Sentences with phrase «earlier constructivist»

Constructivist architecture under threat in Moscow The inclusion of several early Constructivist housing blocks on a list of 4,500 apartment buildings proposed for demolition in Moscow has alarmed preservationists, reports the Art Newspaper.

The blending of both painted and sculpted vocabularies creates interest in her works, as it does in the wall sculptures by Sonia Gomes, which twist around in a kind of three - dimensional drawing akin to some of the early Constructivist open - form sculptures.

Her textile and graphic works from around 1916 through the 1920s are among the earliest Constructivist works, along with those of Piet Mondrian and Kasimir Malevich.

Not exact matches

«Issues in Constructivist Early Moral Education.»

Moral Classrooms, Moral Children: Creating a Constructivist Atmosphere in Early Education.

Rheta DeVries and Betty Zan, Moral Classrooms, Moral Children: Creating a Constructivist Atmosphere in Early Education (New York: Teachers College Press, 1994), p. 253.

Her passion for early childhood, child - friendly cities, and play, has led her to contribute to the community in designing constructivist experiences for young children in unused or abandoned spaces of Puerto Rico.

«This kit allows you to playfully shape your own avant - garde community with geometrical forms inspired by some of the most seminal examples of Russian constructivist architecture erected between early 1920s and mid-1930s, such as Melnikov House, Kirov Town Hall or Nikolaev «s House.»

In his blog you find him reflecting on new pieces, as they emerge, while discussing his inspirations: late work by Frank Stella and early collages by Russian Constructivist Olga Rozanova.

He notes that the artist's off - kilter, hand - painted geometry — unlike the hard - edge look created by applying and peeling off tape — places him in «a tradition that goes back to early abstract painting by Mondrian and Malevich,» adding, «I see his ties with Constructivist painting.»

The exhibition combines a chronological display with a thematic approach, structured in a series of major chapters in the artist's career, with emphasis on two key moments: the period from 1923 to 1933, when Torres - García participated in various European early modern avant - garde movements while establishing his own signature pictographic / Constructivist style; and 1935 to 1943, when, having returned to Uruguay, he produced one of the most striking repertoires of synthetic abstraction.

He was a US - born artist who joined the group early and was to be central to the development of the constructivists.

Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns.

In his early works, Ilya Bolotowsky formed abstract images on the flat picture plane by combining biomorphic and geometric elements inspired by both Miró and the Russian Constructivist Kasimir Malevich.

In 1974, Harold Rosenberg, one of Saul Steinberg's earliest and most eloquent supporters, wrote that «Cubism... which in the canon of the American art historian is the nucleus of twentieth - century formal development in painting, sculpture and drawing, is to Steinberg merely another detail in the pattern of modern mannerisms; in a landscape, he finds no difficulty in combining Cubist and Constructivist elements with an imitation van Gogh «self - portrait.

Volcanic Magic XXVlll, one of our new acquisitions, feels like a work from the Soviet Constructivist movement of the early twentieth century.

Earlier this week, the gallery quietly opened «Constructivist Dialogues in the Cuban Vanguard,» a group show that exhibits Sánchez's paintings alongside work by two of her countrywomen, the late Amelia Peláez and the late Loló Soldevilla.

In addition to musical influences, the severe geometric abstraction of the earliest works presented at Mitchell - Innes & Nash note the influence of Russian Suprematist and Constructivist movements, specifically Kazimir Malevich whose work was an important influence in Knifer's early education in Zagreb.

The earliest work, by the Russian Constructivist Liubov Popova, was completed in 1918.

Paintings by the early Australian modernist Roy De Maistre, for example, share a space with a series of pieces by the young Dutch artist Riet Wijnen, whose interest in «the impossibility» of pure abstraction has led her to create a fictional dialogue between Grace Crowley (also a pioneering early Australian modernist), and the British constructivist Marlow Moss.

Her work has often felt as though it belonged to the early years of modern art — the world of artists using the constructivist modes of 1930s abstraction, although Ballard has also included forms derived from observable reality.

Although he's best known as a Surrealist, the early geometric abstractions of Dutch artist Carel Willink are likened to the Constructivist work of German artist Kurt Schwitters, who was influenced by Theo van Doesburg.

Minimalism positioned itself as a reaction to this kind of art, influenced by the abstractions of Bauhaus artists such as Kazimir Malevich and Piet Mondrian, and the use of industrial materials instead of traditional artistic techniques by the early 20th - century Constructivist movement.

In addition to a few seminal essays like Lewitt's «Paragraphs on Conceptual Art» (1967), would you say that 12 Dialogues with Frampton was one of the earliest attempts to deal with the loaded legacy of New York School painting, the ramifications of Duchamp's work, and the revived interest in Constructivist aesthetics?

Two key moments are emphasized: the period from 1923 to 1933, when Torres - García participated in various European early - modern avant - garde movements while establishing his own signature pictographic - constructivist style; and 1935 to 1943, when, having returned to Uruguay, he produced one of the most striking repertoires of synthetic abstraction.

Yes, early in the 20th century a bunch of people — maybe the Russian constructivists are the best example — made very pure (abstract art that tried to break decisively with figurative art) abstract art: they believed a new world was about to dawn.