Sentences with phrase «earlier radicalism»
The generation after the sixties, says Lasch, doesn't even have a name, but that doesn't prevent it from coming in for harsh criticism from those who say young people have failed to «keep the faith» with the earlier radicalism.
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He was after all one of the great literary modernists of the early twentieth century, and modernism was a kind of radicalism, because it a refused to remain within the frame of established orthodoxies.
And he cites Steven Cohen who wrote that, by the early 1980s, most «American Jews had been raised with the understanding that liberalism or political radicalism constituted the very essence of Judaism, that all the rest — the rituals, liturgy, communal organizations — were outdated, vestigial trappings for a religion with a great moral message embodied in liberalism.»
The history of Italian unification» Italian fascism having more than a decade's existence as a special place in radicalism; the role of the papacy in severely constraining manifest forms of statist rule; the cultural tradition of Italian major cities, which had autonomous forms of city development; and the weaknesses of Italy with respect to economic concentrations of power in the early twentieth century» all argue against a muscular totalitarianism.
«Beyond radicalism and resignation: the competing logics for public participation in policy decisions» Policy & Politics (early online view).
«John Ridley has already made some ambitious television, and he's at it again with «Guerrilla,» a microstudy of radicalism in Britain in the early 1970s.»
But compared to the formal radicalism of earlier cinematic memoirs like Distant Voices, Still Lives (1988) and The Long Day Closes (1992), this latest film from the great British auteur continues more in the classical vein of recent films like The House of Mirth (2000) and The Deep Blue Sea (2011).
This paradoxically kindled Still's radicalism, as heralded in PH - 235 (1944), one of the early milestones in Abstract Expressionism.
From 1961 to 1967 Polke studied at the Düsseldorf State Art Academy, where he was inspired by the radicalism of Joseph Beuys, as well as by the local gallery scene: the city held important early exhibitions of the American artists Robert Rauschenberg and Cy Twombly.
Opening concurrently with the High's more straightforwardly historical survey «Road to Freedom: Photographs of the Civil Rights Movement, 1956 — 1968» — and in some cases plundering it for images and inspiration — the exhibition will reflect on an earlier generation's racial and cultural radicalism via more than one hundred new and recent works in various media by Deborah Grant, Leslie Hewitt, Adam Pendleton, Jefferson Pinder, Nadine Robinson, Hank Willis Thomas, and Otabenga Jones & Associates.
She was particularly convincing, he added, in discussing «Rothko's early political radicalism, his training under Max Weber, his ambiguous relationships to the Surrealists and his kinship with artists such as Milton Avery and Clyfford Still.»
From the crass neon sloganism of early Henry Holland and the abstract radicalism of the second - wave Belgian avant - gardist A.F. Vandevoorst, to the peculiar functionalism of North - European designers like Ann - Sofie Back, and the party - driven ebullience of downtown New York collective AsFour, Linde paints an image of a booming industry in constant pursuits of newness.