Sentences with phrase «earlier modern contexts»

Not exact matches

However, this «new reformation», he believes, will incorporate the early Christian insights but will provide for them a new philosophical context in the light of science, philosophy, and other modern ways of seeing the creation and the relationship of God to that creation.

In the context of this book it is a change from the dominant modern worldview to a postmodern worldview to use the terminology of my earlier book, On Purpose (Birch 1990).

Based in Portsmouth, UK About Blog The Port Towns and Urban Cultures group is dedicated to furthering our understanding of the social and cultural contexts of ports across the globe from the early modern period.

Based in Portsmouth, UK About Blog The Port Towns and Urban Cultures group is dedicated to furthering our understanding of the social and cultural contexts of ports across the globe from the early modern period.

Based in Portsmouth, UK About Blog The Port Towns and Urban Cultures group is dedicated to furthering our understanding of the social and cultural contexts of ports across the globe from the early modern period.

In a catalog essay describing the broader social, cultural and political context of early - 20th - century New York, the historian Max Page sees the Armory Show as emblematic of a distinctively modern process of «creative destruction» in which the new must always obliterate the old.

Fleming at Fifty: Masterworks from the Fleming Collection showcases historic nineteenth and early twentieth Scottish paintings in modern and timely contexts.

What's more, no museum in the vicinity of Boston has the depth to be able to put this work convincingly in a wider context - teasing out connections not just with earlier strains of modern art, both American and European, but with the full gamut of contemporary productions.

The photo works by Sherrie Levine after Walker Evans, Andreas Feininger, Edward Weston, Alfred Stieglitz and other masters of early modern photography are among the most radical works in this context.

MoMA's early history is marked by an ongoing interest in celebrating forms and techniques not usually considered in the context of fine art — perhaps the outgrowth of its habitual revolt against the strictures of good taste as the museum worked to legitimize «ugly» and «nonsensical» Modern art in the 1930s.

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

Based in Portsmouth, UK About Blog The Port Towns and Urban Cultures group is dedicated to furthering our understanding of the social and cultural contexts of ports across the globe from the early modern period.