to buy them - I paid my own travel expenses to speak at this year's O'Reilly Tools of Change conference, nearly $ 1000, just to be part of the Rise of
Ebooks panel and raise awareness about self - published authors who are strategically leveraging ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow au
Ebooks panel and raise awareness about self - published
authors who are strategically leveraging
ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow au
ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow
authors.
There are some very motivated
authors published by Independent
publishers using digital
or POD technology and
eBook publishing that have far surpassed the measily 100 books touted as their limit by naysayers.
Ebooks have none of those added costs, which is why they should be less regardless of the advance paid to the
author or other expenses the
publisher incurs in bringing a book to market.
A versatilely - skilled
author -
publisher can do many of those tasks on her own (I actually like doing print layout and
ebook conversions, though apparently I'm in the minority, and I have a lot of website background) but will still need to pay for tools, such as layout
or graphics software, graphics resources and typefaces, web hosting, etc..
So, it's not just a matter of the
author or US
publisher giving Amazon
or Apple
or BN
or Whoever a thumbs - up to sell away the English language
eBook from their distribution channels in other countries.
NetGalley for
Authors I started a NetGalley co-op that makes it more affordable for indie authors to participate (NetGalley is a clearinghouse where authors / publisher upload their ebooks (ARCs or older titles) and reviewers can request a copy for
Authors I started a NetGalley co-op that makes it more affordable for indie
authors to participate (NetGalley is a clearinghouse where authors / publisher upload their ebooks (ARCs or older titles) and reviewers can request a copy for
authors to participate (NetGalley is a clearinghouse where
authors / publisher upload their ebooks (ARCs or older titles) and reviewers can request a copy for
authors /
publisher upload their
ebooks (ARCs
or older titles) and reviewers can request a copy for review.
Any
author or publisher can add their titles to this new
ebook retailer.
Under the system
authors and
publishers can have their books listed on the Google main
ebook website but can also sell them directly on their own blog, store,
or webpage.
There are a few criteria the system has developed in order to have quality
ebooks in their system, such as any book that has been recognized for excellence in any Midwest Book Awards category, any book written
or published by a member of the Midwest Independent
Publishers Association, any independently
or self - published book written by a Minnesota
author, and any independently
or self - published book about Minnesota.
Unfortunately, a report that was released earlier this year showed that one way
publishers are looking into protecting
authors is to ban off - site
or remote
ebook lending, thereby requiring patrons to come into their local libraries in order to borrow
ebooks, essentially destroying one of the key advantages to e-reading, namely, the portability and anywhere access to
ebooks.
Whether it's the latest title from a legacy
publisher's hottest
author,
or a graduate - level biochemistry textbook, there is a severe disillusion on the part of the reading public that
ebooks should automatically be exponentially cheaper than print books, and it's a topic that hasn't made much headway in the last several years.
During this beta period, Goodreads is working with Amazon Publishing to host Kindle
ebook giveaways, but once out of beta, the program will be open to any
author or publisher — whoever owns the digital distribution rights for the book — who sells their
ebooks on Amazon.
Incidentally, no other retail
ebook platform offers anywhere close to this many book categories, meaning when the book is uploaded elsewhere by the
author or publisher, the options to describe the book accurately for better discover can be pretty limited.
If you are a new
author,
or a
publisher looking for help optimizing Amazon's services to help sell books (
or eBooks), give me a call.
And although the PPB costs are eliminated, there are still various costs associated with publishing an
ebook, such as cover design, layout & formatting, editing (professional), marketing and other miscellaneous costs (legal, distribution,
author assistant etc) all which will be shouldered by the
author (
or publisher).
Only certain Kindle
ebooks can be shared; Kindle
publishers and
authors must enable the sharing features for Kindle
ebooks to be eligible for sharing
or loaning.
While the publishing climate is certainly changing, I think as long as sales are tracked through traditional outlets and
publishers continue to put the most emphasis using Bookscan as a primary sales reference point — versus an
author's statement that the book has sold 3,000 copies in back - of - the - room sales
or as
ebooks — big
publishers are going to be wary of publishing
authors that are showing, say, 100 copies sold.
Lesson 1 To
eBook authors, agents, bookstores, libraries and
publishers: You must take ACTION
or competition will find a way to solve the current problems and issues and leave you behind.
And of course
authors and
publishers can sell books online through major retailers such as Amazon, both by uploading
ebooks and by using print - on - demand
or vendor programs to sell to consumers.
Fishcake Publications has been set up as a small, independent
publisher primarily focused on helping
authors, whether already established
or unpublished, get their work into the digital realm on as many
eBook platforms and formats as possible, therefore maximising their potential exposure and making their work accessible for the general public worldwide.
If the
publisher's responsibility is to maximize the revenues to the
author and to his
or her company, it makes little sense to raise
eBook pricing.
Frankly, each of the
ebook marketplaces presents its own set of challenges to the small
publisher or self - published
author.
More and more traditional
publishers contract with formerly selfpublished
authors and several of them have formed their own selfpublishing platforms
or ebook programs.
However
publishers choose to price their
ebooks, there are also different acceptable prices for different genres
or different types of content, as well as different priority prices for different
authors and their work.
While many
ebook - first and
ebook - only
publishers like Ellora's
or Carina — the digital imprint of romance genre mainstay Harlequin — accept unagented
authors» submissions, they are also pushing a higher volume of titles; in the case of Ellora's, they are releasing eight to twelve titles each week and signing
authors like Laurann Dohner to 75 - book deals.
While
ebook distribution platforms are not very new
or spare, QBend works instead to create a branded
ebook platform for both
publishers and
authors, powering their
ebook stores.
One way that more
authors are enticed by forward thinking
publishers is that the royalty packages from
ebook - only
or digital - first
publishers are often more lucrative for the
authors, given that much of the expensive risk has been eliminated by going digital at the onset.
While still maintaining their working relationships with their print
publishers, more and more
authors are posting
ebooks that run the spectrum of everything from full - length titles that step away from their more mainstream pieces
or shorter works that build on the existing characters in their series.
Of these
ebooks, most independently published ones have a larger market share than traditionally published ones when broken down into genres: Self - published romance, mystery, horror, science fiction and fantasy all sell better from indie
authors or Kindle imprints than they do from traditional
publishers.»
But an ISBN is not required to publish an
ebook on Amazon, and
authors or publishers have to pay if they want their titles to have one.
Even
authors or publishers with no
ebook or online experience can use the tools offered and be able to distribute their content online.
This is complicated: Are
ebooks cheaper from the consumer's perspective,
or do they offer larger profit margins than printed books, which are distributed in some fashion among the distributor,
author, and
publisher (some of whom may win, and some of whom may lose)?
This new plan will encourage more
authors to «go direct» to Amazon (
or at least force their
publishers to sell
ebooks at a substantial discount).