Two
earlier pieces trace Benglis's sculptural use of paper to the late 1970s.
Not exact matches
While many of Sandback's
early pieces retained a ghostly sculptural quality by
tracing the contours of simple geometric figures, these works have decomposed into clusters of pure vertical projections.
An amazing collection of paintings and other works from the Centre Pompidou, Paris,
traces the development of this extraordinary and inventive artist, from his
early figurative works to his most modern
pieces.
, 1976
traces Acconci's
early actions and performances, including FOLLOWING
PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.
Pace Gallery
traces the artistic legacy of Keith Sonnier, exploring his career from
early pieces in neon and mixed media, to a vibrant new series Ebo River.
This publication is the first to comprehensively
trace this thread in Bartlett's practice, reproducing her newest paintings on canvas, the Blob paintings, and gathering works from three pivotal series in her career:
early plate
pieces from the 1970s, shaped canvases from the
early 2000s, and plate
pieces relating to the 2008 - 2010 room - size installation Recitative.
This exhibit is the first to comprehensively
trace this thread in Bartlett's practice, debuting her newest paintings on canvas, the «Blob» paintings, and gathering works from three pivotal series in her career:
early plate
pieces from the 1970s, shaped canvases from the
early 2000s, and plate
pieces relating to the 2008 — 2010 room - size installation Recitative.
Pace Gallery
traces the artistic legacy of Keith Sonnier (b. 1941), exploring his career from
early pieces in neon and mixed media, to a vibrant new series in which he continues his signature style.
This solo exhibition showcases a new Garry Fabian Miller tapestry created in collaboration with Dovecot Tapestry Studio, placing it within Garry Fabian Miller's recent body of work as well as
tracing back long term influences through key
early pieces from the artist's career.
His
earliest recollections of any single
piece of art can be
traced back to the home of his grandmother Eloise, who owned a cheap print of a Paul Detlefsen painting.