Sentences with phrase «earliest pieces in the show»

In the middle of it all is Robert Rauschenberg's White Painting (1951), one of the earliest pieces in the show and perhaps the one which, in its simple paradox of filled - in blankness, epitomises the cyclical quest for the end of painting.

The earliest piece in the show is Swimming, Smoking, Crying (2009), whose title — through an evident nod to Philip Guston's 1973 masterpiece Painting, Smoking, Eating — suggests, albeit more indirectly, that this is another of Schutz's allegories of painting.

He studied at the Pennsylvania Academy of the Fine Arts, and the earliest piece in the show, a still life dating from 1904, reflects the fleet, bravura naturalism of his teacher, William Merritt Chase.

Though the show's biographical parameters are set by Neel's distance from the art scene and, later, from her downtown contemporaries, the work itself sheds a welcome light on aspects of her development from 1943, the earliest piece in the show, to 1978, six years before her passing.

Not exact matches

Further to my earlier post showing that the public / private sector pay gap is mainly due to more equal pay for women in service jobs, Â a recent piece from Canadian Public Policy by Hou and Coulombe shows that the pay gap between Canadian born racialized workers and non racialized workers exists almost entirely in the private sector and not in the public sector.

Another reason for that intolerably high public sector compensation premium — Further to my earlier post showing that the public / private sector pay gap is mainly due to more equal pay for women in service jobs, Â a recent piece from Canadian Public Policy by Hou and Coulombe shows that the pay gap between Canadian born racialized -LSB-...]

Join the conversation... In a piece earlier this week, Aman Ali wrote that anytime he hears about a TV show coming out that features Muslims, his initial reaction is almost always «Oh man, please don't suck.

Here he writes, in connection with the question of reconstructing authentic teaching of Jesus, «we have reasonably secure ground under our feet only in one particular instance, namely, when there is some way of showing that a piece of tradition has not been derived from Judaism and may not be ascribed to early Christianity, and this is particularly the case when Jewish Christianity has regarded this tradition as too bold and has toned it down or modified it in some way».

By the early years of the sixteenth century he was able to have a vast illustrated catalogue drawn up showing 5005 items, including pieces of the bodies of the «Holy Innocents» (babies murdered by King Herod as described in the New Testament), a thorn from the crown of thorns worn by Jesus before his crucifixion, milk from the Blessed Virgin Mary the mother of Jesus, teeth from various saints, and so on.

While preparations are still in the early stages, it already promises to be one of our best shows yet, mixing well - known numbers with original choreography: with a contemporary piece on gender politics to old school tap, there is something for everyone to enjoy.

Attempting to build on the idea of the Labour leader being first and foremost his «friend», as he said in his set - piece speech earlier today, Balls told a merry tale of how he and Miliband show each other their speeches:

«These new observations help us put the pieces together by showing the first steps of a galaxy merger in the early Universe.»

With a wide range of live music, theatre pieces and all manner of artistic endeavour, Unity Works is a venue that is better suited to people with an artistic flair, but in the early days of dating, it is always best to show a more rounded and cultural side, making this venue an excellent choice for couples who are keen to impress each other.

The side characters remain terrific — my favorite joke in the premiere may be Laurie's utter bafflement at Monica complimenting her for the birth of her fourth child only hours earlier — and the show still has a gift for constructing comic set pieces like the black site - style office Richard tried to show the guys in the premiere's opening.

Earlier in this piece, I mentioned that I'd be writing more about a show in my Best TV of 2017 piece next week, and you can be SURE to read more about David Lynch's grand experiment in that piece as well.

In larger pieces Matt Van Vogt unearths the efforts to reduce theater noise during the early years of sound cinema, while Laura L. Beading shows how the Coens use sound, voiceover, and music to mark the sharp difference between the exhausted masculinity of No Country for Old Men and the implacable, feminine vitality at the heart of their True Grit.

For the latter shows, Greenwood will play the ondes Martenot (an early 20th century amplified keyboard) alongside Wordless Music Orchestra, a 50 - piece New York band, as Paul Thomas Anderson's brooding film plays on a 50 - foot movie screen in the United Palace Theater; those performances will take place September 19th and 20th.

Back in the early 1980's my DVD's showed how to cut up small pieces of hot dogs and use them as treats during obedience training.

At Art Basel Miami Beach this week, Jack Shainman Gallery presents Odutola's most ambitious work to date, a five - foot tall portrait from her latest series, while earlier pieces are currently on view in group shows at Brooklyn's Museum of Contemporary African Diasporan Arts (MoCADA) and the Jenkins Johnson Gallery in San Francisco.

«Threaded Piece 3» shows her striking out in a largely unclassifiable style by the early 1970s.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

Xi had earlier hit the headlines with his graduation piece from Goldsmiths College, when he scattered # 1,200 in a room and let the audience scramble for it in order to show «the greed at the centre of art and the mafia who run it like a market».

In the last room of Regen Projects is a sculptural theatre entitled Range Week, where the earlier movies Center Jenny (filmed at Fitch and Trecartin's Los Angeles - based studio) and Junior War (a movie Trecartin pieced together from footage he shot while in high school) are showIn the last room of Regen Projects is a sculptural theatre entitled Range Week, where the earlier movies Center Jenny (filmed at Fitch and Trecartin's Los Angeles - based studio) and Junior War (a movie Trecartin pieced together from footage he shot while in high school) are showin high school) are shown.

This exhibition will feature key works from the Museum's collection, including sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown pieces from the early 1940s incorporating string and wood elements.

Starting as early as with Matisse and presenting a curated selection of major modern masters such as Julio Gonzalez, Joan Miró and Roberto Matta, the show will feature also some seminal Russian avant - garde pieces by Rodchenko, among them Spatial Construction, redefining the concept of image and space in its entire understanding.

The latter's Land Art was shown by Lisson in the gallery's early days in the 1970s, so this show of standing stones of Cornwall slate, expressive walk works made from mud, text pieces and landscape photographs represent something of a homecoming for the Academician.

Curated by Dr Jo Melvin, the director of Flanagan's estate, the show focuses on these seminal early works from the 50s, 60s and 70s that came to establish Flanagan's solid reputation — many of the pieces in the show have remained behind closed doors for 30 years.

Presented publicly for the first time in an accompanying special exhibition at the Deutsche Guggenheim in Berlin, this new work is shown alongside earlier pieces — both black - and - white photographs as well as transparencies mounted in light boxes — to create an ensemble that resonates formally and thematically.

In addition to his recent work, Gavlak is pleased to present a selection of earlier works from the late 70s, collages with text and appropriated imagery, works from the 80s when he was a part of the historic Holly Solomon Gallery, blown glass mushrooms, Unicorn horns, and a photo and embroidered text piece not shown since the mid 90s.

This acclaimed solo show, organized by the Whitney Museum of American Art and now on view at the Dallas Museum of Art, looks back on her 20 - year career through more than 60 works and objects, from early pieces made in the mid-1990s to more recent installations and paintings.

The early paintings in this group, from 2011, show a direct connection to the still life paintings in that they are larger versions of the small pieces used to create the oil collages.

Then there was a last - minute hiccup earlier this month, when Kara Walker, one of the biggest names in «Prospect.4,» had to postpone her piece, «Kataswof Karavan,» until the closing weekend of the show because of the work's complexity and scale.

Tonight's exhibition brings back several artists who participated in 2014, including Ted Brusubardis — whose piece Pacel Galvu became one of the best short videos I've experienced in many moons when it was shown in an appropriately darkened room at Portrait Society Gallery earlier this year — Adam Carr, Sara Condo, Cathy Cook, Paul Druecke, Kim Miller, Andrew Swant, Wes Tank, Xav Leplae, and co-organizer Marla Sanvick.

One of the early arrivals, back in 2007, was Sundaram Tagore, a gallerist with outposts in New York and Beverly Hills who focuses on the intersection of Western and non-Western art and shows pieces that further a global dialogue.

one ton corner piece 67 was shown for the first time since 1968 in the show I curated at London's Raven Row, «Five Issues of Studio International», earlier this year.

Ranging from $ 60,000 for the early Johnson piece to $ 340,000 for the Mauri sculpture, the display also functions as a coming attractions for Schimmel's major debut at the gallery, when the former MoCA chief curator will organize a soon - to - be-announced group show to inaugurate the giant new Hauser Wirth & Schimmel gallery in downtown Los Angeles in March.

It was this decade that fueled her 1966 work Mend Piece for her first solo show in London at the Indica Gallery, and an earlier work, Promise Piece (1961); in 1997, Ono created Crickets, a work of silence and void left by human destruction.

The pieces, which were completely fresh while revisiting themes from his early work, brought the gallery to life in one of the artist's best shows in years.

His tiled pieces (also seen at the FEEL UP collaboration with Eddie Peake at Lismore Castle in Ireland in early 2015 and his first solo show home from home at Arts & Jobs London in 2012) as well as the steam like aluminium panels (also shown at Jhaveri Contemporary in 2014 and Gwangju Biennale of the same year and at He Looked Me Up at Marian Cramer gallery in 2012) resemble the interior architecture of specific public spaces such as toilets, saunas and bathhouses.

Two years earlier, at Roche Court sculpture park, near Salisbury, Wiltshire, the couple had shown together for the first time in their marriage: he with a dozen huge, rusted steel pieces from the series called Flats, made in 1974 in Canada with the aid of a crane; she indoors with a sequence of vibrantly coloured canvases painted with architectural forms not far distant from his.

BILL ARNING: I had just seen the Jack Early piece of his life story and listened to the audio of it, having known Jack as an artist through all the ups and downs of his career — including seeing him on and off for 13 years when he wouldn't show in galleries or museums.

That unabashed bombast has made Wiley a walking superlative: the most successful black artist since Basquiat, possibly the wealthiest painter of his generation, certainly the one who made his name earliest (he was 26 for his first major solo show), a gay man who has become the great painter of machismo for the swag era, a bootstrapper from South Central who talks like a Yale professor (much of the time), a genius self - promoter who's managed to have it both ways in an art world that loves having its critical cake and eating the spectacle of it, too, and a crossover phenomenon who is at once the hip - hop world's favorite fine artist (Spike Lee and LL Cool J own pieces) and the gallery world's most popular hip - hop ambassador.

And the National Gallery of Art is readying an ambitious show, featuring a dozen pieces Arnett collected, which opens early next year and then travels to the High Museum of Art in Atlanta and the Los Angeles County Museum of Art.

You can take a closer look at this painting (which has a homage to Banksy) after the jump, but what we wanted to let you know was that this piece is a teaser for his upcoming show «I Should Know Who I Am By Now» at LeBasse Projects in early November.

The early pieces on view include a prison window, made from cardboard and masking tape, shown at American Fine Arts in 1993.

The large scale pieces in this show are all from the late 1960's and early 1970's and still resonate with architectural impact.

Morgan's first piece in the show, the large, yellow, pixelated «Gold Coast II,» dates to the early 1970s and demonstrates her incisive color sense.

This exhibition will also include early pieces in neon and mixed media and two sculptures from his Tesla series, which have not been shown in over fifteen years.

For the diptych Trails, previously exhibited earlier this year in her inaugural solo exhibition at Whitespace, Dowda inserts a circular piece of convex black glass known as a Claude glass (or, more simply, a black mirror) between two large prints showing shadowy landscapes.

Developed for or adapted to the catalogue's format, these projects reflect the status of the exhibition at an early stage and serve to complement and augment the pieces shown in the museum itself.