Sentences with phrase «early renaissance painters»

If such early works have a precisionist care in how they are painted that recalls early Renaissance painters like Pietro Lorenzetti or Domenico Veneziano, as much as they do product advertisements and packaging design from the 1920s, later works offer a bolder more sculptural approach, and suggests a whole other range of range of artists who followed Davis, including Elizabeth Murray and Al Held.

At play in Davis's applications of two - point perspective were the lessons of spatial fictions learned from methods artists had employed in the past — from early Renaissance painters to Duchamp and, more contemporaneously, to the shaped canvases of Frank Stella.

The greybeards hated the archaism of Burne - Jones's dense application of scumbled and rubbed watercolour, designed to mimic the tempera techniques of early renaissance painters.

Less painting now though, I only return to the masters, the early renaissance painters, Philip Guston, Alex Katz.

The Early Renaissance painter Piero della Francesca, the Dutch masters Rembrandt and Vermeer, as well as more modern artists, like Cézanne, Pierre Bonnard, Piet Mondrian, Edward Hopper, and Willem de Kooning, were frequent guests and, sometimes, studio crashers.

Piero della Francesca may have been the greatest early Renaissance painter in Italy and the least approachable.

Not exact matches

Later in his artistic life De Chirico changed into a more «classical» painting style, inspired by the painters of early Renaissance, Giottto and Ucello.

Walk into your prototypical observational painter's studio and you are likely to find monographs from modern painters such as Edwin Dickinson and Giorgio Morandi side by side with books on early Renaissance masters Masaccio and Piero della Francesca, as well as a tome filled with the prehistoric cave paintings from Lascaux.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

The early works, such as Botticelli's Virgin Adoring the Sleeping Christ Child, which has not been exhibited outside of Scotland for more than 150 years, are religious paintings while later works from the Renaissance masters, 17th - century painters, Impressionists, Post-Impressionists, and Cubists include different genres of paintings such as portrait, still life and landscape, and represent the changing treatment of those genres over time.

On Friday, while visiting the Met's early Renaissance paintings with my friend, the painter Kay WalkingStick, I mentioned this centered - eye theory, and as we looked, portrait after portrait followed this form.

Among the great painters of the early Renaissance, Petrus Christus is the most approachable, but his career is shrouded in mystery.

Harvard Art Museum This encompasses three centres: the Fogg Art Museum, concentrating on Western Art of the Middle Ages to the present (notably early Renaissance, British pre-Raphaelite, 19th - century Impressionist and post-Impressionist works, and an important collection of Picasso's works); the Busch - Reisinger Museum, specializing in fine art from Central and Northern Europe (notably 20th century German Expressionist painters); and the Arthur M. Sackler Museum, which focuses on ancient, Islamic and Asian art (notably archaic Chinese jades and Japanese surimono, as well as drawings, paintings and calligraphy from Iran, India, and Turkey, along with Greek and Roman sculpture).

Not only does Peter Joseph not consider himself a minimalist artist, he sites early Venetian and Florentine painting as influences and subscribes to a methodology usually associated with that of Renaissance painters.

Renaissance painting, [especially early Renaissance northern Italian painters, specifies Stonehouse], contemporary painters like Leon Golub and Anselm Kiefer, magic realist writers such as Gabriel García Márquez, Day of the Dead imagery, movie posters from Ghana, West African barber shop signs...»

Mastering the Masters is the first major international exhibition to assemble works of art created by members of the Pre-Raphaelite Brotherhood with the Early Italian and Early Netherlandish art pre-dating the High Renaissance painter Raphael that inspired them.

The influence of the Early Renaissance masters and Spanish Baroque painters can also be seen in Scully's expression and use of colour.

Highlights include an outstanding collection of works by the Nothern Renaissance genius Albrecht Durer, etchings by the great Italian still life painter Giorgio Morandi, and a magnificent display of early French photography.

[Note: This creed rejected the «grand style» of High Renaissance academic art, exemplified by triviality of subject, idyllic treatment and non-naturalistic forms, favouring instead worthy subjects, strict reliance on nature in their treatment, and a precise and detailed delicacy of handling, not unlike the early Renaissance of the 15th century - an approach which led to them being dubbed «pre-Raphael» - type painters, or Pre-Raphaelites.]

When he read «Modern Painters», written by the eminent art critic John Ruskin, he was impressed with the argument that artists should return to the style of late medieval and early Renaissance artists.

It concentrates on paintings of the Early Renaissance and High Renaissance, particularly the Sienese school, and features works by Botticelli and Domenico Veneziano, as well as by Spanish painters like El Greco and Goya.

In addition to these painters and to the artists listed further above, the Courtauld gallery also owns paintings by Early Renaissance artists like Fra Angelico (1387 - 1455), Giovanni Bellini (1430 - 1516), Sandro Botticelli (1445 - 1510), Pietro Perugino (1445 - 1523); High Renaissance artists like Jacopo Tintoretto (1518 - 94), as well as later works by Claude Lorrain (1600 - 82), Peter Lely (1618 - 80), Francisco Goya (1746 - 1828), William Beechey (1753 - 1839), and Thomas Gainsborough (1727 - 88).