Sentences with phrase «earlier images into»

Eschewing digital technology, Sepuya uses the mirror to collapse the studio space into one plane, allowing him to integrate the subject, the camera tripod and prints of earlier images into a single layered, collage - like composition.

Not exact matches

Even the later rewriting of the records, pushing back the command against images into the law of Moses and denying in every way the allowance of idols, did not destroy the plain evidence of Yahweh's physical representation in the early days.

Image via Qiu Yang Photography Earlier this week I went into frenzy of beer battering, thanks to this recipe for Beer Battered Avocado Wedges from Avocado and Ales, which I adapted to create these beyond moreish Tofu Nuggets.

View image gettyimages.com Klopp sent media across Europe into overdrive earlier this...

One of my colleagues, the comedian that he is, got into work early the next day, took a screen grab from the internet and proceeded to print out the image 20 times and plaster our office — a good use of taxpayers» money, ahem.

I would also suspect that running ads this early plays into the strategy of creating the image that Portman's campaign is unstoppable, by demonstrating that he's willing to start spending money and building a list this early.

Even if the instrument were ready sooner, its telescope might not be: The E — ELT is set to begin operations no earlier than 2025, placing an image of Proxima b at least a decade if not 20 years into the future.

Those early dogs didn't have thousands of years of intense breeding selection to sculpt them into the image of modern dogs.

As we grow older, our early life comes sharply into focus (Image: Philippe Lopparelli / Tendance Floue)

In early February, it made two major announcements: It had folded Landsat 8 and Sentinel - 2 data into its archive and it had initiated a deal to acquire Google's Terra Bella satellite imaging division and its seven SkySats, which have the capability to image at 0.7 meters.

And whereas early x-ray ghost images were simple pictures of slits cut into metal, the Chinese group produced outlines of a seashell and of initials etched into metal plates.

The researchers at Penn and their collaborators used the Early Embryo Viability Assessment imaging device (or Eeva, developed and manufactured by Auxogyn, Inc.), which records images of developing embryos during the first three days of laboratory culture, to evaluate embryos transferred into the uterine cavity of 177 patients.

It went into operation in 1970, and its early successes showed the excellent image quality and observing conditions at the top of Mauna Kea.

In the early 1980s, images from NASA's Voyager spacecraft showed two to three dark bands on Saturn and scientists theorized that water could have been showering down into those bands from the rings.

These range from visual stimulation experiments that allow us to tap into the specific sets of retinal ganglion cells that are most vulnerable early in the disease, to the evolution of new imaging techniques, largely thanks to Alf Dubra and Vivek Srinivasan's work in those areas, and the ability to image retinal ganglion cells and their component parts like their axons which degenerate very early in glaucoma.

We also inform the public and policy makers about how imaging and image - guided therapies translate into disease prevention, earlier and more accurate diagnoses, and improved quality of health care.

In an earlier «skeet shot», Cassini captured detailed images of the cracked surface, revealing the source of geysers blasting the water into space.

(ERIK SNYDER / GETTY IMAGES) Most cases of insomnia fit into one of three broad categories: trouble falling asleep, waking throughout the night, or waking too early in the morning.

There's a scene early in the film (chapter 8) in which Patricia Clarkson's character is standing well into the background and we can still make out the individual dots on her clown costume; many of Tim Orr's images are postcard - perfect to begin with, but this is the sort of rendering that drives you to buy a video printer and fulfill that promise.

Trouble is, it hasn't been The Depression for, oh, seventy years or so; the poster image of a smirking ragamuffin who looked poised to break into a rendition of «The Good Ship Lollipop» was so anachronistic as to have an indecipherable objective for early - Nineties moviegoers.

As glimpsed in Tuesday's first teaser poster, a sneak - peak coming via ET and a new image earlier today, director Marc Forster's film stars Brad Pitt as a UN representative who travels the globe, attempting to stamp out an infection that is turning the entire population into the flesh - eating apocalypse.

Other images also stress the importance of representation - a touching shot early on sees Adonis blow up a video of Apollo Creed fighting on a big screen, then virtually inserting himself into his shoes as he shadow boxes in sync with his father.

Going one step farther, McLean was able to find a photograph of Ms. Pounsford and compare it with the newly revealed imagery from 20 years earlier Baird's technique of scanning an image into discrete lines, and turning those lines into electrical signals would prove to be the basis of the better looking images television would later offer.

Rather than capture full images as the earlier moviemakers did, Baird divided each image into small strips and recorded each one as a separate line.

That's in addition to the 375,000 + high resolution images of the artworks themselves the Met dumped into the public domain earlier this year.»

- dev starts with rough 3D models of a stage from the level directo - includes wireframe sketch of the sand - surfing section of the Jakku level - the team will open up the level into the game's engine and play it - that early concept is transformed with their 2D artists - artists can turn out images that capture the essence of what a level might look or feel like in a couple of days - might take six weeks to do a final pass on a level - feedback from designers and other members of the development team comes in every few days - once sketches are approved, the level is passed along to the environment artists - their job includes building the props and assets that fill levels - after the level is «built» Pick takes a look to ensure that it looks good and is consistent to the game as a whole - levels get played hundreds of time by the game's completion

The images not only provide interesting insight into what the game could've looked like, but it also reveals a few of the team's earliest ideas that were nixed in the final release.

Earlier today, Konami tweeted the below image and statement, referring to a Metal Gear Solid 5 1984 Collection: Step back into the 80's with our new MGS collection coming very soon!

Butler notes: «Hauser operates in a systematic sequential fashion, turning drawings into digital prints, enlarging the images into paintings, and using images of the paintings to begin new prints and repeat the process, cannibalizing earlier imagery as she goes.

For this new body of work, the artist has translated her earlier paintings into ASCII, a character - based image encoding system developed in the 1960s, and then, using laser stencils, applied the data to gesturally - painted surfaces.

Photographing images of crying women from early - 1960s comic books, with tears dripping from their sexy lashes, she turns them into formal fodder, mixing the lugubrious with the languorous.

A story of advancement inevitably turns into obsolescence, and Technologism seeks to document the early use of broadcast technology as a way of bridging the gap (and finding a space) between the image on the screen, the physical presence of the viewer, and the broader community.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

Time / Image Window into Houston — Darryl Lauster and Vincent Valdez Early Awnings: Henning Bohl with Sergei Tcherepnin Teresa Hubbard / Alexander Birchler: Sound Speed Marker Window into Houston — Shane Tolbert: Fine China UH School of Art Annual Student Exhibition 37th Master of Fine Arts Thesis Exhibition Window into Houston — Bret Shirley: Rising Through the Infinite Janet Biggs: Echo of the Unknown Mel Chin: Rematch

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

For here he takes one of the most trenchant images of good and evil, and adds a beady blue eye that captures all the collectors and dealers with whom I streamed into the «professional» early viewing.

Layered and allusive, her work draws on early American history and primary documents, weaving quotation and image into poems that often revise standard typography.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

A deconstructive approach to the moving image seemed to be video art's trajectory from the 1990s into the early 21st century, incorporating new developments of photo processing, digital editing and image layering in contemporary visual culture.

Perhaps this search began in the mid-1980s, with Johns's cycle The Seasons (1985 — 86), in which picturing this venture of thought required a detour through picturing something like a self — hard to commit to it being Johns's self — through references to some of the artist's earlier image strategies (flags, devices) as well as icons of philosophical thinking such as the Platonic forms, Joseph Jastrow's duck - rabbit diagram (the latter made famous by Ludwig Wittgenstein's inquiry into «seeing as» in the Philosophical Investigations, 1953) and Pliny's origin story of the birth of painting as the tracing of a loved - one's silhouette in shadow.

With hindsight, Batman Chair II (1976), one of the early drawings included in the show, is a perfect and ridiculous representation of the struggles of painting and drawing at the time (which were led by New Image Painting's reinsertion of the recognisable image into the discourse of abstractImage Painting's reinsertion of the recognisable image into the discourse of abstractimage into the discourse of abstraction).

Leckey's interests might have shifted throughout the last decade — from an obsession with pop culture, subculture and the figure of the dandy in earlier films such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997).

Along with well - selected illustrations of works in different media, the catalogue traces Sillman's early exploration of cartoon imagery and the associative use of colors, her struggle for the unity of the physical legitimacy of the objects and the human body, her equally shared interest in figuration and abstraction, her attempts to reduce images that evoke the ambiguity of singular gestures in flux that are emphatically stable, and her «zines» and recent forays into drawings made with an iPhone.

KSAround the same time, in the mid-to-late»70s, Jack Goldstein is making his early films like Shane and The Jump, which take an action that turns into an image and repeat it over and over again.

The drawings are seeds that exploded into tour - de-force images on Mylar; they demonstrate that the artist's formal concerns and subject matter — exploring themes of identity, gender, racism, caricature, fable, exploitation, colonialism, and ethnographic history — were established early in her career.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

STRIPTEASES and PENN CENTER PIECES, featuring rare multiple - image photographic works by Ray Metzker from the mid 1960's, into the early 1990's, will celebrate Metzker's 25th one - person show at Laurence Miller Gallery.

In early and late works from his oeuvre, the exhibition probes into Guston's ascent to «visionary awareness,» that is, his encounter with complete forms, images and ideas, and their physical manifestation.

«Best known for his images of amorous aristocrats and melancholy actors, Jean - Antoine Watteau (1684 - 1721) ventured into military subjects early in his short career, producing about a dozen paintings and a number of drawings between about 1709 and 1715.

His earliest images offers a glimpse into his psyche and his response to contemporary events, particularly the Spanish Civil War and World War II.