• Introduction • Youth and Training •
Early Artistic Influences • Early Landscape Paintings • Pissarro with Monet in London • Impressionism • Final Recognition and Success • Legacy • Selected Paintings
Ruscha's
early artistic influences include the likes of conceptual artists such as Jasper Johns, Marcel Duchamp and Robert Rauschenberg.
This feature exhibition celebrates the iconic landscape paintings of Phyllis Shafer, while also carefully examining
her early artistic influences shaped by her time spent... more»
Welling says that the photos were a way for him to articulate
an early artistic influence.
Central to this exhibition is the inspiration of Surrealism, a movement Sassen recognises as one of
her earliest artistic influences, seen in the uncanny shadows, fragmented bodies and dreamlike landscapes of her work.
Not exact matches
Say, an esteemed children's book creator, engagingly relays his
early training, including the
influences of his family and his
artistic sense.
Despite leaving the country during the period of Perestroika, Roiter's
artistic output retains a heavy hint of his Russian past: the recurring green that recalls the pervasive Russian military, the economy of forms and materials reflective of pervasive paucity, and traces of
early twentieth century Russian avant - garde
influences.
The Pyes»
artistic output spans photography, film, performance, video, and installation while acknowledging the profound
influences of surrealism in film, narrative conventions in painting, 19th and
early 20th century portraiture, and conceptual approaches to subject matter.
That Mammen absorbed and worked with the dominant
artistic styles of the time was obvious even from her
early years in Paris and Brussels, and some of the
earliest works in the exhibition — shown in the final room so as to contrast with some of her last — demonstrate the
influence of symbolism and aestheticism.
Stepping onto the
artistic scene of the 1960s, her
early work was mostly comprised of abstract drawings and paintings that she made
influenced heavily by the abstract expressionism.
Bassist, composer, and Pew Fellow Jymie Merritt discusses the
early influence of Duke Ellington on his
artistic practice, his interest in digital composition tools, and more.
The artist was raised outside of Philadelphia and its cultural institutions had a deep
influence on her
early artistic trajectory.
As he elaborates on their similarities and differences in accordance with his rejection of residual European
influences in favor of the new application of fabricated objects and industrial products, we realize that his argument is part of his greater advocacy for the works of the artists of his generation (similar to what Clement Greenberg wrote a decade
earlier in 1956, in his equally significant essay, «American - Type Painting»), and further deriving from his own
artistic output at the time.
Influenced by events surrounding the Tiananmen Square protests in 1989, his
early paintings mirrored that group's disenchantment with both political and
artistic utopias.
After a welcome and introduction by Pratt Institute Provost Kirk E. Pillow, the speakers began by discussing their
early creative lives and first
artistic influences, before Greenman shifted the conversation toward the topic of
artistic collaboration.
INDUCTION is a two - person exhibition that features new paintings, videos, and glass sculpture by New York based artist Tauba Auerbach (1981, San Francisco, CA) alongside an
early sound installation by Paris - based composer Éliane Radigue (1932, Paris, France) that explores
artistic relationships and
influences.
Andy Warhol's
early drawings reflect the
influence of European artists such as Gustav Klimt and Henri Matisse, and provide a unique window into his tremendous
artistic prowess.
While her
influences were distinctly French, in particular the canvasses of Pierre Bonnard and Henri Matisse created half a century
earlier, her closest
artistic touchstones were perhaps David Hockney's Yorkshire views and the seascapes of the Scottish Colourists.
Group exhibitions by several commercial galleries, the formation of a number of different artists organizations and the revival of the California Art Club [26] all played a role in spreading the
artistic philosophy and stylistic
influences of the
Early California painters and creating a commercial marketplace for artists who became part of the same tradition.
Drawing on
influences such as Chicago Imagist Jim Nutt and the
early work of David Hockney, his painting call attention to the interplay of narratives, both historical and
artistic.
Tate Modern's presentation begins with an examination of Rauschenberg's
early works, which were largely
influenced by his formative years at Black Mountain College, North Carolina, a hub of
artistic innovation and experimental practice in the 1940's and
early 50's.
The combined forces of his formal training, quick graffiti chops, and expert skills as a draftsman, along with multiple
artistic influences (Mexican Muralists, tramp art, surfer culture, graffiti from the 1970s and 1980s, the beat poets, geometric abstraction, op art,
early video and site - specific works, graphic design, typography, and cartoons) have factored into his unwieldy, yet unmistakable visual lexicon.
She was
influenced by modernist masters Eva Hesse and Agnes Martin, the latter of whom she spent time with on an
early artistic pilgrimage to Taos.
Early in his
artistic career, Gehry created several visual installations and furniture designs, many in the late - 20th century, that would
influence his later accomplishments in architecture.
Several of the artists represented in the exhibition studied and / or worked in Spain, or were
influenced by Spanish art in other ways; seeing their paintings in the context of the Meadows» collection of Spanish art, especially those works from the same period, will enable visitors to detect
early European
influences, and understand how many of these Mexican artists later began to forge their own
artistic path distinct from their European contemporaries.
Barbara Kasten's
early work in fiber and deep investment in the experimental ethos of the
early avant - gardes serves as a departure point for this wide - ranging discussion of materiality and
artistic influence.
Minimalism positioned itself as a reaction to this kind of art,
influenced by the abstractions of Bauhaus artists such as Kazimir Malevich and Piet Mondrian, and the use of industrial materials instead of traditional
artistic techniques by the
early 20th - century Constructivist movement.
To understand what makes Herrera's art significant, it helps to consider two major
influences on her
early artistic life: her friendship with Barnett Newman and her exposure to debates regarding abstraction in postwar Paris.
As a palpable result of his displacement, subjects relating to American history, democracy, politics, and great philosophers, Ralph Waldo Emerson in particular, became deep - seated
influences on his
early artistic practice, often manifesting in marked utopian themes.
Drawing inspiration from her own experience, including the Southern California surf culture of her childhood, the San Francisco beatnik era of her teen years, the punk and new wave music scenes of 1970s and
early 80s New York, and her formal training as a sculptor and ceramist, Heilmann incorporates a complex amalgam of personal references, cultural
influences, and craft traditions in an
artistic practice that includes painting, painted ceramics, and constructed furniture.
With the vogue for Western science (rangaku, literally «Dutch studies») in the eighteenth century came a renewed, though marginal,
artistic practice
influenced by Western methods and media that lasted into the
early nineteenth century; Western
influence can also be seen in nineteenth - century prints by such artists as Katsushika Hokusai (c. 1760 — 1849).
Featuring Singaporean sculptor and printmaker Kim Lim, find out the development of Lim's sculpture and print works since her
early days in the 1950s, and her
influence towards her husband, Bill Turnball's
artistic career.
Artistic revolution 14 August The Chinese Cultural Revolution of the late 1960s and
early 70s was one of the greatest
influences of modern art in China.
Thomas has drawn inspiration from multiple
artistic periods and cultural
influences throughout Western art history, particularly the
early modernists such as Jean - Auguste - Dominique Ingres, Pablo Picasso, Henri Matisse, Edouard Manet, and Romare Bearden.
The German
artistic style Jugendstil (popular from the mid-1890s to the
early 20th century) was the primary
influence for the hotel's decor, according to Architectural Digest.