Sentences with phrase «earlier enamel paintings»

Widely known for her fluid, dynamic imagery and inventive figures, with these works Essenhigh has furthered her move from the flatness and line of her earlier enamel paintings towards an almost sculptural three - dimensionality that places these images in the realm of an imagined real.

The LeWitt plays off Alfred Jensen's gorgeous but inscrutable number sequences organized in a bright, thickly painted grid, as well as examples of Hanne Darboven's oceanic writing and counting pieces and, less predictably, Jennifer Barlett's early enamel paintings, full of antic dots.

Not exact matches

RR: My earlier enamel on aluminium paintings have been shown a lot during the past 10 years, both in America and Europe.

While earlier, enamel works focused on line and flatness, her move to oil paint in 2001 has resulted in a sculptural, almost three - dimensional style.

Other thematically unrelated but visually cohesive works include a trio of Early Modernist knockoffs from the mid-1980s by Sherrie Levine, which remain conceptually irritating but here look refreshingly, crisply graphic; a 45 - minute video from 1994 by Gary Hill; a 2009 color photograph of a child in a white Levi's t - shirt by Josephine Pryde; some bundled pseudo-newspapers by Robert Gober (1992) and, in a collaboration between Gober and Christopher Wool, a photograph of a girl's dress hanging in a tree (the dress presumably Gober's handiwork; the photograph, Wool's), near one of the latter's enamel - on - aluminum pattern paintings.

In 2006, the Addison Gallery of American Art surveyed Bartlett's early enameled steel plate paintings in the period from 1968 — 76.

Look at «Four Nesting Spirals» (1999 - 2000), one of Siena's enamel and aluminum paintings, and the early work of Frank Stella comes to mind: Its inward progression of painted rectangles, congruent with the panel's exterior shape, clearly recalls the «deductive structure» of Stella's early black, silver and copper paintings.

But in the early 1950s, in the years just before his tragic death at age 44 in an alcohol - fueled car crash, Pollock was experimenting with a new way of confronting his surface, spilling black enamel paint — the kind you might use on outdoor ironwork — onto raw cotton duck canvas, a clashing, angry union of synthetic industrial chemical and unprimed organic substrate.

That dark - red - and - green work, made with an airbrush - and - enamel paint technique, looked particularly contemporary — like early graffiti painting or the recent work of Keltie Ferris.

Reed's early work centers on oil painting with some experimentation in watercolor enamel and gouache.

In the early 1940's, a painter by the name of Jackson Pollock began developing a technique that allowed him to spontaneously drip enamel paint onto flat canvases, resulting in...

Familiar from Shepherd's earlier bodies of work, the industrial enamel dries with a glossy, mirror - like finish that registers and reflects the space around the painting, fragmenting the shapes on account of the subtle ridges made by her brush.

The use of enamel conveys Allen's refusal to be medium specific and make a fetish out of oil paint, as did earlier generations of English painters.