Sentences with phrase «earlier artist projects»

Instead of including only recent performance art and earlier artist projects with full documentation so viewers could witness the action - based art for themselves, exhibition curator Andrea Grover selected works important to the developing art movement, tracing its course from its roots in the»60s to the present day.

Not exact matches

Our years of professional experience, working with every part in that process (designers, editors, artists, co-authors, actors, musicians, web developers etc.), mean that we know how to get your project done right and done on time (often early).

Gilbert had been pretty quiet in recent years working on the odd game or two, but in 2014 he announced he was re-uniting with the graphics artist from his early games, Gary Winnick, in a Kickstarter for his new project called Thimbleweed Park and although I knew it would be a while until it was released, I couldn't wait for it.

Often in dialogue with literature, the early work of this visionary artist explored mythology and cultural archetypes related to gender, while more recent projects address our complex relationship to the natural world.

Admired for its eclectic approach and early advocacy of pivotal artists of the 20th Century, Allan Stone Projects continues to honor the legacy established by Stone.

The Goodman Gallery One & Only is proud to present a selection of Thomas Mulcaire's latest works informed by an expedition and project the artist worked on in the Antarctic earlier this year.

Featuring nearly one hundred drawings spanning the artist's career to date, the exhibition will include Barney's earliest drawings made in the late 1980s, drawings created in conjunction with the CREMASTER film cycle (1994 — 2002), and those related to his current project RIVER OF FUNDAMENT.

Having witnessed the phenomenal rise of young British artists in the early 1990s, he contacted those he knew and admired and invited them to make a work for his mail art project, Imprint 93.

To continue the institution's support for local, national, and international emerging artists, Kois also established PLATFORM, a series of one - person commissioned projects by early - to mid-career artists that engage with deCordova's unique landscape.

Chang Tsong - Zung (Johnson Chang) is a gallerist, independent curator and co-founder of «Asia Art Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projects.

Both Krasner (1908 - 1984) and Lewis (1909 - 1979) embraced abstraction in the 1940s, after early flirtations with Social Realism: They both had been involved in the Federal Art Project of the Works Progress Administration (and may even have met through that organization), and Lewis had been a member of the Harlem artists» group 306 (which included the socially minded artists Romare Bearden and Jacob Lawrence.)

Still in the early phases, and having concluded their fourth residency, the program fosters an environment for both emerging and established artists to work on experimental projects, publish unique editions, and host community engagements.

We are looking for four emerging and early career international artists working in the fields of sonic art, performance and installation to undertake a funded 6 week residency at our project space in Teesside, northeast England.

These early pieces are a testament to the artist's interest and pioneering efforts in site - specific projects, as well as in the medium of drawing.

The AIDS Treatment Project provided funding for artists living with AIDS through the early 2000s.

The gallery's longstanding relationship with many of its artists will be highlighted by focusing on important early solo exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).

Concurrently, 6 Artists / 6 Projects (February 10 — August 29, 2015) presents new works by some of today's leading contemporary artists in Israel, whose practice resonates in counterpoint with the aesthetic traditions that accompanied the opening of the Museum 50 years eArtists / 6 Projects (February 10 — August 29, 2015) presents new works by some of today's leading contemporary artists in Israel, whose practice resonates in counterpoint with the aesthetic traditions that accompanied the opening of the Museum 50 years eartists in Israel, whose practice resonates in counterpoint with the aesthetic traditions that accompanied the opening of the Museum 50 years earlier.

That same year, the Studio Museum invited contemporary artists to riff on him, for «The Bearden Project,» and Kerry James Marshall had begun earlier still.

For this project, the artist has selected about 20 paintings of the early sixties out of his personal collection.

TAKE ME (I»M YOURS) «Don't touch the art» is the usual edict at museums, but this exhibition of 40 contemporary artists (expanded from an earlier 12 - artist project in London) encourages visitors to interact with the works — and take some of them home with you.

In the recent spate of articles about Bushwick's innovative DIY arts projects and spaces, artists almost invariably cite Austin Thomas as a key early influence.

This group of artists, also including Damien Hirst, Sarah Lucas and Angus Fairhurst, often exhibited together and collaborated (one of Emin's early projects was a shop she ran with Lucas in East London).

The title of the exhibition fits well: from his earliest object on display, Hunting Dogs Project (1961), a model for a public garden in the form of a maze, to PN27 Penetrable, made in 1979, a year before his death, there is a definite drive in the artist's work to contain a boundless and unpredictable human body, including the collective body — with all its joyful and painful emotions — within a certain aesthetic frame.

She participated in the Artist Project at the Metropolitan Museum of Art and earlier this month, recognized for «collaging the immigrant experience,» Akunyili Crosby was named among the 100 Leading Global Thinkers of 2015 by Foreign Policy Magazine.

«With a show of Jack Whitten's»60s paintings at Allan Stone Projects in New York, we turn back two reviews from the ARTnews archives, from 1969 and 1970, of early shows by the New York — based artist.

Allan Stone Projects is pleased to announce an intimate Project Room exhibition of six early Wayne Thiebaud figure drawings, on view May 2014, during the first half of the exhibition Robert Mallary Sculptor (main gallery, April 24 - June 27, 2014), as a reflection on the long friendship these two artists maintained.

At Birmingham's Ikon Gallery from 10th October 2015 to 17th January 2016, Scroll Down And Keep Scrolling, is the most comprehensive exhibition of Fiona Banner's work to date, re-presenting key early projects alongside recent and unseen works that span a period of 25 years.This exhibition is accompanied by a major new artist's book of the same title.

We're giving the artists open space to talk about it, because one of the interesting things with every commissioned project is that the artists that went earlier are thinking about those who went later, and maybe they've already evolved that earlier work into something else.

Welcome to New Jersey is Jonathan LeVine Projects» inaugural exhibition in Jersey City featuring works by the following artists: Adam Wallacavage, AJ Fosik, Alessandro Gallo, Alex Diamond, Andy Kehoe, Ashley Wood, Augustine Kofie, Beth Cavener, Camille Rose Garcia, Carlos Ramirez, Chloe Early, Cryptik, Dan Witz, Diego Gravinese, Dylan Egon, Eloy Morales, Erik Jones, EVOL, Gary Taxali, Handiedan, Haroshi, Hush, Jeff Soto, Jeremy Geddes, Jim Houser, Joel Rea, John Jacobsmeyer, Josh Agle (Shag), Kazuki Takamatsu, Mab Graves, Martin Wittfooth, Mary Iverson, Matt Leines, Matthew Grabelsky, Michael Reeder, Miss Van, Nychos, Phil Hale, Ron English, Shepard Fairey, Tara McPherson & Tristan Eaton.

Work selected reflects an alternate portfolio of each artist, drawing from early work, experiments, side projects, hidden talents, and even crafts.»

The inaugural exhibition at Jonathan LeVine Projects, Welcome to New Jersey, will open on February 18th and feature the following artists: Adam Wallacavage, AJ Fosik, Alessandro Gallo, Alexis Diaz, Andy Kehoe, Ashley Wood, Augustine Kofie, Beth Cavener, Camille Rose Garcia, Carlos Ramirez, Chloe Early, Cryptik, Dan Witz, Diego Gravinese, Eloy Morales, Erik Jones, EVOL, Gary Taxali, Haroshi, Hush, Jeff Soto, Jim Houser, Joel Rea, John Jacobsmeyer, Jorg Heikhaus / Alex Diamond, Josh Agle (Shag), Kazuki Takamatsu, Mab Graves, Martin Wittfooth, Mary Iverson, Matt Leines, Matthew Grabelsky, Michael Reeder, Miss Van, Nick Walker, Nychos, Phil Hale, Ron English, Shepard Fairey, Tara McPherson and Tristan Eaton.

Presented by Art Basel in collaboration with Kaserne Basel, L.A Dance Project will perform Merce Cunningham's «Winterbranch» (1964), an early piece Cunningham created together with Robert Rauschenberg (concept, costumes, lighting design, accessories) and La Monte Young (music); and «Moving Parts» (2012), a collaboration between dancer and choreographer Benjamin Millepied and artist Christopher Wool.

Many artists were in the audience for this oral history lesson presented as part of the 50th anniversary show ICA@50, including Billy Dufala whose ICA@50 micro-exhibition RAIR: Simon Kim and Billy Dufala / Made in Philadelphia (1973) opened in the gallery earlier that day along with Robert Morris: Tracks / Robert Morris / Projects (1974) and Videoarte Brasil / Video Art (1975).

If you missed the installation that artist / illustrator Noémi Schipfer and architect / musician Takami Nakamoto (aka Nonotak) brought to Fowler Project Space in Greenpoint earlier this month, well at least don't miss the video the Paris - based duo just unleashed, above.

The spectrum ranges from early paintings from 1976 to large installations from his Kandors series of 2007, and shows the wide variety of the artist's media through selected individual projects.

Playful in tone and less reliant upon the exploitative construct of the case - study scenario in such large scale video projects as Them, 2007, and Repetition, 2005, Artur Zmijewski's earlier videos stand in contrast to these somewhat over-determined provocations; while recent Zmijewski productions have adopted a nearly formulaic approach to positioning cultural difference and conflict, and thereby seem to codify the subject as «other» a priori — a risk that critic and art historian Hal Foster has insightfully called the «self - othering» of «the artist as ethnographer» — three earlier Zmijewski works engage a simpler, more agile approach.

The Artist's Writings include an early text, «The Puritan», from 1947, alongside discussions of her own work, autobiographical writings and artist's proArtist's Writings include an early text, «The Puritan», from 1947, alongside discussions of her own work, autobiographical writings and artist's proartist's projects.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

Clayton Colvin data bitesThe works included in this exhibition project are new ceramic objects, part of a body of work the artist playfully refers to as data bites, a practice started earlier this year to complete his extensive series of painting - based works.

At the Museum of Modern Art, where he became associate curator in 1968, he initiated the innovative Projects series and has organized some of the museum's most important exhibitions, including the early survey of conceptual art, Information (1970); exhibitions of Marcel Duchamp (1973), Joseph Cornell (1980), and Andy Warhol (1989); The Museum as Muse: Artists Reflect (1999); Edvard Munch: The Modern Life of the Soul (2006); Richard Serra Sculpture: Forty Years (2007).

Open House at ICA LA celebrated the opening of #LA - based artist Rafa Esparza's «de la Calle» in the Project Room and a presentation of early #videoart works from artists Jaguar Mary (Jocelyn Taylor), Cauleen Smith, and Ayanna U'Dongo in «sisters and brothers» that inaugurated the Annex.

Featuring more than 120 works made over the past 50 years, the exhibition includes the artist's photo works combining text and image, early assemblage sculptures, and his groundbreaking environments Al's Cafe (1969) and Al's Grand Hotel (1971), participatory projects that helped put Los Angeles on the map as a center for Conceptual art.

As part of an ongoing research project by the artists David Blandy, Larry Achiampong and James A. Holland, this collaboration with Curatorial Fellow Morgan Quaintance focused on the cultural impact, social networks and practices that the game produced in London during the 1990s and early 2000s.

These commonplace objects used for cooking or camping serve today as memories of the artist's earlier projects and also stimulate new interactions, whether physical or purely in the imagination.

This latest issue of Esopus, featuring a brand - new format and design (and encased in a slipcover), features artists» projects by Sharon Core, Joyce Pensato and John Sparagana; 100 still frames from David Lynch's Blue Velvet (introduced by Gregory Crewdson); materials from MoMA's archives related to late artist Scott Burton's early performance pieces; never - before - seen photographs from 1949 by Magnum photographer Burt Glinn; commentary on artworks from the New Orleans Museum of Art by two of its guards; fiction by Chelli Riddiough; and an audio compilation of new songs inspired by the customer - service experiences of Jens Lekman, Richard Swift, Basia Bulat and others.

Campany, who is an artist, editor, and writer as well as a curator, showed images from his earlier projects and highlighted ideas that relate to a Handful of Dust.

Curated by artist and AIDS / HIV activist Avram Finkelstein, the ambitious exhibition is one of the first exhibition projects presented at Leslie - Lohman Museum of Gay and Lesbian Art's newly - designed gallery space that opened its doors earlier in 2007.

Hans Ulrich Obrist conducts his most extensive interview to date with Sala, covering the artist's early career, the innovative display features of his recent exhibitions, and his latest — and in some ways most ambitious — project.

Her experience with transnational and intergenerational artists» projects with Simone Leigh and Black Women Artists for Black Lives Matter, Naeem Mohaiemen, and Wael Shawky demonstrate an early commitment that mirrors ICA's: critical dialogue, research, and spotlighting artists» imbrication of visual pleasure, social movements, and expanding cultural hisartists» projects with Simone Leigh and Black Women Artists for Black Lives Matter, Naeem Mohaiemen, and Wael Shawky demonstrate an early commitment that mirrors ICA's: critical dialogue, research, and spotlighting artists» imbrication of visual pleasure, social movements, and expanding cultural hisArtists for Black Lives Matter, Naeem Mohaiemen, and Wael Shawky demonstrate an early commitment that mirrors ICA's: critical dialogue, research, and spotlighting artists» imbrication of visual pleasure, social movements, and expanding cultural hisartists» imbrication of visual pleasure, social movements, and expanding cultural histories.

The American Scene / Regionalist holdings consists primarily of prints purchased from Associated American Artists (AAA) in the late 1940s and early 1950s, and those that were produced through Federal «New Deal» art projects of the 1930s and «40s.