Sentences with phrase «earlier abstract work»

Some of the paintings refer to earlier abstract work in which I was referencing the landscape with a strong horizon.

Some of the paintings refer to earlier abstract work in which he was referencing the landscape with a strong horizon.

Richter had begun his series of photo - paintings in 1962 when, no longer satisfied with his earlier abstract work, he turned to creating paintings based on found photographs.

James Balla established a certain tone in his earlier abstract work.

Diebenkorn speaks of his family background and early life; his education and his service in the Marine Corps; his introduction to modernism; his early abstract work; the formation of the Bay Area figurative school and the relationship between art in New York and in the Bay Area; teaching; critical and public reaction to his work; important exhibitions of his work; vacillating between the figurative and the abstract in his painting; his working methods.

At a slight angle to those, some of Bernard Frize's earliest abstract works were made peeled off the coloured skins from pots of paint left open in the studio, and applying them over the surface of the canvas.

Early abstract works and mature landscape paintings were also deeply conceptually rooted within the author's mind, but the portrayal of women remains Willem's most intimate creative output.

During the past of British art, at the forefront of landscape paintings, early abstract works, and innovations in the use of materials, we acknowledge the artists from this part of the world.

He used that method for inspiration when creating early abstract works such as «Colors for a Large Wall» and the series titled «Spectrum Colors Arranged by Chance» (both 1951), checkerboards of colour, black, and white squares assembled in a random order.

His early abstract work consists of amorphous shapes and experimentation with drip techniques.

In continuing his early abstract works he used strong straight - line strokes combined with powerful patches of color.

Croisière (French for «cruise») was among his earliest abstract works, shown at Calder's first exhibition of abstract sculpture at the Galerie Percier in Paris in 1931.

Bringing together rarely seen early abstract works, a vast and stunning display of the artist's performance - inducing «Bichos» (Beasts) 1960 — 66, and a space given over to demonstrations of Clark's therapeutic activities, this show grappled with the paradox of featuring the artist's radical production while honoring her willed «abandonment» of the idea of art altogether.

Peres Projects is pleased to present early abstract works by Dorothy Iannone, exhibited together for the first time since 1989 in West Berlin.

«The early abstract works he made when living in Berlin are rare and interesting,» says van Ginkel.

Experimenting with modulations of form, color, and plane, Clark's early abstract works challenged the canvas» edge and extended the visual field of painting into the physical realm of the viewer.

Kinetic Construction (Standing Wave) was among Gabo's earliest abstract works, a dramatic departure from the intersecting planes of the figurative works that he had been creating since 1915.

The Gallery's exhibition will include examples of the artist's early abstract works, as well as his later landscape paintings.

With the starting - point in early abstract works of the 1910s, the exhibition follows art from different periods to the end of the 1990s.

Leapman originally worked figuratively and her early abstract works were a natural evolution from her exploration of Chinese landscapes coupled with her longstanding interest in music and the timely influence of Abstract Expressionism and Minimalism.

More than 130 paintings and drawings, beginning with the artist's earlier abstract works and moving through his subsequent figurative phase, display his profound influence on postwar American art.

It was a terrific show, focusing on a group of powerful early abstract works that cement Krasner's place in the pantheon of original Abstract Expressionist painters.

De Koonings mature style of painting began to emerge during this era and is described by Stevens in detail including the key influences in the painter's early abstract works.

California, showcased Judy Chicago's early abstract works from the»60s, as well a comprehensive survey of works made while Judy Chicago was living in Los Angeles between 1961 - 1973.

This exhibition reveals Caziel's early abstract work.

If the early abstract works by Diebenkorn are composed of flowing interlocking forms, then the «Ocean Park» series is distinctly angular and urban.

Not exact matches

Over the years the human figures in his prints have filled more and more of the space, leaving less and less for the plant forms, abstract patterns and calligraphy that appeared in early works.

They are backed up by independent data from automatic weather stations, as shown in our paper as well as in updated work by Bromwich, Monaghan and others (see their AGU abstract, here), whose earlier work in JGR was taken as contradicting ours.

The exhibit will include stunning hyper - realistic work by Churchill - Johnson — stark political statement contrasted with delicate, minimalist abstraction by Uyesaka — deeply engaging abstract oils by Scorzelli — dynamic and powerful ceramic insights by Rosenberg - Dent — fanciful, abstract adventures by Lehrer — an unsettling mixed - media installation with video by auto - expressionist, Metrov — striking figurative vs abstract works by Ferris — a lively «abolish blandness» painting by Lytle contrasted with fabulous yarn work from the early 90's — and a pair of McCracken's, always delightful, miniatures.

In the early 1990s, as a young artist out of graduate school at Bennington College in Vermont, where he studied the work of mainstream abstract painters such as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artists.

Brett Baker (BB): Your new small paintings look interesting - more abstracted [than earlier works] but still closely observed.

The earliest mature work of Robert Motherwell will make up a major exhibition set to open at Guild Hall Museum on Aug. 9, providing a rare look at the abstract expressionist's little known artworks.

These elements are found in his earlier, more formal, abstract work as well as in his recent subtle landscape paintings.

The Ocean Park series exemplified by Ocean Park No. 129, connects his earlier abstract expressionist works with Color field painting.

Additionally, Tyler's paintings are reminiscent of the work from past artists such as the simplified geometric grids of Piet Mondrian's later work, color field paintings of Mark Rothko and the early abstract expressionistic work by Philip Guston.

For her exhibition with Gavlak Gallery, Tompkins is showing works that range from early sketches for paintings to now iconic «Cunt» paintings that in a more abstract manner recall Courbet's «L'Origine du Monde».

Motherwell initially produced both figural and abstract collages, but by the early 1950s Surrealist influences prevalent in these first works had given way to his distinctive mature style, which was firmly rooted in Abstract Expressionism.

His earlier works, produced in the 1980's, were signature Day - Glo, hard - edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature of the technological world we now live in - as prisons or cells.

The subject matter may not be as compelling as Katz's earlier figurative work, but these paintings, on view through July 7, aren't about garden design or abstract composition.

Bringing together more than 90 works from pubic and private collections, the exhibition features paintings and works on paper spanning the early 1930s through the late 70s, from his early depictions of African masks and figurative works to the abstract images for which he is most recognized.

Though his paintings were decidedly abstract, with seemingly little foundation in representation or figuration, Hartung spent much of his early career copying works by Rembrandt, Goya and Van Gogh.

This November, VMFA presents a groundbreaking exhibition that examines how Johns mined Munch's work in the late 1970s and early 1980s as he moved away from abstract painting towards a more open expression of love, sex, loss, and death.

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

On view are Illustrations by early modernist Arthur Dove and others, a genre group by John Rogers, experimental photography by Martina Lopez, abstract work by James Rosenquist as well as works by Alonzo Chappel, François Girardon, George Grosz, Daniel Ridgeway Knight, Henry Varnum Poor, Adolf Schreyer, and others.

Her long career and wide - ranging practice encompassed early figurative works, Surrealism and the mature abstract works for which she is best known.

Organized by VMFA in partnership with the Munch Museum in Oslo, Jasper Johns and Edvard Munch examines how Johns (born 1930), one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and death.

The current exhibition of Herrera's work at the Whitney Museum, entitled «Lines of Sight,» with a beautiful accompanying catalogue by Dana Miller, endeavors to rectify the art world's long - term neglect: it focuses on Herrera's work from 1948 - 1978, from her earliest abstracts through the various stages of her artistic evolution.

No doubt my companion appreciated the devotion to art, including two paintings by Lee Krasner alone and early work by Eva Hesse, Mark Rothko, and Louise Nevelson — not yet abstract but already matters of life and death.

With almost 40 works, this exhibition proposes a complete view of the artist's aesthetic development, starting with his figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and 50s.

Though her paintings were not seen publicly until 1987, her work from the early 20th century predates the first purely abstract paintings by Kandinsky, Mondrian and Malevich.