With parallel interests in art history stemming from Kurt Schwitters and
early Modernist movements, their creative kinship developed over years before the artistic collaborations began in 2010.
Not exact matches
Until the
early 1970s historians of Pentecostalism argued that the
movement emerged ex nihilo at the turn of this century as an alternative to fundamentalism in protesting the
modernist trend that was capturing mainline Protestantism.
Be it the
modernist artistic
movement from the
early 20th century or rise of the novel during the Victorian era, they were all founded and honed by small groups of individuals striving to create something new, as opposed to society as a whole.
Forming part of his Tsukumogami series (meaning a type of Japanese spirit), his radical designs are greatly inspired by the
early experiments of the Russian and Italian
Modernist movements, as well as Dada inspired concepts of perceived realities.
Butler's title for the show is Precisionist Casual, which invokes the
early American
modernist movement, Precisionism, which was practiced by Charles Sheeler and Charles Demuth, as well as the New Casualists, a term she coined in an essay published in The Brooklyn Rail (June 2011):
Taking its example from other European
modernists like Joan Miró, the Color Field
movement encompasses several decades from the mid 20th century through the
early 21st century.
The 1940s in New York City heralded the triumph of American Abstract expressionism, a
modernist movement that combined lessons learned from Henri Matisse, Pablo Picasso, Surrealism, Joan Miró, Cubism, Fauvism, and
early Modernism via great teachers in America such as Hans Hofmann from Germany and John D. Graham from Ukraine.
The 1940s in New York City heralded the triumph of American abstract expressionism, a
Modernist movement that combined lessons learned from Henri Matisse, Pablo Picasso, surrealism, Joan Miró, cubism, Fauvism, and
early modernism via great teachers in America like Hans Hofmann and John D. Graham.
Rather than feature the work of only a few artists or selected stylistic
movements, the
early Whitney aimed to convey the breadth and diversity of American art, from conservative portraiture to
modernist abstraction.
With Mylar foil and straw bales, painted stripes and gestural drips, German painter and sculptor Anselm Reyle (born 1970) breathes new life into the motifs of Abstract Expressionism, Pop art, Minimalism and
earlier movements, leaving no
modernist master untouched in his reprisings of their motifs.
In the latter perspective,
early minimalism yielded advanced
Modernist works, but the
movement partially abandoned this direction when some artists like Robert Morris changed direction in favor of the anti-form
movement.
Opening: «Folk Art and American Modernism» at the American Folk Art Museum The American Folk Art Museum may be in smaller quarters after selling its Midtown building to MoMA, but it proves that it can still pack a punch with this show about the relationship between the development of the modern art
movement in America and the folk art collections of many
modernists in the
early part of the 20th century.
Murray's work builds on the legacy of
early twentieth - century
Modernist movements such as Cubism and Expressionism, funneling them into her own language that is equally concerned with psychology and the quotidian.
David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the
modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her
early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.
The social network of Pan Yuliang's
early career as a
modernist artist and an art educator in the period of the Republic of China resonated with larger social - political
movements at that time: from the cultural construct of «New Woman» and the New Culture Movement, to the revolution and reform launched by the Nationalist Party and
early Communists and the rise of modern nationalism in China, and from the end of World War I to the Japanese Invasion in 1937.
The relationship to
early 20th century
Modernist movements is all too obvious.
Abstraction is often thought of as the the
movement that changed modernism through visually and physically breaking down the constructs of classical and
early modernist art.
Biography: Balcomb Greene was a one of the leaders of the
early American
Modernist movement of the 1930s.
Balcomb Greene was a one of the leaders of the
early American
Modernist movement of the 1930s.
Picabia, a pioneering
modernist, has long been known as an
early cubist and a leader of the anarchic Dada
movement, while his later work has gone mostly ignored.
Standalone works and smaller ensembles of superb quality give visitors an insight into the important
modernist movements of the
early 20th century.
Alluding to Color Field, a style characterized by large, highly simplified compositions in which the use of color is independent of line and figuration, Scharf connects with
modernist art
movements by creating new hybrids, almost as if these
earlier forms of art had been placed in a blender.
Some critics think that some curators need to put more women in the mix when they do their big
modernist shows, especially for the
earlier decades of the century prior to the feminist
movement.
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Modernist movements were both cherished and vilified by artists and critics; Impressionism was initially regarded by «many conservative critics» as a «subversive foreign influence», but became «fully assimilated» into British art during the
early - 20th century.
Influenced by European art
movements of the
early twentieth century, American
Modernists including the Precisionist Charles Sheeler and Abstract Expressionist Adolph Gottlieb emphasize the industrial, the international, or the psychological through gesture, texture, surface, geometry, shape, form and color.
This was a
modernist movement where several artists presented their works that were influenced by several personalities such as Pablo Picasso, Joan Miro, Salvador Dali, Henri Matisse, and Man Ray, who excelled in Cubism,
early Modernism and Fauvism.
This collection mainly includes painting and sculpture from the late 19th - century and
early 20th - century (featuring
movements like Impressionism, Post-Impressionism, Expressionism, Fauvism, Cubism, Ecole de Paris, Dada and Surrealism, Abstract Expressionism and Pop Art, Minimalism and Conceptual Art), as well as drawings and poster art, and works representing design
movements such as Art Nouveau, the Bauhaus Design School, and the
modernist idiom of Art Deco.
He studied the writings of the great Russian painter Kasimir Malevich (1879 - 1935), an
early pioneer of concrete art and founder of the
modernist art
movement known as Suprematism.
The Sackner material, grounded in the
early 20th - century European avant - garde, brings together examples of
modernist movements like Italian Futurism, Dada, Russian Constructivism and Surrealism.
Crittall windows have been associated with Art Deco and
Modernist movements in
early 20th century architecture and many notable buildings across the UK, including the Houses of Parliament and Tower of London.