I pointed out to him that in
his earlier philosophical work he argued that the mere concept of God was incoherent, so if he was now a theist, he must reject huge chunks of his old philosophy.
Response to his philosophy by Christian theologians followed soon upon the publication of
his early philosophical works, Science and the Modern World in 1925 and Religion in the Making in 1926.
Not exact matches
Thus Santayana's
earlier work consists in
philosophical comment on human life rather than constructive metaphysics or ontology, while Whitehead's is devoted to the foundations of mathematics and the analysis of scientific concepts.
Earlier related
works include «Freedom As Perfection: Whitehead, Thomas and Augustine» Proceedings of the American Catholic
Philosophical Association, XXXVI (1962), 134 - 142; «Whitehead's Challenge to Theistic Realism,» The New Scholasticism, XXXVIII, 1 (January 1964), 1 - 21; and «Is God Really Related to This World?»
Called «The Religion of Healthy - Mindedness» by William James in his classic
work, Varieties of Religious Experience, New Thought is a spiritual and
philosophical movement associated with the founding of a number of ideologically - related churches in the late 19th and
early 20th century United States.
For an
early work exploring the new physics and influenced by process thought, see Capek, Milic, The
Philosophical Impact of the Contemporary Physics (New York: Van Nostrand Press, 1961).
In heeding the
work of Dewey, the
early Chicago theologians did not think of themselves as proceeding in a particularly
philosophical vein, however.
Thus, in considering the influence of
philosophical resources upon the development of theology in America, we do well in Dewey's case not to emphasize (as do most commentators) A Common Faith, but rather to attend to the
earlier «nontheological»
works: Studies in Logical Theory and How We Think.
Yet we reiterate that throughout the
earlier period in question — from 1935, say, to 1960 — a few theologians such as Canon Raven in England had continued along the lines laid down in the twenties, while Professor Hartshorne and some others in the United States (notably E. E. Harris, in such books as Revelation Through Reason) were carrying on the
work on the strictly
philosophical side.
Though Marx and Engels later avoided the
philosophical language of their
early years, and in the Manifesto of the Communist Party laughed at the German literati who «beneath the French criticism of the economic functions of money... wrote «Alienation of Humanity,» 6 they always recognized that «The German
Working class movement is the heir of German classical philosophy.
He touches these questions anew, insofar as they had already delivered important problems in his
earlier works on pure mathematics (
philosophical problems in UA, MC, and PM; historical matters in MC; and applied mathematics in his
earliest scientific publications).
These led me to his
earlier works, which consistently vindicated Kass's self - description in his justly acclaimed Towards a More Natural Science: «The author of this book is by reading a moralist, by education a generalist, by training a physician and biochemist, by vocation a teacher» and student» of
philosophical texts, and by choice a lover of serious conversations, who thinks best when sharing thoughts and speeches with another.»
The name Terrence Malick above the title on «The New World» in 2006 certainly brought with it a certain group of expectations for those of us who loved «Badlands,» «Days of Heaven» and «The Thin Red Line,» but a decade later, released by Criterion this week in a gorgeous three - disc Blu - ray set, the film now feels almost like a bridge between those
early works and his recent trio of introspective, deeply
philosophical films: «Tree of Life,» «To the Wonder» and «Knight of Cups.»
Charlie Was a Sailor also references and underscores
earlier works in the exhibition such as Places (2005), which deals with the notions of absence / presence, loss and memory in combination with the exploration of the meaning of «place» and the possibility of rendering this
philosophical concept into a
work of art, and Places [Lost](2010), which explores places of memory that concentrate meanings, events and fragments of experience.
Thomas Chimes:
Early Works (1958 - 1965), 2009 Text by Lisa Saltzman 56 pages, Hardcover Published by Locks Art Publications ISBN: 978 -1-879173-41-5 «Developing, in these formative paintings, a visual style indebted to the palette and compositional structures of such modernist forefathers as Marsden Hartley and Henri Matisse and emboldened by the stenographic proto - abstractions of such New York School predecessors as Jackson Pollock and Mark Rothko, Chimes systematically put forth a series of paintings that pressed such experimentations with the limits of figuration into the realm of the theological, the
philosophical and the historical.
Gaines» interest in systems aesthetics can be related to the systematized
work of minimalist, Fluxus and
early conceptual artists, yet his
works differ in their preparedness to engage directly with prosaic, social, political and
philosophical propositions.
Aquavella's knock - out exhibition of judiciously selected
works from the 1940s through the
early 1960s illuminates the
philosophical roots of his pictorial language.
A longtime resident of Greenwich Village, Ryan was in touch with many of the
early Abstract Expressionists, including Pollock and Newman but found the large - scale format and brash
philosophical implications of their
work to be at odds with her own sensibilities.
As a collateral event of the 57th Venice Biennale, the exhibition traces Jan Fabre's output since its
early days, prompting a
philosophical, spiritual and political reflection on life and death centred on the crucial notion of metamorphosis, presenting
works in glass and bone produced between 1977 and 2017, now brought together for the first time.
Leaving behind his
early practice in painting and picking up the limitless possibilities of mixed - media installation, his
work has taken a meditative and
philosophical approach that deals with the fragile line between life and death.
West's
work is unpretentious, light - footed, and humorous, but founded on an intense engagement with
philosophical thought, an
early concern which intensified throughout the artist's life.
Stenvert
early cinematic
works, including the first Austrian experimental film The Raven (1951), tell us about the biological, psychological, sociological and
philosophical conditions of human existence.