Gladiator is a great film to own, and as the star ratings show, this is a solid presentation... but
the earlier Signature Series edition offers a better presentation (and has plenty of special features, too).
But I have to consider the whole package here, and the truth is that the Extended Edition falls short of
the earlier Signature Series edition for both video and sound quality.
Not exact matches
The exhibition combines a chronological display with a thematic approach, structured in a
series of major chapters in the artist's career, with emphasis on two key moments: the period from 1923 to 1933, when Torres - García participated in various European
early modern avant - garde movements while establishing his own
signature pictographic / Constructivist style; and 1935 to 1943, when, having returned to Uruguay, he produced one of the most striking repertoires of synthetic abstraction.
Meditation has as its foundation, as do his
earlier signature Ink Pieces
series, multitudes of characters which are printed on the paper one by one using lead type found by the artist.
On view will be
signature pieces made in aluminum and copper, as well as
early works, often gilded in gold leaf, that recall folded fabric and open fans, Benglis» original inspirations for the
series.
The catalog includes
signature pieces made in aluminum and copper, as well as
early works, often gilded in gold leaf, that recall folded fabric and open fans, Benglis» original inspirations for the
series.
The exhibition will span five decades of work from
early experimentation to her mid-career installations, up to her
signature Teste [Heads]
series from later in her career.
Pace Gallery traces the artistic legacy of Keith Sonnier (b. 1941), exploring his career from
early pieces in neon and mixed media, to a vibrant new
series in which he continues his
signature style.
The exhibition will include
signature early works; such as Miles Coolidge's «Storefront, Hospital, Office Bldgs,» from his 1994 «Safetyville»
series, Liam Gillick's «Discussion Island Research Screen,» 1999, and Annika von Hausswolff's «Attempting to Deal with Time and Space,» 1997.
At its annual meeting in March, the Collectors Committee of the National Gallery of Art made possible the acquisition of Piano / Piano (1963 — 1965/2011) by Richard Artschwager, a major example of the wooden sculptures that employ Formica as a laminate, for which he is known; Plaster Surrogates (1982/1989) by Allan McCollum, the last large grouping available of the artist's
signature works in this
series; and Condensation Wall (1963 — 1966/2013) by Hans Haacke, a breakthrough kinetic work from the artist's
early career.
Ashley Bickerton came to prominence in the
early 1980's with a
series of fabricated, logo - plastered structures that cheekily satirized conceptions of painting, artistic
signature and style.
In conjunction with the exhibition Ocean of Images: New Photography 2015, and on the occasion of the 30th anniversary of the
signature New Photography
series, this panel addresses the history and impact of the
series and the state of photography in the
early 21st century.