Sentences with phrase «earlier group exhibitions»

While earlier group exhibitions at the Allan Gallery in 1901 and the National Arts Club in 1904 had not been motivated by a particularly anti-Academy sentiment, the desire for a group show now was quite clear.

The British Council's early group exhibitions featured significant sculptors, such as Henry Moore and Barbara Hepworth, and trend - setting painters, like Francis Bacon and Lucian Freud.

Wall's early group exhibitions include 1969 shows at the Seattle Art Museum, Washington, and Vancouver Art Gallery, and New Multiple Art at the Whitechapel Gallery, London in 1970.

Not exact matches

Williams's work was first presented in Hanover as part of group exhibitions at the Sprengel Museum in the early 1990s.

The exhibition Mernet Larsen: Getting Measured will feature never - before - seen early drawings, a select group of studies and works on paper, and a survey of paintings from the 1960s to the present.

Since the early 1970s, Immi Storrs has shown in numerous solo and group exhibitions.

Next to Nothing presents a group exhibition that revisits early Modern figurative painting and Symbolist poetry through the recent work of 12 contemporary artists.

The nine established and emerging artists were picked from a pool of 40 artists who were showing in a group exhibition organized by the AAAL, «Invitational Exhibition of Visual Arts,» which opened in New York earlier texhibition organized by the AAAL, «Invitational Exhibition of Visual Arts,» which opened in New York earlier tExhibition of Visual Arts,» which opened in New York earlier this month.

The exhibition includes photos by Ming Smith, who was an early member of the Kamoinge workshop, a group of black photographers who collaborated and supported one another in their creative endeavors.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

The exhibition is a group presentation of works dating from the 1990s and early 2000s from the collection of Thomas Borgmann.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manearly historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero ManEarly Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.

This first solo exhibition with the gallery features early conceptual works and video together with a group of recent paintings.

Lorna Mills (Canadian) has actively exhibited her work internationally in both solo and group exhibitions since the early 1990's.

Celebrate the opening of Soundtracks with early access to this electrifying large - scale group exhibition.

This groundbreaking exhibition, curated by Alex Donis, features the works of five seminal artists and artist groups: Rachel Rosenthal, Barbara T. Smith, Suzanne Lacy / Leslie Labowitz - Starus, Electronic Café International and EZTV; all who have been central to the alternative artist space movement in Southern California since the early 1970's.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, BBruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manearly historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, BBruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero ManEarly Conceptual Works,» which featured the work of On Kawara, BBruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.

One of the highlights of the exhibition is a core group of early works, starting in 1949, made during a spectacularly prolific stay in Rome.

The thematic exhibition begins with a group of Picasso's early paintings and works on paper before going through the art historical movements (Dadaism, Surrealism, Post-War) through to today, tracking how language is a unifying thread.

Her work was featured in a group exhibition «Rieko Otake, Hideaki Kawashima, Naoki Koide» at 8 / ART GALLERY / Tomio Koyama Gallery earlier this year.

I went from basically not having shown since the early aughts, to being included in two group exhibitions and have three solo exhibitions this year.»

Continuing a pattern established early in its history, the gallery consciously develops a program of surprising juxtapositions within and between exhibitions alternating between single artist shows, curated group exhibitions, and historical exhibitions.

The exhibition begins with a group of Vicuña's paintings from the early 1970s that narrate her own history, interwoven with that of Chile and Salvator Allende.

Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, California Painter's Painters: Gifts from Alex Katz, High Museum of Art, Atlanta Georgia Nature Study: A Group Exhibition, Crown Point Press, San Francisco, California Summer Choices: A Group Show, Crown Point Press, San Francisco California Joyride, Marlborough Broome St, New York, New York Capture the Rapture, CB1 Gallery, Los Angeles, California Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver, Canada The good, the bad and the ugly, Gesso Artspace, Vienna Austria Another Cats Show, 356 S. Mission Rd, Los Angeles, California Cornucopia, Parkett Exhibition Space, Zurich, Switzerland The Machine Project Field Guide to the Gamble House, Gamble House, Pasadena, California Wake Up Early, Fear Death, curated by Philipp Kaiser.

«More Wrong Things», a solo exhibition at Hales Gallery in London (20 May — 24 June) displaying a small group of works from the 1980s to the early 2000s, coincided with the opening of «Kinetic Painting» at the Museum für Moderne Kunst in Frankfurt (until 24 September), a vast survey of Schneemann's career.

In addition to his earlier solo show at CB1 Gallery, he has had numerous solo and group exhibitions throughout southern California.

The work was shown earlier this year in Tokyo as part of a group exhibition commemorating the Mori Art Museum's 10th anniversary.

The first section of the exhibition features these early experiments, conducted in the mid - and late - 50s, while Oiticica was a member of Grupo Frente (The Forward Group), which was led by his teacher, the painter Ivan Serpa, and included such artists as Lygia Clark and Lygia Pape.

In addition to his earlier solo shows at CB1 Gallery, he has had numerous solo and group exhibitions throughout southern California.

William Glackens (1870 - 1938) has been represented in many group exhibitions of American art in the early 20th century presented in museums across the country and in France.

The first group of works in the exhibition offers a journey through modern art, beginning in the early twentieth century with Picasso and the invention of cubism and Duchamp and the questions surrounding the readymade.

Since the early 2000s Speed has exhibited internationally, including her solo exhibition MAKE SHIFT at the Yorkshire Sculpture Park, and group shows at the Drawing Room (London), Center for Artists Books (New York), and PIANOFABRIEK (Brussels).

From a group of early, never - before seen notebook drawings by Carl Andre, dated 1959 - 1960, to Lawrence Weiner's All About Eve, 1992, this exhibition reflects the richness of thought and experimentation undertaken by more than thirty artists whose work reflects the fundamental tenets of Minimalism.

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First shown in a solo exhibition at Metro Pictures, New York, in 1986, this work was one of four figurative paintings that featured iconic political figures and groups from the late 1960s and early 1970s, including Angela Davis, the Black Panther leader Kathleen Cleaver, and the experimental troupe the Living Theatre.

Featuring artwork by: John Connell Lilly Fenichel Jean - Marie Haessle Phillis Ideal Ward Jackson Jack Jefferson Matsumi Kanemitsu Beatrice Mandelmann Eugene Newmann Paul Pascarella Deborah Remington Louis Ribak Michio Takayama A group exhibition featuring Abstract Expressionist paintings from the 1940s and 50s by Lilly Fenichel, Jack Jefferson and Deborah Remington, each affiliated with the San Francisco School of Abstract Expressionism, as well as early and contemporary gestural artwork by a selection of artists from New York, California and Northern New Mexico.

The lively paintings were celebrated, winning her a solo museum show at the de Young as early as 1957 and a spot in the Guggenheim's seminal 1954 group exhibition «Younger American Painters» alongside de Kooning, Pollock, Franz Kline, and more — though it's only recently that the historical influence of her work has been recognized and revived.

Since the early 1990s, Roberts has exhibited internationally, including group exhibitions at Artists Space, New York; Helsinki Kunsthalle and the Museum of Contemporary Art, Helsinki, Finland; The Museum of Modern Art, Oxford, England; P.S. 1, Long Island City, NY; Bard College Center for Curatorial Studies, Annandale - on - Hudson, NY; and Bildmuseet Umeå, Umeå, Sweden.

In the early 1990s, Necrorealism reaches international acclaim, and the works by group members take part in the most prominent exhibitions of Perestroika era, such as «In the USSR and Beyond» (1990; Stedelijk Museum, Amsterdam), «Binazionale: Soviet Art around 1990» (1991; Kunsthalle, Düsseldorf; Central House of Artists, Moscow; Israel Museum, Jerusalem), «Kunst Europa» (1991; Kunstverein, Hannover), and others.

He is represented by Galerie Felli in Paris, M Fine Arts in Boston, and Waltman Ortega Fine Art in Miami where he was in the group exhibition «Territories of Beyond» earlier this year.

This group exhibition of early American abstraction includes rare paintings by seven of the ten members of the Transcendental Painting Group (TPG): Emil Bisttram, Ed Garman, Lawren Harris, Raymond Jonson, Agnes Pelton, Florence Miller Pierce and Stuart Wagroup exhibition of early American abstraction includes rare paintings by seven of the ten members of the Transcendental Painting Group (TPG): Emil Bisttram, Ed Garman, Lawren Harris, Raymond Jonson, Agnes Pelton, Florence Miller Pierce and Stuart WaGroup (TPG): Emil Bisttram, Ed Garman, Lawren Harris, Raymond Jonson, Agnes Pelton, Florence Miller Pierce and Stuart Walker.

After graduating in 1960 and before her tragically early death in 1966, her collages and large bright canvases were exhibited in a number of group shows and in her own solo exhibition at the Grabowski Gallery in London.

This exhibition features a group of four videos, originally shot on Super 8 film, from the 1970s and early 1980s that use the body to express the experience of living under an oppressive regime.

Considered one of the most important figurative artists of the late 20th and early 21st centuries, Fischl's work has been the subject of numerous solo and major group exhibitions and is represented in many museums, as well as prestigious private and corporate collections.

This is actually our first solo presentation of his work, and as I mentioned earlier, probably our biggest shift for the gallery in LA will be the presentation of more solo exhibitions, as opposed to group shows.

This exhibition of work by São Paulo — based artist Anna Maria Maiolino features a group of four videos from the 1970s and early 1980s that use the body to express the experience of living under an oppressive regime.

[3] A year earlier, in a group exhibition review that focused almost exclusively on three drawings by Grossman, Canaday praised her ability to combine «precise linear representational technique with intense expressive force, a combination that has been rare since the Renaissance.»

Early in his career, Bates» paintings were featured in major group exhibitions that traveled across the country, including the

This early programme was consolidated during 1990 with the return of Peter Brook, the first visit to Glasgow of the Canadian Director Robert Lepage and the development of a major exhibitions programme including a solo show by the British artist David Mach and a group show of work by Italian artists: Temperamenti.

Various Small Fires presents LIFE: On The Moon, a group exhibition tracing the immediate influence and lasting significance of the epochal July 20, 1969 moon landing on the early development of Land Art, represented by Robert Smithson and Michelle Stuart, in dialogue with recent works by Christopher Badger, Trevor Paglen, Katie Paterson, and Tavares Strachan... read more