Sentences with phrase «early commercial illustrations»

Covering the breadth and scope of Warhol's prolific career, ANDY WARHOL: TALKING POP explores the legendary Pop Art icon's artistic ingenuity and importance - from his early commercial illustrations of the 1950s such as Love is a Pink Cake and Tattooed Woman Holding a Rose to his iconic portfolios such as Myths of the 1980s.

Not exact matches

Andy Warhol's fascination with publishing and the art of the book was lifelong — rooted in his artistic training as a college student and early career in advertising, fashion, and commercial illustration.

His early work passed though the styles of impressionism, Orphism, Dada, Surealism, and verbal and visual collagel his later art extended from composition that superimpose linear painted figures upon one another (and, sometimes, several of those on apinted ground), to painting based on pinup nudes and commercial illustrations and, finally, to coarse, heavily textured canvases that depict totems, masks and shields.

Paintings, drawings, commercial illustrations, sculptures, prints, photographs, wallpapers, sketchbooks, and books cover the entire range of Warhol's career, from his early student work to pop art paintings and collaborations.

This exhibition presents Warhol's book work, from early student - work illustrations of the late 1940s, through to his careers as a commercial artist in the 1950s, Pop fine artist and underground filmmaker in the 1960s, and photographer and Pop culture icon of the 1970s — 80s.

The work they produced in the»70s and early»80s might be described as a theatricalization of Conceptual art, or a caustic mimicry of both fine art and commercial illustration.

Created during the early and mid-1960s, the fifty - five drawings on view offer a revealing window into the development of Lichtenstein's art, as he began for the first time to appropriate commercial illustrations and comic strips as subject matter and experimented stylistically with simulating commercial techniques of reproduction — the famous Benday dots.

Mr. Jago's early style that he explored during the nineties into the new millennium has undergone a prolonged and continuous process of abstraction and has evolved deliberately into his current way of working; the droid - like figures of his formative, commercial illustration slowly enveloped in ever - deepening layers of colour and shade.

This early period was one of close association between Warhol and Pearlstein as they were fellow students, roommates in New York, and enthusiastic artists working in commercial illustration.