Sentences with phrase «earlier movies there»

Not exact matches

Many of the headline speakers from the previous conference will be there, including Tim Draper and Lyn Ulbricht, as well as dozens of other «smart money» investors who couldn't make it last time, including Randi Zuckerberg (Founder & CEO of Zuckerberg Media & Early Facebook executive), Mark Yusko (billionaire hedge fund manager and Wall Street money man), Nick Spanos (founder of Blockchain Technologies Corp and featured in the Netflix Banking on Bitcoin movie), David Hirsch (enforcement attorney from the SEC), and Gary Leland, from CryptoCousins.

I believe anything is possible, did some kids in the late 1800's early 1900's (I forget the time, but there is a movie about it) claim to of taken pictures of fairies?

All this goofiness can hamstring a movie's emotional beats, and there are a few Ragnarok moments that don't have quite the dramatic pull they should (one early scene between Thor, Loki and their father, played by Anthony Hopkins, particularly suffers).

The Mighty Ducks does not hold up as a «good» movie, but if you are looking for the ultimate piece of early «90s sports nostalgia, there is no one better to deliver it than Emilio Estevez and his ragtag team of hockey cast - offs.

Get there early: Their concession stand and beer garden offer a fantastic selection of locally sourced snacks and movie - themed cocktails to enjoy before the sun goes down.

Mr. Barraud came before the Southold Town Board Tuesday evening to appeal the denial given to him by the Zoning Board of Appeals chairperson earlier last month, but town board members believed there was no connection between the movie night and the hops Mr. Barraud grows.

And I like to get there early not just to get a good seat, but also to watch all of the movie previews.

Even though earlier rumors claimed there was a new Sex and the City movie in the works, the latest accounts claim that the popular franchise is changing directions and gearing up for a return to TV.

The early part of the movie, when Wikus gets exposed to the fluid, you'd think that the MNU or gov» t officials would have some kind of quarantine system in place, in case alien bio-matter intermingles with human... and indeed later on you hear about there being other cases of mutation — possibly induced by the illegal experiments — so they knew this kind of thing could happen... it seemed to me very reckless to have Wikus stumble about, puking his guts, bleeding from his nose, and not have his co-workers immediately call the medvac people in.

Lionsgate pretty much announced there would be four movies, back in early 2011.

There is a whole bunch of stuff packed into these early moments, which signify the movie's only real downtime, plotting-wise.

District 9 is partly presented as a faux documentary (rather than a mockumentary, which is what Roger Ebert wrongly labels the film... there is nothing funny about this movie), detailing how 20 years earlier, a huge alien spaceship (think Independence Day) parked itself over Johannesburg and... sat there.

There are plenty of seemingly obligatory plot devices in G - Men, Cagney does... well, Cagney and its a must see for any fan of early mobster movies.

There are constant acknowledgements that you're watching a movie, and a formulaic one at that (right before the the start of the film's third act, our boy declares that if his plan succeeds, everybody gets to go home early because there'll be no need for a third There are constant acknowledgements that you're watching a movie, and a formulaic one at that (right before the the start of the film's third act, our boy declares that if his plan succeeds, everybody gets to go home early because there'll be no need for a third there'll be no need for a third act).

There's little doubt that The Killing gets off to a relatively rocky start, as Kubrick delivers a slow - moving first act that dwells a little too keenly on the exploits of Johnny's crew - with the movie, even at this early stage, at its best when focused on the protagonist's efforts at arranging the intricate operation.

There's almost excessively little within Cabin Fever that won't seem all - too - familiar to horror fans, as scripters Randy Pearlstein and Roth have infused the narrative with just about every convention and cliche of the genre imaginable - and yet it's clear that the movie, in its early stages, fares much better than one might've anticipated.

Such is the case of Amour, the movie that brought Mr. Haneke — an Austrian filmmaker who has worked in Austria, Germany, France, and the U.S. — to a place neither devotées nor detractors (and there are plenty of both) likely would have predicted: Accepting an Oscar for Best Foreign Film earlier this year, and giving a U.S. - televised speech in his proficient but careful English (if you didn't catch it, he was like the anti-Roberto Benigni).

In Lee's Bamboozled, he's invoked (alongside many other silent and early - sound - era performers) as a grotesque specter of racist Hollywood representation — the ghost of minstrelsy past — but writers like Mel Watkins and Champ Clark have complicated the issue by suggesting that there was an element of subversion in Perry's subservience — that the shiftless, feckless caricature he inhabited in so many movies was not a capitulation to the viewership (or the filmmakers) but a bold form of ethnic masquerade.

Credit to the Broken Lizard team that very few of the jokes from the first film are outright repeated and there are sparing references in general to the earlier movie.

Typical of this tonal miscalculation, there's a telling early sequence in the movie where Marian Seeds» caretaker recites her menacing rules regarding nighttime service in the house.

At this point in his career, if Tom Cruise is not starring as a dark loner or a sci - fi action hero, there isn't any point to watching his movies, but back in the early 90s he really had that special spark that has garnered him the reputation he has today.

If you're wondering why there are shouts of jubilation from film buffs and aficionados of pre-swing-era music it's because the Criterion Collection has released a beautiful Blu - ray and DVD of King of Jazz (1930), The movie features Bing Crosby's first appearance onscreen, as part of the Rhythm Boys trio, jazz giants Joe Venuti and Eddie Lang, and a spectacular rendition of George Gershwin's «Rhapsody in Blue» by Paul Whiteman, the orchestra leader who commissioned the piece just six years earlier.

One interesting thing is that there seems to be some early concern regarding the use of digital video to shoot this movie, and I have to admit, it does look a bit bland and decidedly less stylish than we're used to seeing from Michael Mann.

There's not much more to reveal, though the source also re-confirms earlier reports that Javier Bardem will play the movie's villain, adding that much of the filming will take place in South America.

There are not, as yet, many underdog sports movies about volleyball, and the early moments of The Miracle Season make that seem like an oversight.

Just look at the gigantic gulf between early Joe Swanberg movies featuring unrehearsed amateurs and his more recent, creatively successful films starring professionals: there's a world of difference.

The tone certainly seems to be more serious than the Pirates movies, and if any of the supernatural elements from earlier script drafts remain, they're played down in the promo, but there's plenty of big - scale action, mostly on - rails, to be seen.

At the same time, there's a chance that it's just too early to get a firm grasp on what this movie will be, and it still has the chance to blow us all away.

Then there are movies on the move, with Kingsman: The Golden Circle shifting up a week and Murder On The Orient Express shifting two weeks earlier in November this year.

Visually, Chan Is Missing has the bustling casualness of Cassavetes or of the early French New Wave — its picture of Chinatown is virtually a mini «city symphony» movie in itself, whether Michael Chin's black - and - white photography is showing us passersby, details of shop signs, vast swathes of house fronts or vistas of Frisco hillsides (there's also a nice wink at Vertigo).

And there are sequences early on in the movie, such as her tentative confab with a fellow bewigged student, a shy widower (Kôji Yakusho), that bring out the grace notes in their shared loneliness.

ATLAS SHRUGGED PART I Rather than take the time to come up with something witty to write about this heavy - handed screed that boasts all the production values of a bad made - for - TV movie from the early 1980s, I'll just substitute the word «novels» with «films» in this popular quote and be done with it: «There are two films that can change a 14 - year - old's life: The Lord of the Rings and Atlas Shrugged.

And there are a couple of effective moments: an early scene, in which we see an advancing «army» (about four men to be honest) of zombies in the WW1 trenches is well done, and it's a shame Halperin didn't concentrate on this aspect of the story — had he done so he would have beaten the first horror movies (to my knowledge) to be set in the Trenches by some sixty years.

There is one perfect moment in Breaking In that one goes to see a movie like Breaking In for and it comes relatively early on.

Writer / director M. Night Shyamalan's penchant for a deliberate narrative is certainly in full effect with Unbreakable, as the movie, though consistently entertaining and occasionally engrossing, progresses at a lackadaisical pace that tends to prevent the viewer from wholeheartedly embracing the material - with the film ultimately faring better than, for example, The Sixth Sense due to its progressively absorbing narrative (ie there's a sense of forward momentum that was almost entirely absent from that earlier picture).

Where the film goes from there thankfully isn't as predictable as you might expect, even if «Dean» does feel pretty familiar at times, like an early Woody Allen movie by way of Zach Braff.

The movie may peak there and too early and [insert any complaints about visual flexibility here] but I don't require perfection in film and especially not in any of the theatrical high - wire genres.

There are plenty of references to the earlier movie that fans will appreciate.

There are also clips from Kotting's earlier films and home movies, while Eden's exuberant charm shines through every scene she's in, whether she's teasing her father or singing along with something from her eclectic CD collection.

There are certain arbitrary rules that seem to define awards season: Movies released early in the year will be ignored; Horror never gets nominated; First time directors don't have a chance; Stories about racism should be told through a white gaze.

There's a campiness here that didn't exist in the earlier movie.

Perhaps you had reason to rule them out earlier than I did, but I didn't feel I had sufficient justification to say the movie couldn't make any «bad» decisions and go some other routes (lord knows there have been many an M. Night Shyamalan wannabe who's sacrificed a reasonable ending for a contrivedly - provocative one).

There is a beauty to doing a movie in terms of the commitment you give because you wake up early and go through the work day and do that for a few months.

Cheap Thrills — I am lucky enough to have been able to see this movie six months earlier at SXSW, but with it being one of the best movies I had seen all year, going back to see it with the cast and crew there was just as enjoyable as the first time.

... There's less than two weeks to go until Thor: Ragnarok begins its international roll out, and if early tracking is to be believed, the God of Thunder's third solo outing is tracking a domestic opening weekend of between $ 100 and $ 110 million, which would put it comfortably ahead of the first two Thor movies, as well as putting it ahead of rival 2017 superhero movies Logan ($ 88.4 million) and Wonder Woman ($ 103.3 million).

He did get possessed pretty early by a bad guy and had to walk around all scowly for most of the movie so now it's nice to actually have the character there and see him interact with the other guys.»

Suffice it to say there's a climactic twist that will set eyes rolling, assuming viewers didn't tumble to it early on and spend the rest of the movie twiddling their thumbs awaiting the reveal.

Luckily, most of us are easy targets, judging from the movie's early Oscar buzz — a best actress nom seems to be a lock for Ronan; «if there is any justice in the world,» says Deadline, Laurie Metcalf, who plays Lady Bird's mother, will receive a nod for best supporting actress; and fingers crossed that, in Vanity Fair's words, Gerwig's «warm, confident filmmaking» will also be recognized at this level.

The aforementioned coherent scenes are exciting to watch — there's an entertaining segment early on where a seemingly blown - apart robot uses its various limbs to separately fight a band of enemies — but by the end of the movie, we're treated to yet another assaultive Michael Bay finale, where everything is fighting everything else as visual reality collapses and the soundtrack (by Steve Jablonsky, «Deepwater Horizon») just booms and booms and booms.

This isn't something that sounds all that appealing, but considering how surprisingly popular the movie was back in the late 90s, there's a chance some nostalgia might get adults in their late 20s and early 30s to tune in out of curiosity.