Sentences with phrase «earlier moving image»

In addition to a lecture by Berlin - based art historian Jörn Schaffaf, who wrote his Ph.D. on Parreno's work, a series of screenings with Parreno's earlier moving image work will be organized.

Not exact matches

View image gettyimages.com The France International has been heavily linked with a move to Arsenal over the past few weeks and earlier this week it was rumoured that he was set to sign...

A native of the Southern Tier, Amy began using her mom's video camera at an early age to tell stories through moving images.

wolf's «magic map» at cnn is no match for snow's «swingometer» on bbc... and frankly i'm getting a bit of a headache from all the flashing images and moving text they have flooding the screen (though in terms of election night broadcasting embarrassment, the holograms are still no match for jeremy vine's antics earlier this year...)

Early in the work, the filmmakers juxtapose images of schools of fish with flocks of birds moving in similar patterns, suggesting a link between the two groups of creatures and a common ancestry.

Like in the earlier films where the space for personal monologue and storytelling is expanded for even very minor characters, Elvira's brutally honest tape - recorded interview in the final moments combines with the image for one of Fassbinder's most moving and penetrating moments in one of his best films.

Though the pat resolution is a bit of a bummer given some of the manic joy of earlier, the movie still leaves one with the delightful lingering image of all four leads, in multi-colored wigs, throwing down their best moves in a second - act dance - off that is the highlight of the affair.

Similarly, the Photo Gallery provides 51 images, though, here the viewer navigates with the remote control, a format considerably less preferable than the earlier moving montage.

Image Comics — the rebel publishing house that championed creator - owned comics in the early»90s — recently made another industry - altering move.

Sure, to say the pixellated characters in front and the flat images in the back have aged badly is easy now, but back in early 1993, the zenith of polygon - based 3D had been Alone in the Dark and Virtua Racing, and with its fast - scaling action, weather and special move effects, Dark Edge must have seemed like a true alternative to the slow, chiseled and awkwardly animated human characters in those games.

The mural features a new image from her series, Nebraska Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and big sky of the artist's native state.

Moving Image had announced earlier this year it would hold its fair in May as part of Frieze Art Week instead of during Armory Show Week in March as in years past.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Examples include Julia Margaret Cameron's soft - focused and reverential Herbert Wilson (1868), which helped to move photographic portraiture from pure documentation to artistic intention; and Edward Curtis's field - printed cyanotype of an American Indian (c.1900 - 1930), which also shows how early photographers checked the quality of their images before digital photography.

By the early»50s, Pollock, too, had moved away from the canvas as a repository for action and was creating strong black and white images that are clearly representational.

Just how much talent Kerte ¿ z showed at a relatively early age — and how extraordinary he would become after moving to Paris, then New York in the 1920s and»30s — can now be traced at the Virginia Museum of Fine Arts, which is celebrating his landmark career with a choice selection of 18 images drawn from its outstanding collection of the photographer's work.

Curated by Maria Lind, Philippe Parreno at CCS Bard explores the artist's work with moving images, focusing on two later pieces, June 8, 1968 (2009) and Zidane: A XXIst Century Portrait (2006), and an early work, Anywhere Out of the World (2000).

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

Cumulatively, these experiences offered him unusually broad exposure to early experimental films and moving - image work, as well as giving him a taste for vague, directionless trawling through archives, waiting for something to catch his eye — a decisive influence on his subsequent practice.

A deconstructive approach to the moving image seemed to be video art's trajectory from the 1990s into the early 21st century, incorporating new developments of photo processing, digital editing and image layering in contemporary visual culture.

An early adopter to an ADD aesthetic that has since become more prevalent, Laure Prouvost formerly dispensed her shattering kineticism in small doses via her moving - image works...

Loosely inspired by early twentieth - century stage designs and a desire to create a moving image, a series of cutouts suggests the soaring movement.

Unlike typical retrospectives, this presentation is organized with an eye to morphological relationships so that, as viewers move through the gallery, they will recall and ideally return to earlier related images.

When small LCD video projectors first became available in the early 1990s, he projected faces onto vaguely head - shaped padded forms, using these as a support for the moving images.

De Kooning moved to a more lyrical form of painting, (such as Villa Borghese, 1961), that lacks the urgent, anxious connection to the world of his earlier Women paintings (no bad thing, depending on your view of these violent images, often described as misogynist).

Rather than offering a comprehensive drawing retrospective, the show will be organized with an eye to morphological relationships so that, as viewers move through the gallery, they will recall and ideally return to earlier related images.

Widely known for her fluid, dynamic imagery and inventive figures, with these works Essenhigh has furthered her move from the flatness and line of her earlier enamel paintings towards an almost sculptural three - dimensionality that places these images in the realm of an imagined real.

This new exhibition expands on Smith's earlier interest in the tension between the pictorial representation and the moving image, and in the way they can both be distorted as soon as they shift cultural contexts.

Dreamlands presents early experiments with cinematic space that jolt the spectator out of the conventions of seeing, postwar works that offer a darker and more fragmented experience of the moving image, and contemporary works that often exploit the infinite malleability of the digital image.

Nash has curated several exhibitions focusing on artists» work with the moving image - including his earlier exhibitions Experiments with Truth at the Fabric Workshop and Museum, Philadelphia (2004 - 5) and One Sixth of the Earth, Ecologies of Image at ZKM, Karlsruhe and MUSAC, Leon (2012 -image - including his earlier exhibitions Experiments with Truth at the Fabric Workshop and Museum, Philadelphia (2004 - 5) and One Sixth of the Earth, Ecologies of Image at ZKM, Karlsruhe and MUSAC, Leon (2012 -Image at ZKM, Karlsruhe and MUSAC, Leon (2012 - 13).

An earlier exhibition, Cinema Remixed and Reloaded: Black Women Artists and the Moving Image (2008), which she co-curated with Andrea Barnwell Brownlee, was nominated for the prestigious AICA (International Association of Art Critics) award in the digital media, video or film category and was later presented at the 11th Havana Biennial in 2012.

While many of his early paintings were based on found photographs and film stills, Borremans has matured into a filmmaker who creates moving images that mimic paintings.

From his early multichannel video installation diamond sea, 1997, to his more recent performance - based works, such as SONG I, 2012/2015, the exhibition unfolds around the major moving - image installations that articulate Aitken's central subject matters, from catastrophic environmental depredation to unprecedented technological mediation; self - contained, decentralized communication; and the incursion of commerce into every aspect of our social relationships.

Justine Hill: I've never used Illustrator, but I use Photoshop a lot, not as a way to create the images, but as a way to look at my early drawings and move the paintings forward.

Donald Sultan After completing his MFA at the Art Institute of Chicago, Donald Sultan moved to New York in the mid 1970s and emerged as a key figure in the New Image movement of the late 1970s and early 1980s.

In SITE Santa Fe's Eighth International Biennial, held in 2010, curated by Sarah Lewis and Daniel Belasco, emerging and established artists working in many media displayed works that mined techniques of early animation and moving - image technologies to create a hybrid practice of homespun plus high - tech.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Often considered the «grandfather» of Op Art, French - Hungarian artist Victor Vasarely began creating mind - bending paintings as early as the 1930s, leveraging his studies of science, color, and optics to produce images that seemed to move, swell, or change forms.

Earlier this month, he presented a video narrative, «Afro - Cosmonaut / Alien (White Noise)» at the Moving Image New York art fair.

In Mechanical Poem, Laura Buckley draws on the painterly techniques she developed during her early career, transferring them to sculpture and moving image work to create a physical and visual presence from light rather than paint.

Early works by Bridget Riley are included in Images Moving Out Onto Space at Tate St Ives.

Since his early electronic music pieces, Fell's practice has expanded to include moving - image works, sound and light installation, choreography, critical texts, curatorial projects and educational activities.

JG: Looking back at your earlier work, you seem to have moved from gestural abstractions to super geometric and tight images, and now you kind of incorporate the two.

Considered a pioneer of postmodern ideas in the 1970s, he came to prominence with his early text paintings and moved on to photographic images paired with text.

Barbara Takenaga has created a new work of an unprecedented scale for a 100 foot wall in the Hunter Center lobby at MASS MoCA.The mural features a new image from her series, Nebraska Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and big sky of the artist's native state.

Tony Oursler is one of the key figures in the development of video art; he experimented early on with the moving image that extended beyond the borders of the TV monitor.

With a mission to become a key global destination for all those interested in the medium, Photo London will bring together galleries that will showcase early photographic gems, the latest work by established masters and work that reflects new directions in the development of the form, including moving image and virtual reality, as well as works featuring high levels of technical experimentation.

Looking at the earlier images that you just showed me, I see you move around within your own history, bringing back things from your past to the present quite fluidly.

In a move to negate this negative image, Apple did release an iPad model featuring a 9.7 inch screen size earlier...