James Gray himself has made two
earlier films involving Russian crime syndicate members in New York: «Little Odessa» (1994) and «The Yards» (2000, which also starred Phoenix and Wahlberg).
Not exact matches
Harry Potter and the Deathly Hallows has dispensed with the amusing whimsy
involving its eccentric staff that lightened the
earlier films, and it takes its sense of mission very seriously.
Given that Spielberg only committed to «The Post» in March while already
involved in the effects - laden «Ready Player One,» due out
early next year, this
film had to be made with remarkable speed to meet the 2017 deadline.
A belated sequel to 2011's bizarrely successful Gnomeo & Juliette, Sherlock Gnomes continues the pun - based gnome gags of the first
film by dropping garden variety versions of Arthur Conan Doyle's most famous characters (we get Sherlock, Watson and Moriarty) into a mirth - free adventure
involving characters from the
earlier movie.
(Consider also the
film that would yet nobble it of a Jury Award, João Pedro Rodrigues» Morrer Como Um Homem [To Die Like a Man]:
early on in that overesteemed, if beautifully lensed, potboiler, a discussion about the merits of sex reassignment surgery occurs while one of the two trans - characters
involved deliberates over whether to buy some orchids... Always with the fucking orchids!)
But it's still a cut above the majority of family entertainment, and director Paul King, who got his start helming the surreal cult comedy series The Mighty Boosh, continues to prove himself a confident and comparatively sophisticated stylist, employing cutaway sets, Rube Goldberg slapstick, animated sequences in different styles, and loads of visual gags to create the
film's dollhouse - storybook world; the aesthetic influence of Wes Anderson is especially pronounced in the scenes set at the prison, where an
early mishap
involving a red sock and the prison laundry dyes the convicts» uniforms a Grand Budapest Hotel shade of lavender pink.
It developed from the
earlier magazine Revue du Cinéma
involving members of two Paris
film clubs — Objectif 49 (Robert Bresson, Jean Cocteau and Alexandre Astruc, among others) and Ciné - Club du Quartier Latin.
In
early 2017, the Oscar nominee bought out a Hidden Figures screening in Los Angeles and invited families who couldn't afford to purchase tickets for the
film about the pioneering black female mathematicians
involved in NASA's
earliest efforts.
Exhibiting signs of drug - fueled brain damage, Galifianakis confidently treats the
film's first half as a personal showcase, nailing so many weirdly uncomfortable one - liners — including a priceless gag
involving an infant and simulated masturbation — that despite the predictable homophobic barbs marring the
early mood, he single - handedly inspires confidence in the zaniness promised by the subsequently established premise.
Putting aside the
early negative reviews out of last year's Cannes
Film Festival, the cast and talent
involved in The Sea of Trees is reason enough to see the
film.
The
earlier films often played fast and loose with plausibility at crucial stages, and in «Midnight Special» the finale hinges on a silly bit of business
involving access through country roads supposedly sealed off by the military.
«While we couldn't help fund the movie at the time, we got
involved as
early as we could and came on board having only seen a few minutes of the
film,» noted The Orchard's Paul Davidson.
You could see similar elements in Lodge Kerrigan's chilly «Claire Dolan» (with a dash of Polanski in there — an unsettling manicure scene followed by a startling shot
involving a mirror on an armoire)-- and, sure enough, it turns out that the young, unknown Bahrani so admired Kerrigan's work that he sent him an
early cut of the
film and asked for Kerrigan's advice.
One scene
involving a certain
early - 90s
film is absolutely gut - busting, but even that smart joke grows a bit tired as it keeps getting mentioned.
The list of
films Bruckheimer was
involved with before beginning his relationship with Disney in the
early»90s remains an impressive body of work, including «American Gigolo,» «Thief,» «Beverly Hills Cop,» «Flashdance» and «Top Gun.»
Spielberg has seemingly done the impossible: balancing sugar - rush nostalgia with an
involving story to create a pure, uncynical, cinematic ride that recaptures the magic of his
early films.
Its influences are the hard - boiled 1950s noirs of Robert Aldrich, Raoul Walsh and André de Toth, plus the grindhouse thrillers of the 1970s and»80s, which
involved a nasty ratcheting - up of those
earlier films» lurid pleasures.
The violent
film - which is based on a true story - focuses on three troubled brothers who are
involved in the alcohol bootlegging business in the
early 1900s.
Always the maverick, Lynch personally supervised the remastering of his
earliest films on DVD and released them on his own private label, so no surprise that he was intimately
involved preparing the
film for its Blu - ray debut on Criterion.
It's the kind of formula that either wins you over
early and you ride the wave of good cheer, suspending disbelief for the sake of the entertainment value, or it doesn't catch you and you suffer through ham - handed contrivances and saccharine sentimentality, and you end up feeling that the people
involved in the
film were having so much fun together that they forgot they had a story to tell.
The
film's framing device
involves Shields» attempt to launch a new project with three estranged players from his
early career: director Fred Amiel (Barry Sullivan), actress Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell).
As in his
earlier films, including the Palme d'Or winner «4 Months, 3 Weeks and 2 Days,» Mungiu employs a patented style that
involves long takes (many scenes entail only a single shot) and eye - level widescreen compositions.
During the interview, Boyega talked about producing his first big budget Hollywood movie, what surprised him about the process, how
involved he was in the editing room and if he ever wanted to use a different take than what the director had, what they learned from
early test screenings that impacted the finished
film, and more.
If you aren't familiar with Darkest Hour, the
film chronicles the
early days of Winston Churchill's (Gary Oldman) reign as Prime Minister of the United Kingdom, which
involved deciding how to approach the encroaching Nazi threat.
Meanwhile, periodic cuts back to Earth draw half - assed connections to the two
earlier films, Cloverfield and 10 Cloverfield Lane, both of which
involved unseen monsters wrecking the planet.
Like the
film's story, the
film itself proves
early on that there is no salvation to be had for anyone
involved or watching this
film.
Early Man, written by Mark Burton and directed by Burton and Richard Starzak, is being made by the many of the same production team who worked on Shaun The Sheep Movie, but also sees Wallace & Gromit creator Nick Park
involved, making this his first animated
film since the Academy Award winning Wallace & Gromit: The Curse Of The Were - Rabbit in 2005.
Charlotte: You have now done three
films in a row that have either
involved imaginary creatures and green screens or, in the case of
Early Man, voice acting.
They shared some funny memorable moments from
filming (Jack Black share a great story about ripping a bit of improv from Joaquin Phoenix), the challenges of trying to make Don't Worry in 25 days, what it was about the material that got Gus Van Sant and the cast
involved, what it was like shooting the group scenes, what Van Sant learned from
early screenings, and a lot more.
While I may have originally overlooked the forthcoming horror
film The Lazarus Effect as just another retread of an
earlier and, in some cases, superior movie (say Pet Semetary or Flatliners), the pedigree of the people
involved with The Lazarus Effect and the
film's first trailer makes me think this
film can rise above my fanboy concerns.
Paul Andrew Williams) Cast: Terrence Stamp, Vanessa Redgrave, Gemma Arteton Though The Weinstein Company picked up the Brit
film last fall and it has all the trappings of serious Oscar bait (grumpy old man becomes
involved with his wife's choir after she gets stricken with cancer) we'd be surprised if they rolled it out this
early.
«Although he completed shooting the picture
earlier this year, [Director Pete] Travis has not been
involved in the current editing phase of the movie, after creative disagreements with producers and executives in charge of the
film reached a boiling point,» write Steve Zeitchik and Ben Fritz of the Times.
Having come up through the American independent
film movement of the
early - mid» 00s commonly known as «mumblecore», Greta Gerwig began her career as an actor in a number of low budget
films that would typically revolve around the complicated love lives of self -
involved, twentysomething hipsters living in New York City.
The Functional Skills Game Show was
filmed in front of a live audience of teachers who were
involved in the Functional Skills pilot at Nottinghamshire LA in
early July 2009.
Well, Jesus walks in Chelsea this month at Gladstone, where an
early pair of videos that Barney
filmed of 1991 performances at the gallery — which
involved such «Cremaster» - era motifs as petroleum jelly, Houdini, and palindromic footballer Jim Otto — will be on view alongside other related pieces, bringing the work together for the first time in a quarter century.
Cecilia Biagini (Buenos Aires, Argentina) started her artistic practice in the
early 1980's, and has been
involved as painter, photographer and sculptor alongside as an actress in
films, theater productions and performance pieces.
Lund's
early career as a stop - motion animator often
involved the process of creating unique characters for animated short
films.
Babette Mangolte, well known as a filmmaker and as the cinematographer on a number of key
films by Yvonne Rainer and Chantal Akerman (including Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles), was included in the Whitney exhibition The American Century; her Biennial contribution is a mixed media installation
involving photography and a video that recreates an
earlier installation from 1978.
For the former Turner prize nominee now based in Berlin, it also marks a departure from
earlier films that included portraits of artists such as Mario Merz and Cy Twombly, not only because it
involves a live performance, but also because she is accustomed to being invisible.