Sentences with phrase «earlier artists such»

But Hammons» use of the evanescent has a far broader agenda than similar attempts by earlier artists such as Marcel Duchamp and Richard Tuttle who utilised materials to challenge elitist conceptions of what constitutes a work of art.

Wall's photographic works are compared with those of earlier artists such as Diego Velázquez, Jan Vermeer, Claude Monet and Marcel Duchamp.

As a young artist he was very much drawn to color and has cited influences by the work of Josef Alberts, Frank Stella and earlier artists such as Piet Mondrian.

Self - portraits by other artists are also examined, including works by Sarah Lucas, Maud Sulter and Donald Rodney that challenge conventional stereotypes, contrasted with more traditional self - portraits by earlier artists such as David Bomberg and Mark Gertler.

These include British contemporaries such as Frank Dobson (1886 - 1963), Jacob Epstein (1880 - 1959), Barbara Hepworth (1903 - 1975) and Leon Underwood (1890 - 1975); the European avant - gardes, for example Alexander Archipenko (1887 - 1964), Constantin Brancusi (1876 - 1957), Henri Gaudier - Brzeska (1891 - 1915) and Pablo Picasso (1881 - 1973); earlier artists such as Auguste Rodin (1840 - 1917) and Michelangelo (1475 - 1564); examples of African, Aztec and Cycladic art from the British Museum; and publications which Moore studied as a student and young artist.

The first one, practiced by Li Sixun, the court painter, and his son Li Zhaodao, employed the meticulous and decorative manner of painting using precise line technique, inspired by the earlier artists such as Zhan Ziqian and Gu Kaizhi.

Furthermore, Handforth's monumental sculptures are reminiscent of earlier artists such as Claes Oldenburg, who also enlarged familiar objects in his art, while the painted and bent metals can resemble the crashed cars by John Chamberlain.

Not exact matches

This attitude enabled original programming such as «Behind the Music» and «The Real World» to eventually blossom and gave artists like Michael Jackson, Madonna and Prince a national stage at early points in their careers.

Starbucks has also become a champion of emerging artists such as John Legend, Madeleine Peyroux and Fleet Foxes, introducing customers to these musicians at an early point in their careers.

Many artists, such as Leonardo da Vinci, Raphael, and Correggio, trained and completed some earlier work in Florence.

The artist's eye — interpreting data from probes such as NASA's Cassini, which is now exploring the Saturnian system, and MESSENGER, which has flown by Mercury three times and goes into permanent orbit next March — allows us an early visit to these unforgettable locales.

Explores how attitudes have changed throughout history, from early medical drawings, 19th - century paintings, anatomical models and cultural artefacts, to works by artists such as Damien Hirst, Helen Chadwick and Wim Delvoye.

From his early days as a fresh and creative music video director for artists such as Fatboy Slim, The Beastie Boys, and Björk, Spike Jonze has continued his unique style and original approach with his feature length films, effectively carving out niche in the film industry for himself.

Gus Van Sant's Don't Worry, He Won't Get Far on Foot was one such film, earning warm early reviews; the biopic about artist John Callahan stars Joaquin Phoenix, Jonah Hill, and Rooney Mara, a triple axel of awards - bait talent.

Bill Pohlad, a producer who has overseen such films as Brokeback Mountain, Into the Wild, Tree of Life, and 12 Years a Slave, as well as the musically inclined biopic The Runaways, makes his directorial debut (technically a sophomore effort as his original debut was canned in the early 1990s) with a biopic of The Beach Boys» Brian Wilson that, while not a perfect film, is an interesting and sometimes illuminating portrait of an artist as a young and older man.

In the early 1990s, as a young artist out of graduate school at Bennington College in Vermont, where he studied the work of mainstream abstract painters such as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artists.

Earlier this year «System and Vision» at David Zwirner, in cooperation with Berlin's Galerie Susanne Zander, examined the obsessive work of vernacular artists such as Morton Bartlett, a doll maker who photographed his creepy creations; Prophet Royal Robertson, an artist of brimstone - burnt apocalyptic fervor; and George Widener, a living artist whose mixed - media pieces entail complex mathematical and calendrical calculations.

French artist Caroline Achaintre's visually striking, witty ceramic sculptures and hand - tufted wall hangings bring together a whole host of references such as catwalk fashion, carnival, and death - metal iconography, as well as Primitivism and Expressionism — early twentieth - century Western art movements that borrowed heavily from non-Western and prehistoric imagery to find new ways of representing the modern world.

Younger than this generation, all of whom were born in the early 1930s, and were undoubtedly affected by the horrors of World War II, Farrell shares something with the reductive impulses that are central to Minimalist artists such as Robert Ryman, Brice Marden and, to a lesser degree the Radical Painting of Marcia Hafif.

Some of these artists are now well established, such as Amy Cutler, others are early in their careers, such as Ellen Lesperance, who is currently exhibiting her intricate works on paper and objects at Ambach & Rice in Los Angeles.

Colen emerged onto the New York art scene in the early 2000s alongside artists such as Dash Snow and Ryan McGinley.

From the early days I juxtaposed established artists such as Michelangelo Pistoletto with someone like Felix Gonzalez - Torres when he was totally unknown.

The collection also includes works by early African American artists Robert Duncanson and Edmonia Lewis, and contemporary figures such as Alvin Loving, Kerry James Marshall, and Julie Mehretu.

Additionally, Tyler's paintings are reminiscent of the work from past artists such as the simplified geometric grids of Piet Mondrian's later work, color field paintings of Mark Rothko and the early abstract expressionistic work by Philip Guston.

It presents 19 early modernist works by artists such as Alexander Calder, Jacques Lipchitz, Isamu Noguchi, and Auguste Rodin.

In the late 1930s and early 1940s in pieces such as «PH - 313» (1942), the artist starts to move «closer to his abstract expressionist style,» says Dean Sobel, director of the Clyfford Still Museum in Denver.

In addition to the founding stories of the RA and PAFA, this exhibition recognizes the other artist - founders of PAFA, West's role as the teacher of eighteenth - and early - nineteenth - century American artists, and the development of monumental history paintings such as Christ Rejected and Death on the Pale Horse.

The exhibition begins with works by early Minimalist artists such as Sol LeWitt and Carl Andre; drawings by conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.

Alongside significant early works such as Me, Jesus and the Children (2001 — 2003)-- a photorealist painting of the artist's chest, overlaid with cartoon cherubs and floating speech bubbles — the exhibition features paintings from Colen's long - running «Gum» and «Trash» series.

Geometric abstraction boasts a rich history that dates back to the early 20th century and such artists as Kazimir Malevich and Piet Mondrian.

Other highlights include Fawn and Snag, two remarkable bronze works from 1944, and earlier works such as the untitled brightly coloured standing mobile from around 1942 that Calder gifted to his good friend, the artist Jean Hélion.

The Arts Council memorial exhibition that opened a year later — largely due to the efforts of the artist's widow, Lilian Holt, Joanna Drew of the Arts Council and the critic Andrew Forge — commenced the reappraisal of Bomberg's work, although the show was an uneven account of his career, entirely omitting the monumental early works such as In the Hold and The Mud Bath.

While early practitioners such as Robert Mangold embraced a minimal sensibility, the next generation of artists such as Elizabeth Murray and Ralph Humphrey further evolved the practice; Murray's canvases are explosive and energetic, and Humphrey's paintings are tactile, with thick and textured surfaces.

Image Building: How Photography Transforms Architecture at the Parrish Art Museum features 57 photographs by artists who range from early modern architectural photographers such as Berenice Abbott, Samuel H. Gottscho, and Julius Shulman, to contemporary photographers like Iwan Baan, James Casebere, Thomas Demand, Andreas Gursky, and Hiroshi Sugimoto.

Also featured in the exhibition will be a series of paintings based on memorabilia from the American punk scene of the 1970 - 80s and other works that use early Modernism as a starting point to address topics such as fascism, sex and boredom, which the artist likens to «Suprematism on poppers.»

The lines of academic and modernist influence from Europe to the United States can be traced in the field's early days, by such artists as Stuart Davis and Marsden Hartley.

Some of the earliest inspirations for founding Abstract Expressionist artists such as de Kooning, Kline, and Arshile Gorky were introduced via John Graham, a highly influential artist immersed in these European movements and the exploration of the subconscious.

The Sidney Janis Gallery held an early Pop Art exhibit called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Rotella, Jean Tinguely, and Schifano.

Such was the fate of 79 Park Place, a five - story building that was almost entirely occupied by artists in the early 1960s before it was razed to make way for the World Trade Center.

The gifted works range from early creations such as Discourse on a Chair (1985), which was only recently rediscovered, to his latest works — More Sweetly Play the Dance, which was recently shown at Marian Goodman Gallery in London and is discussed in this interview with the artist.

The nominated artists range from 28 to 71 years old and include widely recognized names in the art world, such as Julie Mehretu, Philippe Parreno, Theaster Gates, as well as a cross-section of some of the most noteworthy early - to mid-career artists working today.

This exhibition should broaden our understanding of what the late 16th - and early 17th - century artists who encountered Caravaggio or his works in Rome and Naples were then able to achieve, from Neapolitan masters such as Mattia Preti and Jusepe de Ribera through to French and Dutch «Caravaggisti», including Georges de la Tour and Gerrit van Honthurst.

A member of the first wave of East Village artists, Wojnarowicz began showing his work during the early 1980s in such now - legendary spaces as Civilian Warfare, Club 57, Gracie Mansion, Fashion Moda, and the Limbo Lounge.

«The Whitney Museum's revelatory survey of the work that earned O'Keeffe such derision, the evocative, more - or-less abstract art she made starting in 1915 — phenomenally early for an American artist — should reopen eyes to an undeniable fact: O'Keeffe produced some of the most original and ambitious art in the twentieth century.»

The earliest origins of Pop art can be traced to the mid-to-late 1950s in Britain and the United States, where artists such as Eduardo Paolozzi, Richard Hamilton, Robert Rauschenberg and Jasper Johns combined visual aspects of advertising, comic books, and popular culture with theoretical elements of Dada and Surrealism.

Extensive travels through Europe in 1952 had a significant impact on Chimes's work and it was in the paintings of artists such as Giorgio de Chirico, Andre Breton and Henri Matisse, that Chimes found the affirmation of his own developing ideas that would soon lead to the earliest mature works included in this exhibition.

A pioneering gallerist, she took a daring approach — like mounting Acconci's controversial Seedbed — and introduced or gave early shows to major artists such as Carroll Dunham and Ashley Bickerton in 1980s.

One of the early contributors to the Arte Povera movement living in Genoa in the 1960s, Prini became involved in shows such as «Arte povera — Im spazio» and «Collage 1» curated by Germano Celant, art critic credited with grouping the artists together.

Her distinctive style, born of an obsession with dots that she has nurtured since childhood, flowered in the late 50s early 60s when she moved to America and became an integral part of the New York avant - garde, rubbing shoulders with artists such as Andy Warhol and Claes Oldenburg.

Curators Beckwith and Roelstraete make salient connections between celebrated contemporary artists such as Emilio Cruz, Nick Cave, and Glenn Ligon and lesser - studied figures of the early movement....