Sentences with phrase «earlier paintings panels»

Much of Helen O'Leary's work materially recycles her own earlier paintings panels, which she cut into scraps and strips and pieces together — she calls it knitting — to form something new and often sculptural.

Not exact matches

An earlier C8 Corvette leak showed panels of the mid-engine sportscar being painted at the Corvette assembly plant.

Built as an homage to the Rallye Kadett B Sprint from the early 1970s, the three door Corsa is covered in Sunny Melon Yellow paint that is offset by a standard black hood and tailgate with the checkered flag motif on either body panel as a color matching accent.

This particular car is a very early Torch Red 2002 that came from Saleen with many sought after options such as a supercharger, heat extractor hood, speedster package with roll bar, wind deflector, upgraded 10» chrome rims and tires, S281 fender badges, embroidered S281 door panel carpet, Saleen floor mats, painted door pulls, Saleen gauge package, 5 speed, and Borla Exhaust with Intercooled tips.

Early cars could suffer from the bumpers rubbing against adjacent panels because of the tight gaps; the result was damaged paint.

Mine reaches back to the early Renaissance panels of Sassetta and other Sienese masters, the small but powerful paintings of Mughal India and forward to 20th - century outsiders like Martín Ramírez and Forrest Bess.

Terre verte also figures in two single - panel monochromes whose composition — a large rectangle or square resting on a smaller rectangle — recalls Marden's early paintings and drawings, particularly their disclosure, in the lower rectangle, of the many layers used to build up the painting.

Wintersnow Snowinters signals Snow's first painting show in some two decades, so several earlier watercolor works (like Sleeping vs Waking) reappear here as fully - formed oil on panel compositions.

Beyond Rembrandt and Dürer, Mr. Polke says he has been influenced by Goya, particularly his haunting black paintings, which inspired him to create a series of photographs and glass - panel paintings in the early 1990s.

The palette covers the spectrum but in subdued grayish tones reminiscent of Brice Marden's early panel paintings.

Hume's new paintings, as in his earlier work, are made with lacquer paint on panels.

Of particular interest in the exhibition is Childe Hassam's Adam and Eve Walking Out on Montauk in Early Spring (oil on wood panel, 1924), which succinctly reflects the artist's desire to replicate the Greek Classicist ideal translated to painting, and historically is considered one of Hassam's most ambitious landscape works.

The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....

Other strengths of the twentieth - century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O'Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson and Ralston Crawford; a good showing by the American Scene painters Charles Burchfield and Edward Hopper; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry and Thomas Hart Benton, notably the latter's celebrated five - panel mural, The Arts of Life in America (1932).

Early on, she worked in collage as well as paint: The Image As Burden includes several examples, perhaps the most significant of which is Love Versus Death (1980), in which two «clue - strips» consisting of various photographs and newspaper clippings (Steve Biko is among them, and so, too, is Peggy Guggenheim) suggest ways of reading the work's central panel of drawings.

Following his debut exhibition at the gallery earlier this year featuring small - scale paintings of his studio, this exhibition will introduce six new oils of the artist's studio that range in size from single panel paintings 5x4 feet to a nearly life - size triptych 7x12 feet.

These pictures, consisting of one or more panels of canvas painted a solid and uninflected white, were much misunderstood in their time, as Walter Hopps points out in his insightful catalog essay, Robert Rauschenberg: The Early 1950s.

The panel will discuss major themes in the exhibition and how Owens» early work sets the stage for her recent paintings and installations.

Yes, in the early»50s, he had indulged in some pretty extreme gestures: making paintings of perfectly uninflected white, whose only formal content is the square or rectangular shapes of the abutted panels on which they were painted, or making a print some 24 feet long by inking one of the tires on his friend John Cage's Model A Ford and having him drive across the paper.

Oil painting on wood panel Sam Perry is a Painter and Digital Artist working in South Florida since the early 1980's BA of Fine Arts in Painting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm Beachpainting on wood panel Sam Perry is a Painter and Digital Artist working in South Florida since the early 1980's BA of Fine Arts in Painting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm BeachPainting from Ringling College of Art and Design Masters of Fine Arts in Painting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm BeachPainting from Florida Atlantic University Awards and Grants: Hector Ubertalli Award, Palm Beach County Cultural Affairs, 2002 Cultural Consortium Grant, Cultural Affairs, 1988 Award of Merit, C.A.A, Third Annual Exhibition and Competition, Art and Cutural Center of Hollywood, FL 1984 Bemis Gold Award, Society of the Four Arts, Palm Beach 1984 Best of Show, Norton Gallery of Art Annual Members Competition and Exhibition, West Palm Beach FL 1983

A two - panel black and white relief, completed early in 2007, is the oldest work in the exhibition and anticipates the diagonal paintings.

Composed of 196 panels, each consisting of 25 coloured squares that can be arranged in 11 core configurations, this work pursues the artist's early investigation of colour field paintings which he began creating in 1966 by replicating, in large scale, industrial colour charts produced by paint manufacturers.

Giambono's adoption of the early International Gothic Style helped spread the look throughout Europe and his sumptuous wood panel paintings and geometry exploring mosaics elucidate Venice's rich historical association with art, power, religion, and the colour gold.

From left: a grid of nine of my Silk Road paintings, each 12 x 12 inches, encaustic on panel (I showed earlier work from this series in a small solo show at the gallery last year); Uttar 238, encaustic on panel, 36 x 36 inches; an assembled work on paper by Siri Berg

In the early 2000s, Twombly painted a new version of that panel to recreate the triptych, then owned by the French collector François Pinault.

Chris Agnew has also chosen to work in etchings, using oil paint on icon panel to create a new series of works especially for the exhibition, building on the works he exhibited in his first solo show earlier in the year.

Relating the paintings directly to his public works, the texts echo the words from Montgomery's Hammersmith Poem — unveiled in early 2017 as a monumental four panelled installation wrapping a glass atrium under the Hammersmith Town Hall — a paragon of Brutalist architecture.

Chloe Early, Chloe, Early, Painter, contemporary, Irish, Oil, Paintings, Artist, London, aluminium panel, Artist, Bricklane, East London, New York, Streetart, Art, Street, Figurative, Female, Colourful, colorful, colour, vibrant, exhibition, lazarides, conor harrington,

The suave, white - suited man named Steve in Barkley L. Hendricks's 1976 painting of that name, radiates every bit as much star - power as Elvis Presley does in a double - panel Warhol homage, and he's treated with a lot more respect than is the busty, grinning title figure in Willem de Kooning's «Woman and Bicycle» from the early 1950s.

By the time he resettled in America in the early summer of 1954, he had accrued a large body of original work and had progressed into the striking color panel paintings that soon made him famous.

Working in oils on aluminium panel, Early's colour - saturated mini-narratives combine the splendour of Renaissance and Romantic painting with the rawness of contemporary life, a splendid example of the iron fist in a velvet glove strategy, examining the sensitive and personal aspects of conflict, ambition and entropy in an opulent, cinematic style.

European artworks from the medieval to the early modern period comprise one of the Museum's most substantial holdings, with particular strengths in medieval sculpture, early Italian Renaissance panel painting, and 17th - century Dutch and Italian painting.

Kelly's sculpture relates to two important early works: Study for Black and White Panels, 1954, a collage created during the artist's time in Paris, and Black Over White, a 1966 painting made in New York City, both of which will be on view in the gallery as part of the opening exhibition.

At heart a collaborative venture, the creation of early fifteenth - century panel paintings in Italy depended upon a tight network of connections between patrons, painters, woodworkers, and gilders.

Roger Brown's (1941 - 1997) quirky, stylized paintings were influenced by such disparate sources as comic strips, hypnotic wallpaper patterns, medieval panel paintings, and early works of Magritte.

Her drawings are influenced by the small sixteenth century panel paintings of the Low Countries, while their lush black - and - white tonalities evoke early found photographs on which they are often based.

Look at «Four Nesting Spirals» (1999 - 2000), one of Siena's enamel and aluminum paintings, and the early work of Frank Stella comes to mind: Its inward progression of painted rectangles, congruent with the panel's exterior shape, clearly recalls the «deductive structure» of Stella's early black, silver and copper paintings.

The tongue - wagging panels meet the vaudevillian in Smith's «Stage Paintings,» 2011, where rough - hewn platforms showcase a draped piece of canvas on which the artist's name is rendered, akin to his earlier works.

Arthur C. Danto said in a panel discussion in 2003 that the late eighties ``... «Death of Painting» was in part an expression of ressentiment against the painting that was causing so much excitement in the early»80s, neo-expresPainting» was in part an expression of ressentiment against the painting that was causing so much excitement in the early»80s, neo-exprespainting that was causing so much excitement in the early»80s, neo-expressionism.

As a specialist in Early German painting of the Gothic and Renaissance periods, Fischel also enriched the Karlsruher collection with new additions of important panels of medieval painting.

Terre verte also figures in two large single - panel monochrome canvases whose composition — a rectangle or square resting on a smaller rectangle — recalls Marden's early monochromes, the bottom area showing the many layers used to build up the painting.

Inspired by advertising billboards and by earlier mural - scaled paintings, such as Claude Monet's Water Lilies, he designed its 23 panels to wrap around the four walls of the Leo Castelli Gallery at 4 East 77th Street in Manhattan, where it would be displayed the following year.

Some works in this exhibition will be a departure from his earlier action paintings as he begins to rationalise the geometry of the panel itself.

My early memories of being active and thinking «I'm going to become an artist» were when I was painting huge panels for Daniel Buren for the opening exhibition, or later assisting Sol LeWitt or Lawrence Weiner.

For forty years Len Bellinger's work has been committed to the exploration of abstract / non-representational painting and the ambiguous space inherent in the concept of «abstraction,» from early icon - shaped minimalist panels trimmed with gold leaf as a P.S. 1 studio resident in the late» 70's to thickly manipulated paintings rich with byzantine color and an underlying architectonic -LSB-...]

Author Eugene Goossen speculated that the two - and three - color paintings (such as Three Panels: Red Yellow Blue, I 1963) for which Kelly is so well - known can be traced to his bird watching and his study of the two - and three - color birds he saw so frequently at an early age.

That's abundantly clear in the larger of the show's two galleries, where thickly - painted early oils on linen mingle with later works made on thin Plexiglas, copper, and brushed aluminum panels.

Including rarely seen early etchings, letterpress printing trays and liquor bottles painted with his trademark cast of down - and - out urban characters, constellations of vibrant op - art painted panels, animatronic taggers, and an elaborate re-creation of a cacophonous street - corner bodega, along with many new projects, this first midcareer survey of the globally influential San Francisco — based artist showcases the astonishing range of McGee's compassionate and vivacious work.

Published in the early 1970s, a decade that has largely influenced her visual aesthetic, The Practical Encyclopedia of Good Decorating and Home Improvement yielded stylish reproductions of brightly painted foyers, tiled kitchens, and wood - paneled living rooms which Thomas coupled and collaged with her own photographs, swathes of patterned textiles and blocks of pure color, and at times, glimpses of the landscape to render kaleidoscopic shifts in perspective.

It also included the large - scale commission For MvdR (2008) comprising nine painted marble panels, a work that acknowledges Chaimowicz's early training in painting.