Sentences with phrase «early op art»

«Confronting the very nature of perception, Edna Andrade was an innovative leader of the early Op Art movement, wielding her paintbrush to explore color, rhythm, and form.

Robin Kandel: Lakewater: A Bay Area painter performs a strenuous balancing act in new work that looks directly descended from the early Op Art of Bridget Riley, consisting wholly of color filaments, but edges toward imagery of light on ruffled water that most abstract painters would consider a pitfall.

Similarly, in previous conversations with you at your studio, you also described your paintings and your use of pattern as subjective, specifically in comparison with earlier Op Art precedents, such as Bridget Riley and Richard Anuszkiewicz.

Not exact matches

During the late 1960s Larry Poons whose earlier Dot paintings were associated with Op Art began to produce looser and more free formed paintings that were referred to as his Lozenge Ellipse paintings of 1967 - 1968.

The new 176 - page monograph, Edna Andrade, takes a comprehensive look at the full range of Andrade's work, from her early surreal and figurative landscapes, through several decades of Bauhaus - inspired design and the distinctive geometric patterns of Op Art, to her late - life quasi-abstract studies of the Atlantic coastline.

Paintings from earlier in that decade utilized compounded waveforms like those found in some Op art.

Riley's black - and - white paintings of the early 1960s, in which space seems to advance and buckle, thanks to her careful calibration of repeated shapes, placed the young artist in the vanguard of Op art.

At this early stage, his works were mostly done in a geometric Op art style that drew ideas from both Bauhaus and Minimalist theory, while by the mid-sixties, he moved away from the optical, scientific aspect of his work and toward a more poetic and painterly direction.

Although his early works can be considered a form of Op art, as he depicted ovals and circles on flat surfaces of paint, he developed in his later years a style that is more linked with hard - edge and color field painting.

Famous as an early proponent of Op Art, Bridget Riley was born in Norwood, South London, in 1931.

Trippy optical illusions created by Richard Anuskiewicz («Summer Sunset Reds,» 1982) and British artist Bridget Riley («Shuttle II,» 1964) and an earlier op - art piece by Victor Vasarely («Ixion,» 1956) share the space with color works by Ellsworth Kelly — beloved by the Atheneum as the first artist in its long - running MATRIX contemporary - art series — Barnett Newman, Paul Feeley and two of Josef Albers» «Homage to the Square» paintings, which complement two works by John McLaughlin.

These factors serve as an anchor for L» Origine du Monde # 1 (1992) securing it to four separate events in art history: Dutch Golden Age painting (1665), Early Modernism (1866), Surrealism (1929), and Photorealism (1969), making it resistant to the older generation of artists and their pursuit of a singular style such as Pop art, Op art, Conceptual art and Minimalism.

Though he had primarily been making portraits and figurative paintings in the 1920s and early»30s, Vasarely's The Chess Board painted in 1935 marked the beginning of Op Art.

Many of the gallery artists were founders of and early practitioners of Op Art and exploring visual perception.

«Re-Op» explores contemporary approaches to understanding, re-examining, and pushing the boundaries of visual perception beyond those initially posed by Op Art in the early 1960s.

As a child, Whiteread's two favourite images — printed on postcards she still has — were of Bridget Riley op art and Anthony Caro's groundbreaking 1962 sculpture Early One Morning.

Following the publication earlier this week of an op - ed by Metropolitan Museum of Art Director Thomas P. Campbell in the New York Times, several Boston museum directors have co-signed a letter about President Trump's reported plans to propose a budget defunding the National Endowment for the Arts and the National Endowment for the Humanities.

• Introduction • Impressionist Movement (fl.1870s - 1880s) • Neo-Impressionism (1880s) • Newlyn School -LRB-(fl.1884 - 1914)-RRB- • Art Nouveau (Jugendstijl)(1890 - 1914) • Symbolist Art (1890s) • Post Impressionist Art (1880s / 90s) • Les Fauves (1905 - 8) • Expressionist Movement (1905 onwards) • The Bridge (Germany 1905 - 13)(Die Brucke) • Blue Rider (Germany 1911 - 14)(Der Blaue Reiter) • Ashcan School (New York)(1900 - 1915) • Cubist Art (fl.1908 - 1914) • Orphic Cubism (Orphism, Simultanism)(1914 - 15) • Photographic Art • Collage (from 1912) • Futurist Art (1909 - 1914) • Rayonism (c.1912 - 14) • Suprematism (c.1913 - 1918) • Constructivism (1914 - 32) • Vorticism (c.1914 - 15) • Dada (Europe, 1916 - 1924) • De Stijl (1917 - 31) • Neo-Plasticism (fl.1918 - 26) • Bauhaus School (Germany, 1919 - 1933) • Purism (Early, mid-1920s) • Precisionism (Cubist - Realism)(fl. 1920s) • Surrealist Movement (1924 onwards) • Art Deco (c.1925 - 40) • Ecole de Paris (Paris School) • New Objectivity (Neue Sachlichkeit)(Germany, 1925 - 35) • Magic Realism (1925 - 40) • Socialist Realism (1928 - 80) • Social Realism (America)(1930 - 45) • Degenerate Art (Entartete Kunst)(1933 - 45) • Neo-Romanticism (1935 - 55) • Art Brut • Organic Abstraction (fl.1930 - 1950) • St Ives School (1939 - 75) • Existential Art (Late - 1940s, 1950s) • Abstract Expressionist Movement (1947 - 65) • Art Informel (fl. 1950s) • Tachisme (1950s) • Arte Nucleare (c.1951 - 60) • Assemblages (1953 onwards) • Neo-Dada (1953 - 65) • Kitchen Sink Art (c.1954 - 57) • Pop Art (c.1958 - 70) • Op - Art (Optical Art)(fl.1965 - 70) • New Realism (1960s) • Post-Painterly Abstraction (Clement Greenberg)(Early, mid-1960s)

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

From the early to mid-1960s Riley worked exclusively in black and white, gaining critical attention internationally for her Op art paintings, before shifting her palette to grey and then to colour in 1967.

A 1958 exhibition of Jackson Pollock's work at Whitechapel Gallery had a major impact on the young artist, but it wasn't until the early 1960s that Riley began to develop her signature Op Art style consisting of black and white illusionistic patterns.

The combined forces of his formal training, quick graffiti chops, and expert skills as a draftsman, along with multiple artistic influences (Mexican Muralists, tramp art, surfer culture, graffiti from the 1970s and 1980s, the beat poets, geometric abstraction, op art, early video and site - specific works, graphic design, typography, and cartoons) have factored into his unwieldy, yet unmistakable visual lexicon.

Deftly creating dynamic illusions of depth and space on a two - dimensional surface, Grotjhan makes reference to various points in the history of painting, from Renaissance linear perspective, to the utopian shapes and visions of early 20th century Russian Constructivism, to the hallucinatory images of 1960s Op Art.

Op Art came into its own in the early»60s.

In the 1960s, Poons left the New England Conservatory of Music to pursue a career in painting, a decision honored with nearly immediate success — Poons» early works, Op art paintings of circles and dots, were included in a MoMA exhibition when he was just 28.

Edna Andrade takes a comprehensive look at the full range of Andrade's work, from her early surreal and figurative landscapes, through several decades of Bauhaus - inspired design and the distinctive geometric patterns of Op Art, to her late - life quasi-abstract studies of the Atlantic coastline.

Often considered the «grandfather» of Op Art, French - Hungarian artist Victor Vasarely began creating mind - bending paintings as early as the 1930s, leveraging his studies of science, color, and optics to produce images that seemed to move, swell, or change forms.

The Paul J. Sachs Prints and Illustrated Books Galleries, second floor Since the early 20th century, abstraction has been associated with so many artistic movements, from Suprematism and Constructivism to Abstract Expressionism and Op art, that it can no longer be defined by any one style or tradition.

After Hansa closed in 1959, Bellamy earned his place in history as the founding director of Green gallery, where his pioneering group shows fueled the explosion of smaller movements that succeeded abstract expressionism in the early 60s: pop, minimalism, conceptual art, op art.

The earlier paintings were discussed in terms of op art.

• Biography • Early Life and Training • Artist in Paris • Matisse and Paper Cutouts • Hard - Edge Painting • Lithography and Op Art • Sculpture

The convoluted, surreal shapes of his earlier years give way to seemingly shimmering, luminous paintings from the 1960s onward in a kind of transcendental Op Art.

Often mis - categorized as Op Art Walden's work has more in common with Sol Lewitt and has been especially influenced by the early work of Frank Stella and the late paintings of Ad Reinhardt.

As its various titles indicate, the movement draws on earlier mid-to-late-20th century developments in Minimalist art, Abstract Expressionism and its offshoots, plus Pop Art, Op Art, and other threads of artistic developmeart, Abstract Expressionism and its offshoots, plus Pop Art, Op Art, and other threads of artistic developmeArt, Op Art, and other threads of artistic developmeArt, and other threads of artistic development.

By the early 1960s Abstract Expressionism had exhausted its potential, but its themes and techniques proceeded to Op Art, Pop Art, Minimalism, Neo-Expressionism and other art movemenArt, Pop Art, Minimalism, Neo-Expressionism and other art movemenArt, Minimalism, Neo-Expressionism and other art movemenart movements.

Meantime, from the early 1930s, the Hungarian - born painter and graphic artist Victor Vasarely was experimenting with various visual tricks such as trompe - l'oeil and others, from certain types of poster art: see his Op - Art picture Zebras (193art: see his Op - Art picture Zebras (193Art picture Zebras (1938).

• Biography • Early Life in Budapest • Paris: Graphic Design • Abstract Painting • Optical Art • Op - Art Paintings • Awards and Collections • Legacy

Art historians credit Vasarely with painting some of the earliest examples of Op Art.

Including rarely seen early etchings, letterpress printing trays and liquor bottles painted with his trademark cast of down - and - out urban characters, constellations of vibrant op - art painted panels, animatronic taggers, and an elaborate re-creation of a cacophonous street - corner bodega, along with many new projects, this first midcareer survey of the globally influential San Francisco — based artist showcases the astonishing range of McGee's compassionate and vivacious work.