Sentences with phrase «earlier sculptures with»

The work finds visual precedent in earlier sculptures with the same cast of characters and related configurations, such as Train, Mechanical, Pig Island (2007), Mountain (2009) and Static (2004 - 2009).

At the center of the room is her early sculpture with clay and black plastic (Untitled, 2006), an antecedent to the inky specters that appear on the page.

Not exact matches

Each Baby Art frame offers a personal and unique baby gift, to keep an indelible memory of baby's early months.Each frame creates a work of art using baby's hand print or foot print with a choice of paint, mouldings or sculptures, photo albums, height charts and mirrors.

In the empire of Mali, for example, which flourished from the early 13th century to the late 15th century C.E., the Dogon people decorated or painted their sculptures with various pigments thought to be composed partly of blood.

The final sculptor, and the man del Toro calls «the father of the creature,» was Mike Hill, an artist who years earlier sealed his bond with del Toro when he made him a custom sculpture of Boris Karloff as Frankenstein's monster.

Labelled as «one of the most notable and artistically independent sculptors of the early 20th century,» Rembrandt created detailed animal sculptures, with his often bronze coloured masterpieces now being on show in museums across the world.

In «The Museum of Final Journeys,» the narrator remembers his early years as a civil servant in a changing country and a private museum filled to the brim with fine art and sculpture moldering away in the middle of the woods.

Many of the art and artifacts on display come from early expeditions: Sumerian cuneiform clay tablets (with some of the world's oldest writing), architectural elements from the 3,200 - year - old palace of the Pharaoh Merenptah, towering ancient Maya stone monuments, evocative masks from West Africa, Buddhist sculptures from China and Native American regalia.

In the early 1960s, Smith turned his focus to sculpture, with his architectural background informing one of his most radical innovations — having his work industrially fabricated.

Ann Temkin, the chief curator of painting and sculpture at the Museum of Modern Art, explained her early fascination with Mr. Guyton's work.

A critically recognized artist, Ringgold's early paintings in the 1960s and»70s responded to the civil rights and feminist movements with provocative images influenced by Cubism and African sculpture.

These sculptures — single, doubled or quadrupled frames of reinforced epoxy - resin casts, sometimes on the skinny stilted pedestals familiar from her earlier concrete pieces — deal with openness and closure, with transparency and translucency by revealing their inner, supporting structures, plain, steal - wire mesh or grids.

«I realized very early on that it wasn't just the figure that was the sculpture: it was a total sculpture, where the chain was just as much a character as the boy,» Wolfson explained in an interview with Beatrix Ruf for Kaleidoscope in 2016; «It wasn't just the boy being controlled by the chains; it was also about the chains having a relationship to the sculptural figure.

Alongside a series of abject ink - jet prints that looked as if they were plastered in bumper stickers purchased from an early 2000s Spencer Gifts and his 2012 video Raspberry Poser, in which animated renderings of a condom and the HIV virus dance through the streets of New York City while Beyoncé and Mazzy Star play at an intoxicating volume, he showed the animatronic sculpture (Female figure), a scuffed - up woman impaled on a stripper pole who speaks in Wolfson's voice and makes eye contact with viewers.

When I saw his architectonic relief paintings of the early seventies with new materials like wood, felt, and different levels, slopes, and planes they struck me by their relationship to Picasso's Synthetic Cubism and Picasso's Cubist sculpture and Jackson Pollocks» cut out paintings like Out of the Web.

But the lackluster notes are tempered by cool weirdness: A Mai - Thu Perret rattan sculpture of a donkey; a suite of early - 20th - century drawings by Marguerite Burnat - Provins in which cats or swans play with disembodied human heads; and funky, small sculptures by David Hominal which place discrete objects — one of which looks a whole lot like a used crack pipe — atop painted metal cans.

With these sculptures Aaron Curry revisits forms from his earlier works, stylizing them in the form of negative counterparts.

Steve Keister first gained attention in the late - 1970s and early 1980s for suspended planar sculptures with glowing florescent interiors that incorporated a wide array found materials to «esthetic and expressive ends.»

Coinciding with Frieze Masters, as well as Frieze Sculpture, the two fairs form the heart of Frieze Week — an international cultural event in early October, which includes special programmes mounted by galleries and museums across London.

Today, the gallery presents contemporary multimedia and conceptual work, as well as painting and sculpture and continues to show the artists it has worked with in the early nineteen eighties, while it presents and works with new talents.

Weiner has presented a number of projects and exhibitions across the UK since the early 1970s: at ICA, London; Pier Arts Centre, Orkney; The Fruitmarket Gallery, Edinburgh; The Henry Moore Sculpture Trust, Halifax; Art Transpennine, Hull; Inverleith House in Edinburgh; several engagements with Bury Art Gallery, including their Text Festivals; a solo show at the National Maritime Museum, London; and occasional shows in commercial galleries, the most recent at Lisson Gallery in 2013.

Magazzino's inaugural exhibition is «Margherita Stein: Rebel With a Cause,» 71 works by 16 artists: sculptures, drawings, paintings, prints, mixed - media assemblages and large - scale installations dating from the early 1960s to the present, most never previously exhibited.

This exhibition will feature key works from the Museum's collection, including sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown pieces from the early 1940s incorporating string and wood elements.

In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and sculpture.

Starting out her career by making wearable art, Booker now works almost exclusively with recycled tires in her sculptures and has been since the early 1990s.

At the gallery's 293 Tenth Avenue location, «Robert Motherwell: Early Paintings» examines the lesser - known, experimental abstractions of the artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothko.3

My sculpture is made with industrial - level craftsmanship to project an amplified sense of credibility, and my videos tap into the playful imagery of early music videos to flesh out the kaleidoscopic drama of my narrative.

While the earlier forms were created from accessible materials and objects, generally coated in gesso to create hauntingly white forms, the new sculptures are cast bronze with a white patina creating a very similar effect.

In the early 1950s she began carving wood sculpture, and briefly studied with Hans Hoffman and Max Beckmann.

With more than 50 of his works on display, the exhibition has been cleverly and informatively curated so as to place Marini's work within the wider art - historical context, ranging from early Etruscan sculpture, through 15th - century Florentine works, to Auguste Rodin and even Henry Moore.

Just as his early performances meditated on the mental and physical endurance, so too do these sculptures but with an increased sense of calm.

Mostly paintings and drawings are featured, along with some photography, mixed - media works and sculpture by artists active in the early, middle and late periods of the century, and many contemporary figures still working today such as Hurvin Anderson, Stan Douglas, Kori Newkirk, Lorna Simpson, Mickalene Thomas and Barkley L. Hendricks (whose «New Orleans Niggah,» 1973 covers the volume).

With early Modernism, the past increases refuses to stay past, just as Constantin Brancusi's dark imagery or Picasso sculpture upends sculpture's pedestal.

A colossal steel figure outside the museum entrance, Vater Staat (2010), observes visitors as they arrive, while the key work in the exhibition — the monumental bronze sculptures United Enemies (2011)-- originate in his small, sketchy figures with heads of modelling clay made nearly twenty years earlier.

News from Nowhere features sculpture, drawing, print, photography and film from the early twentieth century to present day, bringing newly commissioned work together with loans from national and international collections to highlight the impact of developments in modern science and technology on the artistic imagination.

His switch from painting to sculpture was coincident with a growing interest in architecture and in industrial processes and materials, such as galvanized steel, concrete, plywood and aluminum, which he used to create large, hollow, Minimalist sculptures.This decisive development is documented here for the first time, from the early work of the 1950s up to 1968, the point at which Judd's artistic vocabulary reached its complete formation.

An artist currently having a major market moment, Huma Bhabha is known for her rough sculptures and equally raw works on paper that combine «primitive» figuration — of the sort Picasso was so enamored of in his early Cubist days — with futuristic, post-apocalyptic themes and imagery.

Part of the group of celebrated sculptures collectively titled Natural History, it is among the earliest of his artworks to use formaldehyde, a material that has since become synonymous with his name.

«Claire Falkenstein: Matter in Motion» explodes this narrow view with nearly 50 works, introducing a relentless exploration of abstraction in early paintings on canvas and also curved perforated aluminum; sculptures of wood and glazed ceramics; and one fantastic mixed - media relief.

A student of Hans Hofmann and Chaim Gross, Nevelson experimented with early conceptual art using found objects, and dabbled in painting and printing before dedicating her lifework to sculpture.

By the early 1980s, Nauman replaced text - driven installations and model pieces with important, aggressive neon light works and sculptures, evolving his use of language correspondingly.

His early works — a sculpture of himself at his first communion, a tableau about bed - wetting, a cloaked shepherdess with a lamp — were directly figurative.

SFMOMA's presentation — the largest on the tour in terms of gallery space and number of works — is overseen by Garrels and will be augmented with 10 of the artist's earliest sculptures from the 1960s, underscoring the vital connection between the processes of sculpting and drawing in Serra's art.

«The House at Kawinal,» the artist's first solo exhibition in the US, will present a recent performance for video, Life in His Mouth, Death Cradles Her Arm (2016), together with a new body of sculptures inspired in part by the artist's research into the effects of the construction of the Chixoy Hydroelectric Dam in Guatemala in the early 1980s.

The National Portrait Gallery, meanwhile, looks at the origins of art photography via the work of four celebrated figures of the Victorian era, and Tate Modern takes things further with Shape of Light, which entwines the histories of photography and abstract art from the early 20th century to now and positions work by the likes of Man Ray and Thomas Ruff against abstract paintings, sculptures and installations.

Olafur Eliasson's Convex / concave (1995 - 2000), a hydraulic - powered mirror sculpture demonstrating the artist's early experiments with modes of perception and spatial experiences is also on view downstairs.

Today, he is known internationally for his innovative sculpture with water, however England & Co's exhibition is focused on the early works of the 1960s and 1970s that first established his reputation.

, which does indeed form a historical link to Picasso, albeit at several removes, my first personal initiation into the possibilities of a significant and profound three - dimensionality in sculpture came in the early eighties with the inception of «Sculpture from the Bodsculpture came in the early eighties with the inception of «Sculpture from the BodSculpture from the Body».

CS: Tackiness is an idea that some of these artists seem to be working with, those working with Pattern and Decoration obviously, but even Donna Dennis with her early hotel sculptures.

For this new work, he prints a kaleidoscopic composition on the surface of an origami sculpture, installing it atop a mirrored surface that, as with his earlier installation, transforms the light in the gallery space.