Sentences with phrase «earliest film ideas»

Not exact matches

Earlier in the film, when his sister suggests, that perhaps he should give up on the music thing, he protests the idea by saying, «And what, just exist?»

It's a good idea to establish early on if you two prefer to spend Sundays with a duvet and an afternoon film or if it will be off to the Cotswolds at dawn with a rucksack, walking boots and a map.

This becomes the theme of director Lee's film: The idea that Jackson, from an early age, had a sense of himself as both an artist and a commercial force.

I can't say, therefore, that the book is better than the film or vice versa, but given the vistas captured by Caroline Champetier in widescreen lensing, we get at least as good an idea what of farm like was like in Europe during the early part of the 20th Century.

Sure, there was some commentary about war profiteering early on in the Iron Man films, and Captain America: The Winter Soldier glanced upon the idea of selling out privacy and freedom in the name of security.

I think it would be a great idea to have more diversity of content in this site (an early review of Beloved was a pleasant surprise some weeks ago) but right now the balance is definitely in favor of sci - fi, fantasy, horror, action, and some crime films created for a demographic probably best described as «geek».

To give you some idea of what Harvey and Bob think of Charles Burnett's The Glass Shield, they blocked the film's release for a full year, forced Burnett to write and direct a less blunt and despairing ending after some test - marketing, refused to let the original version be shown at a Burnett retrospective in New York, and finally, after sending Burnett on a few interviews, shoved the picture out earlier this month.

Produced midway through a fast decade of bad drugs and badder romances, during which Fassbinder was also tossing off a string of masterpieces, Fox may have been reiterating the idea that power imbalances are inherent to romantic relationships that the filmmaker had been working out in such earlier films as The Bitter Tears of Petra von Kant (1972) and Martha (1974).

Deadline reported earlier this week that Tarantino had successfully pitched an idea for a new «Trek» film to producer J.J. Abrams and Paramount, and now it has been revealed that both parties have agreed to Tarantino's request that the movie be rated R.

In particular, early ideas for the film featured the inclusion of Wolverine's half - brother and fellow mutant, Sabretooth.

Gollum of Lord of the Rings, Caesar of the last two Planet of the Apes films: For a time, it seemed that only Andy Serkis, the early maestro of motion capture, had any real idea how to bring the medium to life.

The early posts on the trailers and immodest promotional posters for Love have labeled it simply as a «3D porno,» both because the idea of a film that climaxes with a literal climax off of the screen and into the audience's face infiltrating an arena as prestigious as Cannes is kind of hilarious, and because that's what it is.

Farhadi points out early on that he isn't comfortable with the idea of explaining his work for audiences because he'd prefer to leave that task with them, which gels nicely with the authorial impartiality of the film itself without reducing the importance of his own perception of the material.

But the film is worth a watch on its own merits, even for those who aren't intrigued by the idea of taking a look at the early work of a couple of future A-listers.

The film feels at times like a greatest hits compilation, with jokes that call back to the earlier Wright / Pegg / Frost movies, as well as again exploring ideas of modern small - town Englishness and the sense of the everyday being invaded by something extraordinary.

It's a nice idea, but as we get to know Angelina Jolie's conflicted detective, Ethan Hawke's charming witness and the mysterious figure of Kiefer Sutherland lurking in the shadows, we can not help but draw comparisons to earlier, better films.

He didn't directly say so, but the implication was that we might get to hear one final composition from the legendary composer, if a way could be found to turn Horner's early ideas into a proper film score.

Instead, it is all about mood while telling the rise - to - fame story through its sharp and unique editing style — the film's co-directors earlier work includes The Tree of Life, Moneyball and 28 Days Later, which should give you a good idea how Jimi: All Is by My Side feels vitally different from your standard musical biopic.

There's a lot of people calling them the best post-credits stingers ever for a Marvel Comics film and you'd be hard - pressed to argue, but according to the film's scribes there were two ideas they had for the scenes that didn't make the cut — one nixed early in development, the other which was actually shot and then edited out.

Wong Kar - wai explained that he already had the idea for the film as early as 1989.

Visions may lack some of the atmosphere of Jessabelle, which used its Louisiana locations to great effect, and Fisher lacks the compelling, quirkier presence of the earlier film's Sarah Snook, but Visions serves as further evidence that Greutert is one of the most interesting mainstream horror directors around — I can easily see a The Conjuring - style success in his future — and that despite its many diminishing - returns franchise films (Paranormal Activity, Sinister, Insidious, et al.), Blumhouse is far from running out of ideas.

The original filming of this movie started in 2000 but director Terry Gilliam has been nurturing the idea behind this movie since the early 1990s.

and doomed to be his most divisive, too; but its message that being smart is good, that having ideas is good, and that hope is definable as the tension between the two is as bright and well - met now as it was in any of Bird's earlier films.

Olsen: Charlotte, your director on «45 Years,» Andrew Haigh, said that he liked the idea that both yourself and your co-star, Tom Courtenay, that the audience would have all these memories of earlier films the two of you had done, that in thinking about this couple at their 45 - year anniversary, that the audience would have these images of you.

The film has some interesting ideas, and Jeunet makes it look handsome, but it's caught awkwardly between the filmmaker's idiosyncracies, Whedon's original script and the studio need to imitate the earlier films, and the result is something of an orphan (though compared to «Alien Vs. Predator,» and even «Prometheus,» it looks a little better).

Ever since early ticket sales began for Marvel's Black Panther, industry analysts thought they had a pretty good idea of just how big the film's opening weekend would be.

Alas, the film grates early and often, trying to be loud enough and crass enough to cover over the fact that, if volume and the lewdness - factor were at all toned down, we'd discover that The Night Before is nearly vacant of a single thoughtful or interesting idea that merits two minutes of our attention, much less two hours.

While filming in an elementary school in Richmond, California, earlier this year, we saw a clever idea in a kindergarten class.

For composer Austin Wintory, though, the idea of performing Journey's music alongside live gameplay came during the game's early stages of development: «While I was writing the score, it became clear that the game was going to be like a silent film, where the music would have a strong narrative function.

And just like those first dialog films of the late 20's and early 30's, not every video game is going to have great or even good dialog; the whole idea of writing for games is too new.

Some of the earlier film adaptations of games — such as Super Mario Bros. or Street Fighter — at least had something of an excuse for their less - than stellar quality, seeing as the idea of bringing the worlds of video games to life on the big screen was new territory back then.

David Toop's text «Blow Up» draws upon ideas of sound, silence and noise as it relates to Latham's work, in particular his film works of the early 1960s.

Paying tribute to art and technology, early film, and contemporary video art in the heart of Silicon Valley, Moving Silently is a festival of ideas.

Memphis styles became firmly rooted in Bas» pre-teenage subconsciousness, attesting to the prevalence of the «Memphis look» on the big and small screen in films like Tim Burton's Beetlejuice or kids» TV show Pee - wee's Playhouse, and through it he explores the idea of the artificial versus the real, the notion of the false being more authentic than actuality (concepts which Bas links to another early influence, Huysmans» Against Nature).

The exhibition closes with the artist's last film, EASTER MORNING (1966 — 2008), in which its title pairs a reference to re-birth and eternal life with a film reworked from an earlier 1966 8 mm short entitled, EASTER MORNING RAGA, referencing one of the most ancient forms of Indian music, further connecting to the idea of reincarnation.

These works relate specifically to installations that were conceptualized, and sometimes realized in the early part of the artist's career — a time when Nauman's ideas were spreading into multiple mediums including sculpture, performance, video, photography, film, and sound.

The film is complimented by an exhibit of Douglas» photographs; the show spans Douglas» career — from his earliest pieces to his most recent, large - scale images — to examine his consistent engagement with ideas of documentation, place and history.

In our second movie with Tom Dixon filmed earlier this year in Milan, the British designer discusses his foray into fashion design and says that his capsule collection for sports brand Adidas is based on the idea of creating a personal survival kit for Milan design week.

Currently, there's not much in the way of 120 fps 4K video, but some Hollywood types see it as a natural progression away from the 24 fps we're used to seeing in film, and LG appears to be getting on board with the idea early.