Sentences with phrase «early cubist paintings»

Opening with Picabia's solid early Cubist paintings which quickly diffused various critics» claims of painterly illiteracy, the show plows ahead through Picabia's scintillating obsession with Dada, examines his short - lived fascination with film, explores cutting edge experiments with Renaissance and Transparency painting techniques, shows his controversial war - time figurative paintings, and ends (rather deflatedly) with his return to Abstraction.

1913 is also the year, in which Duchamp created his first Ready - Made — and, thus, set a revolutionary milestone in art history, while receiving much critical acclaim for his early Cubist paintings at the time.

Georges Braque (1882 - 1963) Noted for his Cezanne - inspired early Cubist painting (see, for instance, his Estaque landscapes), and his Cubist - style still life painting as well as his experimental collages.

Paul Cezanne (1839 - 1906) Marked by the use of geometrical shapes, and new relationships between colours - and between form and space - Cezanne's later landscapes (and still lifes) exerted a major influence on Early Cubist Painting (c.1907 - 9).

Not exact matches

Both artists started to make their first early Cubist art: landscape paintings, in Estaque and Ceret.

The exhibition traces the evolution of Michael Goldberg's work from the early cubist inspired drawings of the 1940s to the monumental nonobjective paintings of the early Read More»

When I saw his architectonic relief paintings of the early seventies with new materials like wood, felt, and different levels, slopes, and planes they struck me by their relationship to Picasso's Synthetic Cubism and Picasso's Cubist sculpture and Jackson Pollocks» cut out paintings like Out of the Web.

By choosing that dark theme, rather than a more overtly Cubist still life, the Whitney makes his early work prefigure his late paintings.

It was an early cubist work that Schapiro shared with her students, contrasting its bold formal energy and its improvisational use of collage materials with a clear feminine source with Robert Delaunay's more etiolated and academic paintings of the same period.

This Cubist composition is a scarce, early painting by Dan Concholar, a Californian painter, printmaker, educator and gallery director.

Early in his career, he was an impressionist in the style of Alfred Sisley; then be became bored and morphed into a cubist, then a dadaist, later a surrealist, and eventually, finally, with a late group of naturalistic paintings, a seeming anti-modernist altogether.

The early works, such as Botticelli's Virgin Adoring the Sleeping Christ Child, which has not been exhibited outside of Scotland for more than 150 years, are religious paintings while later works from the Renaissance masters, 17th - century painters, Impressionists, Post-Impressionists, and Cubists include different genres of paintings such as portrait, still life and landscape, and represent the changing treatment of those genres over time.

A photo shows a drip painting in its earliest stage, and the Whitney argues that a Cubist grid guides it to its ultimate destination.

Memorable food paintings of yore include Giuseppe Arcimboldo's portraits (pictured above) from the 1500s, Pieter Claesz and the Dutch still life painters of the 1600s, Caravaggio's rotting fruit, the early Cubist still lifes of Picasso and Braque, Wayne Thiebaud «s desserts from the 1960s, and Andy Warhol's iconic Campbell's Soup Cans.

The early part of the collection features French and Russian art from the beginning of the twentieth century, cubist paintings and superb holdings of expressionist and modern British art.

The exhibition traces the evolution of Michael Goldberg's work from the early cubist inspired drawings of the 1940s to the monumental nonobjective paintings of the early 1960s and the abstracted landscapes and still - lifes of the mid - to late «60s, the monochromatic paintings of the 1970s and ending with his use of grids in the 1980s.

One can see the dynamic cubist cityscapes of Lyonel Feininger's paintings from the early 20th century as well as the expertly crafted pin - striping of American hot rod car culture.

Following his earliest Cubist works and his still lifes of the 1930s, Georges Braque's Atelier, or studio, paintings from the late 1940s to the mid-1950s form the most important series in the artist's late work.

Burgoyne Diller: Pioneer of Abstraction will include important paintings, drawings and constructions from 1935 through 1963 and will offer an understanding of the artists development from early cubist - inspired compositions to his better - known geometric abstractions.

In 1974, Harold Rosenberg, one of Saul Steinberg's earliest and most eloquent supporters, wrote that «Cubism... which in the canon of the American art historian is the nucleus of twentieth - century formal development in painting, sculpture and drawing, is to Steinberg merely another detail in the pattern of modern mannerisms; in a landscape, he finds no difficulty in combining Cubist and Constructivist elements with an imitation van Gogh «self - portrait.

Early paintings were inspired by Cezanne and Fauvism, and he briefly became involved with the Cubist movement.

Admittedly, it lacks an early Cubist masterpiece or a great black - and - white Abstract Expressionist painting by, say, Jackson Pollock or Franz Kline.

Set against a painted surface of psychedelic colors, Aram's process of layering various incongruous images into a unified composition recalls the formal practices of 1960s Pop artists like Andy Warhol, which in turn echoes early Cubist collage.

Early in their careers, Mexican muralist David Alfaro Siquieros and French cubist Fernand Léger both painted on burlap sacks, while Marc Chagall made designs on bed sheets and Franz Kline worked on cardboard.

Continuing her education in Paris, she studied painting at Ecole Nationale Superieure des Beaux - Arts and at Atelier of Andre Lhote, early Cubist painter, and critic.

He describes his work as such, «My early paintings have traces of cubist inspiration.

He continued to use Cubist motifs in many of his early paintings, so it was appropriate that Daniel - Henri Kahnweiler - Picasso's original agent - organized Masson's first solo exhibition at the Galerie Simon in Paris (1923).

Outstanding in the first room is his absolutely stunning picture postcard painting «Santa Margherita Ligure», 1964, and a painting of the famous cubist painter «Portrait of Juan Gris» 1963, one of the artist's early works, intriguing for its predominate figure, as he produced few figurative paintings; advancing to the fifth room where light and shadows are being used in Caulfield classic twee interior scenes to understand the depth of pictorial space.

The early part of the collection features European art from the beginning of the twentieth century, including work by André Derain and Pierre Bonnard, cubist paintings and holdings of expressionist and modern British art.

In addition, during this early postwar period, Rosenberg gave financial support (in the form of purchase contracts or small stipends) to a number of needy Cubists, who might otherwise have abandoned painting altogether.

• Early Landscapes • 19th Century Landscape Painting • English School • Irish School • French School - Barbizon - Impressionist - Post-Impressionist • Europe • Russian • American • Japanese • Australian • 20th Century Landscape Painting • Cubist • Fauvist • Expressionist • Post-war Landscape Paintings

Whereas the artists» earlier Cubist phase, known as «Analytic Cubism,» was comprised of paintings that fragmented the world into a series of basic lines and curves, this later period of «Synthetic Cubism» involved combining fragments of various materials to create a new whole.

These undercurrents compelled a number of artists, particularly those of the Stieglitz Circle, to reject European influences and abruptly end their earlier forays into abstraction — O'Keeffe's wonderful meditations on form and color, Hartley's Synthetic Cubist works painted in Provincetown and Bermuda in 1915 and 1916, Dove's seminal series of pastels from 1910 - 11 — and focus on more recognizable subject matter.

A year earlier, in 1909, the French avant - garde painter Francis Picabia painted Caoutchouc, a proto - cubist work featuring unrecognizable geometric shapes enveloped in seemingly unrelated color fields.

Another important figure in the development of Colour Field painting was Helen Frankenthaler (b. 1928), who began as a Cubist before exploring Abstract Expressionist styles in the early 1950s, making a significant development of Pollock's «drip» technique.

During these years her style changed from Surrealist - inspired paintings of the early - mid 1930s to abstract figural and still - life compositions that reveal an understanding of Cubist and Fauvist principles.

Annie Pearlman's quirky little paintings suggest a torqued urban Precisionism crossed with early Cubist landscape.