Other important
early exhibitions include Processes of Visualized Thought: Young Italian Avant - garde, Kunstmuseum Luzern (1970) and A Painting Exhibition of Painters who Place Painting in Question, curated by Michel Claura, Stadtische Museum, Monchengladbach (1973).
He was considered both an insider and outsider, caught in a racially divided environment and edged to the margins of American modernism despite significant
early exhibitions at renowned institutions such as the Museum of Modern Art and features in national press outlets.
At the Moderna Museet Mr. Hulten
organized early exhibitions of Pop Art and kinetic art and presented surveys of Claes Oldenburg, Edward Kienholz and Andy Warhol as well as retrospectives of Jackson Pollock, Lucio Fontana, Jean Fautrier and Joseph Beuys.
Through New Work, SFMOMA has organized
early exhibitions with artists such as Matthew Barney, Marilyn Minter, Kara Walker, and Christopher Wool, all of whom received their first solo museum shows through the New Work series.
When he moved the gallery to San Francisco in 1990, he organized
early exhibitions by the likes of Raymond Pettibon, Erwin Wurm, and Rirkrit Tiravanija.
Harriet Korman's
early exhibitions took place in the 1970s in Cologne, New York, Los Angeles and San Francisco.
She mixed with many of the most significant artists of pre-war Paris, and was invited to join the group Abstraction - Création in 1934, consequently exhibiting in
significant early exhibitions of non-figurative art in Europe.
Off the Walls» annual summer show is a chance to catch up
on earlier exhibitions but highlighting our most popular artists as well as showcasing some new artists.
Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of Bruce Nauman's seminal early shows; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.
For example, The Museum of Fine Arts, Houston
held early exhibitions that included This is Contemporary Art and L. Moholy - Nagy: Memorial Exhibition.
His work was included in a number of
key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968).
Ourhouse complements the exhibition of Mellors» vomiting animatronic The Object (Ourhouse) and Ourhouse Episode 2 in British Art Show 7: In The Days of The Comet, exploring themes
seen earlier exhibitions Black Gold, Profondo Viola, The Time Surgeon and Giantbum.
Curated by Jasia Reichardt March 1 — May 13, 2017 This exhibition recognizes the landmark exhibition curated by Jasia Reichardtat the ICA - London in 1968, regarded as one of the important
early exhibitions devoted to the relationship between the arts and new technology.
Other early exhibitions at Flatland Gallery include shows for leading artists like Erik Andriesse, Rob Birza, F. Franciscus, Ronald Ophuis and Wim Izaks (to whom the Wim Izaks Award is allocated).
Gavlak then went on to
give early exhibitions to Sheila Hicks, Marilyn Minter, and Aleksandra Mir, among others.
In 1968, the Institute of Contemporary Arts (ICA) in London hosted one of the most
influential early exhibitions of computer art called Cybernetic Serendipity.
While earlier exhibitions used horse racing as a point of departure and a metaphor, perhaps, for the handicapping aspect of the art world, «FROM HERE,»...
The artists» shared exhibition history, with Peláez showing her work alongside the new abstract generation in the 1950s, challenges the art historical narrative of a rupture between the early
The Kunstmuseum Basel also acquired considerable holdings of Johns's œuvre, notably prints, thanks largely to Christian Geelhaar, one of
whose early exhibitions as curator in 1979 was devoted to the artist's working proofs.
Brooks earlier exhibitions focused on personal subject matter including «Mom's Friends», featuring paintings of her mother and her friends from the 1970s on the eve of their liberation from their marriages, and «Technicolor Summer» about contending with a close family member facing death.
Early exhibition programs such as Crazyspace, created by Asher Lauren Hartman, were run guerilla style with an expansive, anything - goes approach.
While Beck's
earlier exhibition Vestige insinuated the body as a remainder, it is the mind that is solicited by Second Hand, with its conceptual matrices, comprised of the discarded paintings Buck recuperates in the spirit of e to u.
His work came to fruition in the late 1980s out of cultural activism that addressed the AIDS epidemic and gay identity politics and was curated
into early exhibitions that acknowledged those formative issues.
A new work by Cragg has been created for the exhibition, reflecting his admiration for the sculptor, and will be shown alongside Rosso's work, evoking the artist's
early exhibitions juxtaposing his own sculpture alongside those of his peers.
Works by Lewis were included in the Newark Museum's
early exhibition American Negro Art (1944) as well as Black Artists: Two Generations (1971), all works lent by the artist.
Notable
early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of BBruce Nauman's seminal early shows; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.
One of Emin's
earliest exhibitions took place in 1993 — 94 at the influential White Cube gallery on Duke Street (1993 — 2002).
Despite significant
early exhibitions at renowned institutions such as the Museum of Modern Art and features in national press outlets, Lawrence was considered both an insider and outsider, caught in a racially divided environment and edged to the margins of American modernism.
• 1985 -
Early Exhibitions Featured minimalist sculptors Donald Judd (1928 - 1994), Dan Flavin (1933 - 1996), Sol LeWitt (b. 1928), and Carl Andre (b. 1935); American abstract painters Brice Marden (b. 1938), Cy Twombly (1928 - 2011), Robert Ryman (b. 1930), and Frank Stella (b. 1936), and Andy Warhol's Pop Art (1960 - 73).
Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; early shows of Bruce Nauman and Richard Long; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.
For the Renaissance Society exhibition, the artist has been researching the history of the museum from the 1970s and»80s, a time when the museum's director, Susanne Ghez, was presenting
important early exhibitions of conceptual art, at the beginning of what would come to be her internationally influential career.
Serota assembled at the Whitechapel a staff including Jenni Lomax (later Director of the Camden Arts Centre), Mark Francis (later of Gagosian Gallery) and Sheena Wagstaff (later Chief Curator of Tate Modern), and organised exhibitions of Carl Andre, Eva Hesse and Gerhard Richter as well
as early exhibitions of then emerging artists such as Antony Gormley.
One of only two women initially involved with the «Club,» an association of New York School artists and writers, she exhibited in numerous
significant early exhibitions of New York's postwar avant - garde, including the groundbreaking «9th Street Art Exhibition» in 1951.
This exhibition recognizes the landmark exhibition curated by Jasia Reichardtat the ICA - London in 1968, regarded as one of the important
early exhibitions devoted to the relationship between the arts and new technology.
Last chance to see our
Jack Early exhibition at Fergus McCaffrey, New York before it closes tomorrow, Saturday, April 9!
From 1961 to 1967 Polke studied at the Düsseldorf State Art Academy, where he was inspired by the radicalism of Joseph Beuys, as well as by the local gallery scene: the city held important
early exhibitions of the American artists Robert Rauschenberg and Cy Twombly.
The crucial test for Hadl this year was in
the early exhibitions.
Many of
these early exhibitions sought to bring visibility to artists of color or were organized around the most urgent political concerns of the day, including racism, Apartheid, and the US government's intervention into Central America.
This conversation took place in the studio of artist Rebecca Partridge in advance of her exhibition Notations at Kunstverein Springhornhof and has been published as part of the exhibition catalogue earlier this
The following conversation between Professor Harry Naar of Rider University and Louis Finkelstein took place on the occasion of
an earlier exhibition there.