Now, for Creed's latest show, his works have remained just as conceptual, and
his earlier smaller installations have progressed into a 41 ft by 8 ft sculpture, titled Mothers, which will be situated in the North Gallery at Hauser & Wirth.
Not exact matches
The artist's
installation, conceived in conjunction with Swedish designer Louise Kugelberg, reverses the order in which visitors typically navigate the galleries and also includes a visually arresting, salon - style hanging of
smaller,
early abstractions made during the mid-1940s.
Earlier audio - visual
installations range from Baltimore (2003), which, in part through the stylisations of black action movies from the 1970s, looks at the histories, divisions and intersections of black and white cultures, through to his trilogy comprising True North (2004), Fantôme Afrique (2005) and Western Union:
Small Boats (2007), all of which deal with themes of voyaging and cultural displacement on both a local and global scale.
It involves media ranging from
small early sculptures and drawings to
installations, murals, photography, and paintings.
VIERIA»S FIRST SOLO exhibition, in 2006 at
Small A Projects in Portland, Ore., featured ink drawings that reference passages from 18th - century historical paintings by artists such as Hubert Robert, Platonic
installation of geometric forms, paper tube sculptures resembling columns and striped works on paper evoking
early versions of the American flag as allusions to the American revolution.
My most recent encounter with his works was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's
early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his
installation of a
smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help You?
In one of the most memorable
installations of the exhibition, Daniel R.
Small's Excavation II (2016) also draws on Egyptology, albeit filtered through the archaeology of
early - 20th - century film history.
The artworks in the exhibition can be divided into different, though interlinked, sections regarding
early studies, works with cow dung,
smaller sculptures, large - scale
installations and works on paper.
A technology discussion from the installers» perspectives about the current state of
small wind turbines and everyday installation problems followed earlier presentations about the «Unrealities of Wind» that aimed at giving advice on how to choose a machine from the wide variety of new machines available in conjunction with the Small Wind Certification Council (S
small wind turbines and everyday
installation problems followed
earlier presentations about the «Unrealities of Wind» that aimed at giving advice on how to choose a machine from the wide variety of new machines available in conjunction with the
Small Wind Certification Council (S
Small Wind Certification Council (SWCC).
Power generation from U.S. non-utility
small - scale solar
installations, as a group, jumped more than 30 percent this year through February, to more than 3,400 gigawatt - hours, compared to a year
earlier, according to the U.S. Department of Energy.