Sentences with phrase «earlier decades such»

Not exact matches

In B.C. especially, companies such as QLT Inc., Angiotech Pharmaceuticals and Cardiome Pharma Corp. saw their valuations soar in the early 2000s, only to come crashing to earth by the end of the decade as a result of competitive pressures, regulatory snags, strategic blunders and deals gone awry.
After some early, desultory efforts, Martin found his footing and reeled out a handful of budgets built around themes such as deficit fighting, education, innovation and tax reduction that set the country on sound fiscal footing and gave it political direction and policy focus for the better part of a decade.
In spite of the diversity in the resurrection narratives there is one important common theme which C. F. Evans draws to our attention when he says, «The one element which the traditions, in all their variety, have in common is that the appearance of the risen Lord issued in an explicit command to evangelize the world, yet the early decades of the history of the church, in so far as they are known to us, make it difficult to suppose that the apostles were aware of any such command.»
Such an exploration is not only an interesting study in its own right; it is also significant for assessing the prospects for the future of government in the coming decades, for example in assessing how government changed in the periods of cutbacks in the 1980s and early 1990s in the context of what is likely to be a period of prolonged fiscal restraint in the 2010s.
More college classes are expected to come to New York prisons as early as this fall, as the government directs funds to such programs in the state on a scale not seen in several decades.
Given such uncertainties, Bush, much like his father a decade earlier, pledged additional funding for climate studies.
Although effective new drugs based on such research may be decades away, near - term payoffs could include ways of identifying teens at risk of developing schizophrenia early on, or tools that help physicians better manage their patients» medications, added Steve McCarroll, director of genetics research at Broad.
Despite decades of effort since then, seismologists still have not settled on a reliable early warning system for such deadly quakes, though systems are used in Japan and Europe.
A series of headline - grabbing results in the late 1990s and early this decade suggested that specific adult stem cells such as those from the blood seemed able to exceed expectations and transform themselves into other organs and tissues.
Scientists have been arguing for decades over whether such structures are remnants of early microbial life, but the Australian formations are the best evidence yet.
The model shows that if animals are still doing what they did before habitat damage caused by decades of agricultural intensification, then large, early - nesting species such as great tits will be fine, but late - nesting species such as tree sparrows will decline.
In fact, decades or perhaps centuries from now, we may come to a very different understanding of what was going on in the early 21st century, when the parallel developments of surveillance, recognition, and search technologies seemed motivated by such topical concerns as marketing, terrorism, and fetish.
Completed earlier in 2012, this report brings together the findings of Norwegian research work on such impacts over the past decade.
But the past decade or two of research, which is marked by the discovery of thousands of specimens of early birds and flying dinosaurs, also shows that feathers were an early evolutionary innovation — even if they probably arose for reasons unrelated to powered flight, such as insulation or sexual display.
The ambitious goal: to learn to identify early signs of trauma - induced brain damage from subtle changes in blood chemistry, brain imaging, and performance tests — changes that may show up decades before visible symptoms such as cognitive impairment, depression, and impulsive behavior.
Dr. Romero emphasized that the cost of preeclampsia goes beyond the short - term health care expenditures as women affected by this disorder are at an increased risk for early onset cardiovascular diseases, such as heart attacks and hypertension, years and decades after delivery.
However, even after accounting for factors such as age, education and gender, those who had held grimmer views on aging decades earlier experienced significantly greater size reductions than more - optimistic respondents, the researchers found.
People can live with HIV for a decade (or longer) before they experience symptoms such as fever, fatigue, and joint pain — a fact that underscores the importance of testing and early detection.
When more modern appetite suppressant medicine came along in the early nineteen hundreds, drugs such as amphetamines became popular — along with prescription appetite suppressant drugs much later on that decade (1).
Recently I collaborated with Wardrobe Shop, an on - line retailer specializing in vintage inspired clothing, but with an emphasis on older decades, such as the late 1800s, the early 1900s, and the 1920s, an area I've been wanting to expand upon more in my wardrobe.
This new set from Image packages together three films previously released on DVD by Home Vision early in the decade, including two such early, unambitious vehicles that offer the girlish sex symbol in her prime.
Produced midway through a fast decade of bad drugs and badder romances, during which Fassbinder was also tossing off a string of masterpieces, Fox may have been reiterating the idea that power imbalances are inherent to romantic relationships that the filmmaker had been working out in such earlier films as The Bitter Tears of Petra von Kant (1972) and Martha (1974).
Look at the collected reviews of Pauline Kael since the early 70s, when academic film study in the U.S. was just getting started, and you'll be hard put to find a shred of evidence in more than two decades of energetic writing that such studies existed at all.
Although there have been charter schools in Los Angeles since the early 1990s, the movement took flight early in this decade behind such figures as philanthropist Eli Broad, former school board president Caprice Young, former Mayor Richard Riordan and a long list of teachers and principals who were fed up by the ever - shifting reform agendas of Los Angeles Unified — and by what many saw as a recalcitrant teachers union, the powerful United Teachers Los Angeles.
Mercedes doesn't indicate how soon such technology will hit the road, but considering some of the automotive technology announcements made just in the past few months, especially involving autonomy, the early or middle part of the next decade might actually be a conservative guess.
It's been more than a decade, during the days of early Windows and Mac OSes, since I saw such memory - handling issues in an operating system.
Hartley chuckles a little at this, but does not refute the principle, while noting that in The Law of Success, published a decade earlier, sex of any kind was such a delicate subject that Hill could only hint at what he meant.
It cited periods of such failures to receive or deliver securities, known as «fails» in the repo market, earlier in the decade when rates dropped.
Before joining Microsoft early in the last decade, Rare was a part of Nintendo's cavalcade of second - party developers, having created hit titles for the gaming giant such as Donkey Kong Country, Diddy Kong Racing, and the much loved Golden Eye 007 FPS.
The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.
This is the first time in several decades that such an extensive collection from the artist's earliest body of work is on view.
Taken over the course of three decades from the late 1970s to the early 2000s, the photographs were shot across various locations such as New York, New Hampshire, London, Dublin and Donegal.
When the CAMH survey show came together, Jones was surprised to see how those early drawings evolved over a decade into three - dimensional pieces, such as the works of her «SHHH» series, which are made from noise - cancelling electric guitar cables that she «plugs» directly into walls.
Through new avenues of institutional support and the formation of «publisher - broadcaster» stations like Channel 4, filmmaking collectives and workshops such as Black Audio Film Collective, Sankofa Film and Video Collective, and Ceddo Film and Video Workshop were founded in the early part of the decade as alternatives to the dominant modes of representation in the UK.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
The Royal Academy currently has the largest collection of Jones's work brought together since 1995, spanning his entire career; five decades from his drawings submitted to the Royal College of Art in 1959, through his early experimental works such as The Artist Thinks (1960) and Interesting Journey (1962) to those made this year like To Be Or Not To Be (2014).
Leckey's interests might have shifted throughout the last decade — from an obsession with pop culture, subculture and the figure of the dandy in earlier films such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997).
As part of the larger project started in the early 80's with shows such as the Thin Black Line (1986) and Black Woman Time Now (1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean descent.
It's clear there has been an evolution in the artist's stacking: from earlier works such as Minster — several piles of «abandoned pieces of scrap metal» — to gleaming forms from the last decade, which Cragg more elegantly describes as «stacked horizontal ellipses».
Throughout his production, Atlas has consistently been deeply involved in fostering collaborative relationships, working intimately with such significant artists and performers as Leigh Bowery, Michael Clark, Douglas Dunn, Marina Abramovic, Yvonne Rainer, Mika Tajima and the New Humans, Antony and the Johnsons, and most notably Merce Cunningham, with whom he worked closely for a decade from the early 1970s through 1983.
In the early 1970s Nevelson started fabricating steel structures which suggested botanical gardens, such as Seventh Decade Garden (Gallery Beyeler, Basel).
The works, which largely come from the collection of the Cruz - Diez Art Foundation, show the richness and variety of the artist's research over more than six decades of creation, with early works such as El Muro negro (1957), Physichromie 459 (1969), Couleur Additive 105 (1976), Couleur à l'espace (1995), until recent works of the Couleur Additive, Induction Chromatique and Physichromie series.
Such a show is this, the first major retrospective in three decades of James Ensor (1860 - 1949), a singular if hard - to - define figure of the early European avant - garde.
It includes rarely seen plasters and drawings which have never been exhibited before and showcases the full evolution of his career across five decades, from early works such as Head of a Woman [Flora Mayo] 1926 to iconic bronze sculptures such as Walking Man I 1960.
The sway between a structured, observational approach to image making and the free - form, improvisational gestures of his interventions is very much at the crux of Divola's practice and can be traced from his earliest foundational work of the 1970's to more recent bodies of work such as Dogs Chasing My Car in the Desert (1996 - 2001), where Divola documents the dogs that chased his car while working in the Southern California desert; As Far as I Could Get (1996/1997), where Divola sets up a camera and runs away from it during a given exposure; and Dark Star (2008), where his melding of intervention and observation continues to be in the foreground in large - format, color work made during the last decade
Flood has been making his lace paintings since the early 90s; their process of manufacture and slightly kitschy image derived from actual lace encourages us to look at these seductive beauties with a jaundiced eye; 2) The exhibition includes site - specific installations made of absurd pseudo-posters, multi-media, ephemera, collages, text paintings, and documents from the last decade that remix pop culture and critique systems of mass cultural distributions such as rock videos and albums.
04 Feb 2013 Significant Cubism exhibition opens at IMMA An exhibition exploring the early decades of Cubism and featuring the work of such celebrated Cubist artists as Albert Gleizes, Evie Hone and Mainie Jellett, opens to the public in the New Galleries at the Irish Museum of Modern Art in Kilmainham, Dublin, on Wednesday 20 February 2013.
IMMA's first exhibition of 2013, Analysing Cubism, which explores the early decades of Cubism and features the work of such celebrated Cubist artists as Albert Gleizes, Evie Hone and Mainie Jellett continues its successful run in the New Galleries at Kilmainham until 19 May.
This exhibition, organized in close collaboration with the artist himself, explores his five - decade career, from his earliest works — the perplexing «dithyrambs» and provocative manipulations of German motifs, such as helmets and fields of wheat — to the more recent paintings that are redolent with mythological subject matter and art historical allusions.
It includes rarely seen plasters and drawings which have never been exhibited before and showcases the full evolution of Giacometti's career across five decades, from early works such as Head of a Woman [Flora Mayo] 1926 to iconic bronze sculptures such as Walking Man I 1960.
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