Sentences with phrase «earlier survey exhibitions»

Not exact matches

A report by the Center for Exhibition Industry Research (CEIR) stated that 81 percent of trade show attendees surveyed said they had buying authority; to capitalize on this opportunity yourself, you'll want to invest heavily in early outreach.

The exhibition Mernet Larsen: Getting Measured will feature never - before - seen early drawings, a select group of studies and works on paper, and a survey of paintings from the 1960s to the present.

The exhibition survey is spanning from early works by Josef Albers and Arakawa / Gins to contemporary positions such as Andrea Zittel, Heimo Zobernig or Leonor Antunes.

Major exhibitions under Shearer's tenure include — the Labeltalk series; annual Day Without Art AIDS; David Hammons Yardbird Suite; Introjection: Tony Oursler mid career survey, 1976 — 1999; Carrie Mae Weems: The Hampton Project; Prelude to a Nightmare: Art, Politics and Hitler's Early Years in Vienna 1906 — 1913; Kara Walker: Narratives of a Negress; and she brought American Dreams: American Art to 1950 to the Williams College Museum of Art.

Featuring the Beijing - based artist's earliest video works to newest sculptures from Usefulness of Uselessness series, the exhibition surveys over two decades of Song's vital practice.

JMcK: Your survey exhibition Stigma and Enigma, at the Deakin University gallery in Melbourne earlier this year, highlighted a number of important aspects of your career.

Highlighting the forthcoming sale is the masterpiece Afro Apparition by Chris Ofili (b. 1968)-- who will be the subject of a major survey exhibition of his work early next year at Tate Britain — which is this Contemporary Art Auction's catalogue cover lot.

This is the same type of address cited in the title of Nicole Eisenman's recent exhibition, Dear Nemesis, which just closed at the Contemporary Art Museum (CAM) St. Louis and will soon be travelling to the ICA Philadelphia — a survey collection of over 120 works, primarily paintings and some sculpture, since the early 1990s.

While the exhibition features all the major pillars of early abstraction, with a loud omission of Georges Braque, the true treasure of this survey are the lesser - known artists.

«More Wrong Things», a solo exhibition at Hales Gallery in London (20 May — 24 June) displaying a small group of works from the 1980s to the early 2000s, coincided with the opening of «Kinetic Painting» at the Museum für Moderne Kunst in Frankfurt (until 24 September), a vast survey of Schneemann's career.

Recently published, «Carrie Mae Weems: Kitchen Table Series,» explores one of the photographer's early and most acclaimed bodies of work, and the exhibition catalog «Carrie Mae Weems: Three Decades of Photography and Video,» coincided with her mid-career survey at the Guggenheim Museum and includes full - color images of works from throughout her career and contributions by Henry Louis Gates Jr., Franklin Sirmans, Robert Storr, and Deborah Willis.

The exhibition surveys the scope of Jonas Mekas oeuvre from the 1950s to the present, and will include the celebrated earlier films Diaries, Notes & Sketches a.k.a. Walden 1964 - 1968, Lost, Lost, Lost 1949 - 1963, He Stands in a Desert Counting the Seconds of his Life 1969 - 1963 edited 1976, Reminiscences of a Journey to Lithuania 1971 - 1972, As I Was Moving Ahead I Saw Brief Glimpses of Beauty 2000, Biographical Quartet 1992 and one of the most recent films A Letter From Greenpoint 2004.

The National Academy exhibition, curated by Maura Reilly, presents a modest survey of Schapiro's work from the mid-1950s to the early»90s.

It is our hope that a century hence, in survey exhibitions of art of the late 20th and early 21st centuries, the artworks of Thornton Dial, Lonnie Holley, Ronald Lockett, the quilters of Gee's Bend, and dozens of others will be shown alongside works by artists who are today household names — together with other artists whose names have yet to surface.

Established almost a century earlier, after the Venice Biennale, the International is the oldest contemporary art survey exhibition in the world and has acted as a springboard for many artists including Salvador Dalí, Willem de Kooning, Jackson Pollock and Andy Warhol.

Featuring the Beijing - based artist's earliest video works to newest sculptures fromUsefulness of Uselessness series, the exhibition surveys over two decades of Song's vital practice.

This exhibition, which includes about 178 works of art, surveys Gorky's entire career from the early 1920s until his death by suicide in 1948.

The exhibition will survey 20 works from this period in a wide range of media: from early neon - lit wall vitrines, to delicately balanced compositions of welded steel, to slim clay totems cast in bronze.

Freed has been the subject of numerous recent museum exhibitions surveying the six decades of his work, but this is the first exhibition that elucidates in depth Freed's six earliest and most personal stories.

In 1984, Barbara Haskell did an exhibition called «Blam» at the Whitney Museum that surveyed the early years of Pop, Minimalism and performance during 1958 - 64.

MOVING TIME: VIDEO ART AT 50, 1965 - 2015 The scholar and curator Michael Rush, who died earlier this year, initiated this exhibition surveying video from Nam June Paik and Joan Jonas to younger artists like Michelle Handelman.

Taking over all four floors of the Vancouver Art Gallery, this groundbreaking exhibition will offer an international survey of mashup culture, documenting the emergence and evolution of a mode of creativity that has grown to become the dominant form of cultural production in the early 21st century.

His first mid-career survey «Catholic Tastes» at the Whitney Museum of American Art in 1993 was a marker of his reception and influence in the early 1990s, while his contribution to Sonsbeek 93 — an exhibition called «The Uncanny» — demonstrated his acumen for creating a critical curatorial framework.

South African artist Robin Rhode has been named recipient of the 2014 Roy R. Neuberger Exhibition Prize, a biannual prize, which celebrates an exceptional artist with an early - career survey and catalogue.

Tate Modern's large - scale survey is the most significant exhibition of her work ever to be held in Europe, charting her career from early paintings through to new works on paper.

The lure of the current Robert Barry survey exhibition at the Mary Boone Gallery in West Chelsea begins with an early conceptual piece from the artist's Psychic Series (1969).

Although by no means exhaustive, this exhibition offers an important opportunity to survey the artist's career, including his early «body print» Spade (Power for the Spade), 1969, and his sardonic riff on Minimalism, Untitled, 1989, a sculpture of fortified - wine bottles.

At the Museum of Modern Art, where he became associate curator in 1968, he initiated the innovative Projects series and has organized some of the museum's most important exhibitions, including the early survey of conceptual art, Information (1970); exhibitions of Marcel Duchamp (1973), Joseph Cornell (1980), and Andy Warhol (1989); The Museum as Muse: Artists Reflect (1999); Edvard Munch: The Modern Life of the Soul (2006); Richard Serra Sculpture: Forty Years (2007).

In 2004 she curated «Pin Up: Contemporary Collage and Drawing» at Tate Modern, having earlier curated «Surfacing» an international survey of drawing at London's ICA where she was Director of Exhibitions.

A survey of works from the 1960s, 70s and 80s, the exhibition includes a selection of Flanagan's key early explorations in material and form instrumental in shaping his later career, some having not been exhibited for over 30 years.

Claudia Schmuckli, director and chief curator at the Blaffer, described Andy Coolquitt as a comprehensive exhibition in the sense that it surveys what is available of Coolquitt's work, explaining that many earlier creations were ephemeral in nature and no longer physically exist.

Ranging from her earliest explorations in painting to new works made in the past few years, this survey — the artist's first major exhibition in New York in fifteen years — celebrates a career of exceptional duration and distinction, tracing the development of Kusama into one of the most respected and influential artists of her time.

An important survey of Flanagan's early work (1965 — 1982) was shown at Tate Britain in 2011 and his work will be included in their exhibition Conceptual Art in Britain: 1964 — 1979, opening on 12 April 2016.

The first major investigation into his iconic and groundbreaking early work in more than 20 years, this exhibition surveys the renowned American designer's wood and fiberglass objects, and presents related materials from his archives.

Bringing together five of Bannard's seminal paintings from 1959 - 1962, the exhibition surveys the early portion of his career defined by single - image paintings with hard - edged geometric shapes and complex explorations of color and surface.

This survey exhibition, organized by the Museum of Modern Art, New York, covers four decades of the artist's remarkable, unique practice, from the early 1960s through the late 1990s.

Matthew Witkovsky: The Art Institute had been planning a survey exhibition of early Soviet art as part of the Fall exhibition program, for the 100th anniversary of the October 1917 Revolution.

The exhibition surveys Kapoor's career to date showcasing a number of new and previously unseen works, including a select group of Kapoor's early pigment sculptures, beguiling mirror - polished stainless - steel sculptures and cement sculptures on display for the first time.

In his first solo gallery exhibition in New York where he lives and works, Carlos Motta offers his audience a compact mid-career survey, swiftly orchestrating various bodies of work created between as early as 1998 and the present.

In 2013 a survey of Fabro's drawings was shown at the Kunstmuseum Winterthur, Zurich, Switzerland and in 2007 the Museo d'arte contemporanea Donnaregina, Naples, Italy mounted an exhibition of early works.

Earlier solo exhibitions include the Walker Art Center, Minneapolis and Nelson - Atkins Museum of Art, Kansas City which co-organized and exhibited Joel Shapiro: Outdoors, the first major outdoor exhibition of the artist's bronzes (1995 - 96); Joel Shapiro organized by IVAM Centro Julio Gonzalez, Valencia, Spain that later traveled to the Louisiana Museum of Modern Art, Denmark, Kunsthalle Zurich and Musee des Beaux - Arts, Calais, France (1990 - 91); Joel Shapiro, an exhibition of drawings and sculpture, was organized by the Stedelijk Museum, Amsterdam and later exhibited at the Kunsthaus Düsseldorf and Staatliche Kunsthalle, Baden - Baden, Germany (1985 - 86); a major mid-career survey organized by The Whitney Museum of American Art, New York with subsequent venues at the Dallas Museum of Fine Arts, the Art Gallery of Ontario, Toronto and San Diego Museum of Contemporary Art (1982 - 84); and Joel Shapiro: Sculpture and Drawing at The Whitechapel Art Gallery, London that later traveled to the Museum Haus Lange, Krefeld, Germany and Moderna Museet, Stockholm (1980).

The exhibition surveys the representation of the Devil from the 16th through the 20th century, tracing his evolution from the bestial enemy of mankind and Christ in the earlier period, to his perception by the Romantics as a sort of noble rebel against patriarchal authority, to an insinuating dandy, to his virtual absence in the 20th century (in all but advertising and entertainment) as people increasingly recognised that we create our own hell on earth.

Schutz is the 2011 recipient of the Roy R. Neuberger Exhibition Prize, awarded every two years to an artist for an early career survey and monographic catalogue.

The museum is especially noted for organizing important exhibitions of contemporary art that are locally relevant and internationally significant, including the first surveys of Vija Celmins (1980), Chris Burden (1988), and Tony Cragg (1990), as well as early exhibitions of seminal work by Lari Pittman (1983), Gunther Forg (1989), Charles Ray (1990), Guillermo Kuitca (1992), Bill Viola (1997), Iñigo Manglano - Ovalle (2003), and Catherine Opie (2006).

In addition to a 2008 solo exhibition, the gallery has featured his work in several major group exhibitions, including: Aspects of American Abstraction, 1930 - 1942 (1993), Defining the Edge: Early American Abstraction, Selections from the Collection of Dr. Peter B. Fischer (1998), Organic New York, 1941 - 1949 (2005), and two major surveys of abstract expressionism and surrealism, in 2009 and 2010, respectively.

Now, over 40 years later, Yoko Ono: One Woman Show, 1960 — 1971 surveys the decisive decade that led up to Ono's unauthorized exhibition at MoMA, bringing together approximately 125 of her early objects, works on paper, installations, performances, audio recordings, and films, alongside rarely seen archival materials.

At the Moderna Museet Mr. Hulten organized early exhibitions of Pop Art and kinetic art and presented surveys of Claes Oldenburg, Edward Kienholz and Andy Warhol as well as retrospectives of Jackson Pollock, Lucio Fontana, Jean Fautrier and Joseph Beuys.

In her solo exhibition at The Figge Art Museum, Yuriko Yamaguchi pairs recent and earlier work in a comprehensive survey showcasing multimedia installations and sculptures constructed from hand - cast resin connected by networks of steel, copper, and brass wire.

The gallery launched on February 28 with an exhibition by Charles Gaines, timed to coincide with a larger survey of the artist's stunning early works currently on view at the Hammer.

(New York, NY) Acquavella Galleries is pleased to present Jean Dubuffet: Anticultural Positions, the first exhibition surveying Dubuffet's early work in painting and sculpture in over two decades.