Some works include magazine pages and thus relate to
my earlier solo work of model figure paintings.
We use magazine pictures in some of them, which also relates to
my earlier solo work of model figure paintings.
Not exact matches
In the
early 1960s, CIA agent Napoleon
Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is
working to proliferate nuclear weapons.
Developer Scott Ethington has revealed that his first
solo project, Ripped Pants at
Work, will be cowering in fear on Steam in
early 2018.
Orangepixel steps up to the plate with Meganoid 2017 [$ 2.99], the nebulously - named reboot / sequel to one of the
solo developer's
earliest works.
It's packed with hidden gems, celebrity cameos, sly innuendos, inside jokes and character development that builds off relationships established in
earlier films featuring the various Avengers
working solo or as a team.
According to telephone directories of the
early 1900s, between 1906 and 1924, Dr. Rutherford spent the majority of his years as a
solo practitioner
working out of a variety of locations, primarily making house calls.
I can't at all understand what the goal here was; most of the cutscenes aren't interesting enough to warrant such
work being put into unlocking them, and the kind of players who usually prefer
solo content — more casual fighting fans — are often the type who prefer to stick to one singular character in the
early hours of playing (which will slow down the rate at which you earn Memoria).
Orangepixel steps up to the plate with Meganoid 2017 [$ 2.99], the nebulously - named reboot / sequel to one of the
solo developer's
earliest works.
Developer Scott Ethington has revealed that his first
solo project, Ripped Pants at
Work, will be cowering in fear on Steam in
early 2018.
Penjweny, who also
worked as a news photographer for Reuters, had a
solo exhibition that included the «Saddam» series at the Ikon Gallery in Birmingham, England,
earlier this year.
I am currently creating new
work for a European art fair in June, and I am
working toward a
solo exhibition at Richard Heller Gallery
early 2017.
Her
solo exhibition «Carrie Mae Weems: Considered» is on view at the SCAD Museum of Art through June 12; She is directing «Grace Notes: Reflections for Now,» a special performance at Spoleta Festival USA in Charleston, S.C. (June 4 - 5); and her book «Carrie Mae Weems: Kitchen Table Series,» which explores one of her
early and most acclaimed bodies of
work, was published last month.
This first
solo exhibition with the gallery features
early conceptual
works and video together with a group of recent paintings.
She has had
solo exhibitions at LACMA (2015), which grew out of an
earlier series of performances exploring monumental
works of sculpture in the museum's collection.
From her
early conceptual pieces to her current
solo exhibition at the Guggenheim Bilbao, Ono's performance, film, musical, and written
works engage the active participation of the audience.
Lorna Mills (Canadian) has actively exhibited her
work internationally in both
solo and group exhibitions since the
early 1990's.
Join us at 5:30 p.m. for a complimentary drink before the performances begin at 6 p.m. Former Cunningham dancer Silas Riener performs the newly reconstructed
work Changeling, an
early Merce Cunningham
solo choreographed using chance procedures, to Christian Wolff's score for prepared piano, Suite.
KOSTAS PRAPOGLOU: Your first
solo exhibition, which opened
earlier this year at Ronchini Gallery in London, encompassed a body of
work spanning 1992 — 2013.
His luxuriant paintings of vices and voyeuristic pleasures were celebrated in his first
solo museum show
earlier this year, at Philadelphia's Moore College of Art & Design; his
work is appearing in gallery shows and art fairs around the world; and, this month, he will be the subject of Jeffrey Deitch's first show heralding the dealer's triumphant return to SoHo.
The gallery's longstanding relationship with many of its artists will be highlighted by focusing on important
early solo exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent
Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).
Though Tuttle's
work is now canonical, it was met with fierce criticism
early in his career: the artist's 1975
solo exhibition at the Whitney Museum of American Art was received terribly by many prominent critics, most famously by Hilton Kramer of the New York Times, and curator Marcia Tucker — who went on to found the New Museum of Contemporary Art later that year — was fired from the museum, allegedly because of the controversy surrounding the show.
After 20 years of
working in production for other artists, both to gain experience and to support his own practice, James L. Hayes reflects on his
early career experiences in «A Near Visible Past,» a
solo exhibition at UNO St. Claude Gallery.
Former Cunningham dancer Silas Riener performs the newly reconstructed
work Changeling, an
early Merce Cunningham
solo choreographed using chance procedures, to Christian Wolff's score for prepared piano, Suite.
From February 25 to April 9, the Steven Kasher Gallery in New York will present a
solo exhibition of Meryl Meisler's
earliest work.
«More Wrong Things», a
solo exhibition at Hales Gallery in London (20 May — 24 June) displaying a small group of
works from the 1980s to the
early 2000s, coincided with the opening of «Kinetic Painting» at the Museum für Moderne Kunst in Frankfurt (until 24 September), a vast survey of Schneemann's career.
A concise and surprising group show at one of the Lower East Side's newer galleries (it opened in
early 2013 with a
solo show by Amanda Valdez, one of the four artists in «
Works Off Canvas).
The
solo exhibition features Acconci's
early works, including his writing, photography, and film.
Mies Van Der Rohe was an
early champion, and her
work soon drew the eye of leading curators Katherine Kuh and Carl Schniewind of the Art Institute of Chicago, where Statsinger had two
solo exhibitions in the 1950s.
As if that wasn't enough, she's also having a
solo show of
early work this fall at the Whitney, where she officially entered the canon last spring, when the museum launched its new building and hung her
work side - by - side with that of Ellsworth Kelly, Frank Stella, Agnes Martin, and Jasper Johns.
The current show, focusing on new
work and including two major
early paintings, is Burkhart's third
solo show with the gallery and his first one - person exhibition in New York in 22 years.
This is the first major
solo exhibition of Mona Hatoum's
work in the UK and displays
early sketches through to more recent pieces.
Her
solo exhibition, Cecilia Vicuna, at England & Co in May / June 2013 focused on Vicuna's
early paintings and the objects and book -
works that she produced in London in the 1970s.
Striking
works from his «Pax Kaffraria» project were exhibited by Honor Fraser Gallery at the Armory Show
earlier this year, and at his first
solo show at the gallery in Los Angeles, which concluded over the weekend.
Steven Kasher Gallery presents Meryl Meisler, a
solo exhibition of the artist's
earliest work.
Bruce Silverstein Gallery will present «Trine Søndergaard: A Reflection,» a
solo exhibition of recent
work alongside pieces from
earlier series.
It was first used as the backdrop to a
solo exhibition of her
work, The Fag Show, at Sadie Coles HQ, London in 2000, her use of cigarettes has been a recurring motif throughout her
early work.
HENRY TAYLOR (Born 1958 in Oxnard, Calif.; lives in Los Angeles) His
early portraits of patients at Camarillo State Mental Hospital in California, where he
worked as a psychiatric technician from 1984 to 1994, were featured in his
solo shows at the Studio Museum in Harlem in 2007 and at MoMA PS1 in 2012.
During the 1980's my
early work was associated with «New Image Painting» and significant exhibitions during this period include a
solo show, «Journeying in Search of Hidden Treasures» at the Ikon Gallery, Birmingham, UK, «Problems of Picturing» at the Serpentine Gallery, London and «Between Identity & Politics — A New Art», Gimpel Fils, London and New York.
Issey Scott: I encountered your
work in the
solo exhibition To Oblivion at Edel Assanti Gallery in London
earlier this year.
For the booth of Stephen Friedman Gallery, Tom Friedman has brought together
works from
early in his career and new
works, creating a dialogue between past and present which extends throughout the section, where other
solo presentations include Takashi Murakami, Raymond Pettibon and Tony Tasset.
Paul P. has exhibited his
work globally since the
early 2000s and has been the subject of
solo exhibitions in New York, Toronto, London, Tel Aviv, Berlin, and Paris, among other cities.
Publications on the artist's
work include
Early Works, published by the Estate of Ilse D'Hollander to coincide with the exhibition at White House Gallery, Leuven (2017); Ilse D'Hollander, a catalogue published by FRAC Auvergne to coincide with her
solo exhibition in Clermont - Ferrand (2016).
This is the sixth
solo show presented by the gallery and features 60
works made from the
early 1950s through 1997, the last year of Lichtenstein's life.
When Artspace visited Morris's immaculate Long Island City studio
earlier this month, the artist — looking stylishly severe in a uniform - like black ensemble with a red belt that matched her lipstick — was getting ready for Basel while also
working on paintings, researching her next film, and preparing for a
solo exhibition that opens in October at the Museum Leuven in Belgium.
First shown in a
solo exhibition at Metro Pictures, New York, in 1986, this
work was one of four figurative paintings that featured iconic political figures and groups from the late 1960s and
early 1970s, including Angela Davis, the Black Panther leader Kathleen Cleaver, and the experimental troupe the Living Theatre.
This month, the British painter and sculptor Allen Jones returns to New York for his first
solo show in more than two decades, a mini retrospective at Michael Werner that includes key examples of his
work from the
early 1960s to the present.
In Reconnaissance, the artist's first
solo exhibition to originate in the US in decades, the public will be able to examine a selection from Riley's compelling body of
early work.
The lively paintings were celebrated, winning her a
solo museum show at the de Young as
early as 1957 and a spot in the Guggenheim's seminal 1954 group exhibition «Younger American Painters» alongside de Kooning, Pollock, Franz Kline, and more — though it's only recently that the historical influence of her
work has been recognized and revived.
The exhibition at David Zwirner will include a
work from 1969, one of a series of sculptural variations originally planned for installation at the Heiner Friedrich Gallery in Munich (where the artist had one of his
earliest solo exhibitions in 1968).