Sentences with phrase «earliest documentary photographs»

The Mind's Eye: 50 Years of Photography by Jerry Uelsmann is the first major retrospective exhibition to consider the full range of Uelsmann's work including his earliest documentary photographs and his experiments with artist books and three - dimensional photo - sculpture.

Not exact matches

«It is clear that even McGinley's earliest images are not as «documentary» in their nature as initially perceived -LRB-...) In place of reality, he explains that his «photographs are in truth closer to a record of (his) imaginary life.»

Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.

Ischar's early work, the documentary photographs collected in the series Marginal Waters (1985) and Honor Among (1987), participated in then - contemporary debates around gender and representation, with a particular emphasis on problems of masculinity in American gay male culture.

The latter includes both new works — an assemblage of photographs titled An Essay on Equivalents and the video Cornered — and a selection of the artist's earliest documentary production from the late 1970s and early 1980s.

It explores Sultan's 35 - year career, from his early collaborative projects of the 1970s to his own documentary - style photographs.

Declaring that he «wanted to show things that had to be corrected,» he was one of the earliest photographers to use the photograph as a documentary tool.

Based on early 20th century images found in the Library of Congress archive — a long - favored resource by Oppenheim — the photographs depict the backs of textile workers taken by documentary photographer and sociologist Lewis Hine.

Photographs make up 30 % of the collection, with many of these works made in the late 1980s and early 90s, a period in which some artists used the documentary form of photography and related mediums to develop powerful portraits of themselves and their communities, while others highlighted the violence done to such communities.

Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.

This short documentary shows Rashid Johnson's decades - long aesthetic and professional development, from his early portrait photographs to his later conceptual sculptures made out of glass, wood, and tile.