Sentences with phrase «earlier feminist art»

Additionally, like much early feminist art, McNeely's paintings were largely ignored by the gallery system, finding a venue only in the cooperative galleries.

McNeely's deep humanism and personal connection to the corporeal circumstances particular to women were qualities which may have been perceived as insufficiently theory - driven in the politicized crucible of early feminist art.

A comprehensive survey examining the foundations and legacy of early feminist art (1965 to 1980) including works by Martha Rosler at P.S. 1 Contemporary Art Center, Long Island City, Queens.

She is also associated with early feminist art, although the movement had yet to emerge.

Her visual vocabulary has developed over time through research into early feminist art, textiles, early modernist painting, and surrealist philosophy.

Not exact matches

This time they come disguised as feminists, leftists, and fundamentalist Christians, but their intent to misuse the arts and humanities is the same as those of the manipulators of earlier times.

Filmmaker Sally Potter combines the experimental tools and feminist approach of her earlier films with art - house style and more conventional narrative storytelling to find the cinematic counterpart to Virginia Woolf's writing in this 1992 adaptation of Woolf's novel «Orlando: A Biography.»

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

If these images draw on the off - kilter glamour of Torbjørn Rødland and Wolfgang Tillmans, Ms. Westra also takes a feminist scalpel to earlier art and literature that equated young women with budding flowers and ripe fruit.

The ideas within Estes» paintings in Dispatches from the Front Lines come out of the feminist art movement of the early seventies and the subsequent flowering of the pluralism and inclusiveness of that time.

It's fascinating to think of Schapiro, inspired by the discourse she was helping to create, doing these pieces when she was able to return to her studio after the intense period of working with the feminist program on the Womanhouse project in the fall of 1971 and early winter of 1972, but before she had a name for this work, before «femmage» and «pattern and decoration» became movements and personal brands, with their declarative power but sometimes restrictive effect on art practice.

She is not interested, however, in feminist art that «places social critique or politics in the foreground,» acknowledging the feminine, emotional side to artists such as Mike Kelley or Matthew Barney, of whom she was an early collector.

A pioneer of post-minimalism, feminist, and video art, Lynda Benglis rose to prominence in the early 1970s, and has since become known for her aggressively confrontational challenges to accepted social and aesthetic dogmas.

«Rebecca Warren is one of Britain's most vital contemporary artists, whose work invites us to engage with the aesthetic conventions of an earlier generation of male sculptors through a freshly feminist sensibility,» said Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art, DMA.

[1] With this kind of concrete change, one might expect feminist art from forty or fifty years ago to feel somewhat dated, like throwbacks to an earlier moment in a righteous narrative of progress.

The project was based on the art of Joyce Wieland and early feminist practice in 1960s and 1970s Canada.

Alert arts community members may remember Thais Mather as one - third of the Victory Grrrls, who performed at form & concept earlier this year as part of the gallery's programming around an event featuring feminist pioneer artist Judy Chicago.

Kozloff was a founding member of the Heresies collective, one of the original members of the Pattern and Decoration movement, and an early artist in the 1970s feminist art movements.

Along with artist Maris Bustamante, Mayer founded the first feminist art group in Mexico in the early»80s: Polvo de Gallina Negra.

An early member of Heresies, a collective of artists and writers that published the influential journal Heresies: A Feminist Publication on Art and Politics in the 1970s and»80s, Applebroog was actively involved in the development of feminist aArt and Politics in the 1970s and»80s, Applebroog was actively involved in the development of feminist artart.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

He emerged as an artist in the early 1970s with groundbreaking performative installations that infused everyday life with art and politics and stood at the intersection of the gay liberation and feminist movements.

The postwar Parisian - Venezuelan feminist gained early acclaim in the New York art world in the 1960s before moving to Italy.

Each iteration unique in sharing parallel commitments and emanating from Los Angeles — a city positioned as an important locus for early feminist discourse and supportive of new platforms blending art with initiative (Sexy Beast).

Taking it's title from the seminal early - feminist Virginia Woolf essay, «A Room of One's Own,» at Yancey Richardson Gallery through Aug. 21, 2015, plays off of that historical show, looking further inward not just at the process of experimenting in the studio, but at the space itself, as a muse and subject in the art of 12 contemporary photographers, including Anne Collier, Mickalene Thomas, and Laura Letinsky.

Early this winter, I was asked to discuss the painting, in the context of feminist activism, in an interview with Jade French for a new arts publication, Contemporary Zine, launched at the Institute of Contemporary Arts in Lonarts publication, Contemporary Zine, launched at the Institute of Contemporary Arts in LonArts in London.

Excommunicated from the art world in the early»90s for her cheerful paintings of hard - core pornography — Minter said feminists accused her of sexism — today she shows her work at the Venice Biennale; she's collected by the Guggenheim and Jay Z and is a godmother to a new generation of artists experimenting with what she calls «the feminine grotesque.»

Begins documenting the post-punk new - wave music scene, and feminist art, along with the city's gay culture of the late 1970s / early 1980s, notably the Bowery's hard - drug subculture.

These early members were trailblazers in the feminist art movement and helped to push beyond the expectations of the art world at this time.

Known for her incredible 1970s story quilts, Ringgold's 2013 solo exhibitions at ACA Galleries in New York and the National Museum of Women in the Arts in Washington, D.C., introduced many to a little known foundation of her practice that began a decade earlier — a series of bold, dynamic paintings inspired by black pride and the civil rights and feminist movements.

In Chicago in the early 1970s, we had our own third and best - known generation of alternative spaces (each city can claim its own artist - run history, probably with a fair share of boosterism thrown in), such as ARC, Artemisia (both were feminist galleries formed from West - East Bag, a nationwide network of women artists), and N.A.M.E., with the much - heralded Randolph Street Gallery opening in 1979.7 This is not to mention still - running artist - driven efforts such as the Hyde Park Art Center, founded in 1948, and the South Side Community Art Center, the only surviving Federal Arts Center from the WPA era and the oldest African American art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 19Art Center, founded in 1948, and the South Side Community Art Center, the only surviving Federal Arts Center from the WPA era and the oldest African American art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 19Art Center, the only surviving Federal Arts Center from the WPA era and the oldest African American art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 19art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 1940.

Having emigrated to the US in the early 20th century, Nevelson became a figurehead for feminist art: monochromatic assemblages represented an icon for power, virility and a bold, unrelenting presence.

Viewers can check out retrospectives to see earlier work of established artists, or check out new, innovative artists working today in shows highlighting visual dialogues, immersive environments, postwar art, feminist prints and sound as a medium.

As a graduate student at SAIC, I knew of her participation in the nation's first feminist art programs at Fresno State College and CalArts in the early 1970s.

Lawrence Fine Art will exhibit early work by pioneering feminist artist Eunice Golden at Art Southampton, July 9 - 13.

Brooklyn Museum: «Chicago in L.A.: Judy Chicago's Early Work 1963 - 74» (through Sept. 28) Love it or hate it, Judy Chicago's «The Dinner Party» remains a great, enduringly provocative monument of feminist art.

She holds a PhD from McGill University in Montreal where her thesis «Ree Morton and Feminist Installation Art: 1968 - 1977» took Morton's career as a case study to explore the absence of women in early installation art histories and consider the artist's legacy in relation to 1970s feminist aArt: 1968 - 1977» took Morton's career as a case study to explore the absence of women in early installation art histories and consider the artist's legacy in relation to 1970s feminist aart histories and consider the artist's legacy in relation to 1970s feminist artart.

Chicago is aslo well - known for founding the first feminist art program in the United States while working as a teacher at Fresno State College in the early 1970s.

As a performer and photographer, Wilson is best known for her role - playing self - portraits — as Jayne Wark explains in the Martha Wilson Sourcebook accompanying the exhibition, «Wilson's inquiry into identity formations aligns her early work with the broad impetus of 1970s feminist art to shake loose what were perceived as the imposed roles and restrictions upon women in patriarchy.»

Chicago is most well - known for her role in creating a feminist art and art education program in California during the early 1970s, and for her monumental work The Dinner Party, executed between 1974 — 79, which is now the centerpiece of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum in New Yoart and art education program in California during the early 1970s, and for her monumental work The Dinner Party, executed between 1974 — 79, which is now the centerpiece of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum in New Yoart education program in California during the early 1970s, and for her monumental work The Dinner Party, executed between 1974 — 79, which is now the centerpiece of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum in New YoArt at the Brooklyn Museum in New York.

Committed to the application of feminist theory to video practice, Blumenthal's early»80s art tapes investigate issues of women's identity and sexuality as a crisis of representation.

From the early 1960s, Natalia LL was working in Communist Poland but was very aware of other radical women artists: she was the co-founder of the artist - run PERMAFO Gallery in Wrocław, which regularly invited international artists to exhibit in Poland, and from 1975, engaged in numerous feminist art exhibitions and symposia outside of Poland.

Helen Frankenthaler and Grace Hartigan were artists and friends who helped set the early pillars of feminist presence in art.

Long an active voice in contemporary political and feminist art, the exhibition includes early work from her studies at the Art Institute of Chicago to recent presentation at the 2007 Venice Biennaart, the exhibition includes early work from her studies at the Art Institute of Chicago to recent presentation at the 2007 Venice BiennaArt Institute of Chicago to recent presentation at the 2007 Venice Biennale.

(Note: Although seen as an important female artist, Riley was too early for and uninvolved in the feminist art movement that emerged during the late 1960s.)

It is also seen as an early form of feminist art which only came of age during the 1970s.

Her work has progressed since the early»90s — from graphic design - based, politically motivated work intended as queer activism, to representational painting, to abstract painting that borrows from 1970s feminist art.

Its goal is not only to showcase a large sampling of contemporary feminist art from a global perspective but also to move beyond the specifically Western brand of feminism that has been perceived as the dominant voice of feminist and artistic practice since the early 1970s.