Sentences with phrase «early conceptual works»

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni and Greg Colson.

1989 Concept - Decoratif (Anti-Formalist Art of the 70s), Nahan Contemporary, New York, US The Presence of Absence: New Installations, Gallery 400, University of Illinois at Chicago, Chicago, Illinois, US; University of Arizona Museum of Art, Tucson, Arizona, US; Laumeire Sculpture Park and Garden, St. Louis, Missouri, US; Albany Institute of History and Art, Albany, New York, US; Oakville Galleries, Oakville, Ontario, CA; University of Kentucky Art Museum, Lexington, Kentucky, US; Longview Museum and Arts Center, Longview, Texas, US; Prichard Art Gallery, University of Idaho, Idaho, US; Museum of Art, Penn State University, University Park, Pennsylvania, US; The University of Iowa Museum of Art, Iowa City, Iowa, US; University Art Museum, University of New Mexico, Albuquerque, MX; Otis / Parsons Gallery, Los Angeles, California, US Words, Tony Shafrazi Gallery, New York, US Inedits / I, FRAC Bourgogne, Dijon, FR; APAC, Centre d'Art Contemporain, Nevers, FR Micro Sculpture, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island, US Early Conceptual Works, Sperone Westwater Gallery, New York, US From Concept to Context, The Art Gallery of York University, Toronto, CA Saga 89, Eric Linard Editions, Grand - Palais, Paris, FR Un Choix dans les Collections du Nouveau Musee de Villeurbanne, Palais de Beaux Arts de Charleroi, Charleroi, BE Collections du Frac Nord Pas - de-Calais, Santa Scolastica, Bari, IT Group Show, San Francisco University Art Department Gallery, A&I Room 201, San Francisco, US Word / Image, Lehman College Art Gallery, Bronx, New York, US Ad Usum Dimorae, Palazzo Querini Stampalia, Venice, IT Bilderstreit, Ludwig Museum, Rheinhallen, Cologne fair grounds, Cologne, DE From the Collection of Dorothy and Herbert Vogel, Terra Museum of American Art, Chicago, Illinois, US Open Mind - Circuit Ferme, Museum van Hedendaagse Kunst, Ghent, BE Ohne Auftrag, Mai 36 Gallery, Art Frankfurt, The New International Art Fair, Frankfurt, DE Magiciens de la Terre, Centre Georges Pompidou and Grande Halle, La Villette, Paris, FR Competition Diomede, The Clocktower Gallery, New York, US; San Francisco State University Art Department Gallery, A&I Room 201, San Francisco, California, US Ideas and Ephemera, Real Art Ways, Hartford, Conneticut, US Geometrie Meridienne, Chateau Coquelle, FRAC Nord Pas - de-Calais, Dunkerque, FR Noise et Fenetres en Vue, Musee d'Art Moderne, Liege, BE Locus Solus XII, Galerie Hubert Winter, Vienna, AT Fondation Daniel Templon, L'Exposition Inaugurale, Capitou, FR Furkart 1989, Furkapasshoehe, CH Analytic to Poetic, Burnett Miller Gallery, Los Angeles, California, US Skulpturen für Krefeld I, Museum Haus Esters, Krefeld, DE John Miller / Gary Mirabelle / Lawrence Weiner, American Fine Arts Co, New York, US In Other Words, Museum am Ostwall, Dortmund, DE Gran Pavese: The Flag Project, Museum van Hedendaagse Kunst, Antwerpen, BE; Druot Montaigne, Paris, FR Another Group Show, Galerie Hubert Winter, Vienna, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, DE

In the solo exhibition in Pace Gallery, however, visitors are simultaneously introduced to his early conceptual works in the 1990s and his recent abstract metaphysical paintings done in 2017.

Ranging the full spectrum of Vo's oeuvre — from early conceptual works to his recent sculptural hybrids of classical and Christian statuary — the exhibition will interweave installations, photographs, and works on paper from various points in the artist's career to amplify their thematic resonances.

In 1960, she opened her Chambers Street loft, where she and La Monte Young presented a series of radical performances and exhibited realizations of some of her early conceptual works.

Visitors will be able to see a broad selection ranging from often witty early conceptual works to vibrantly colored and lushly executed recent paintings.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, BBruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.

When Mr. Siegelaub donated his art - related archive to MoMA in 2011, the museum also acquired a number of works from his art collection, which included a number of important early conceptual works.

This first solo exhibition with the gallery features early conceptual works and video together with a group of recent paintings.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.

Early conceptual work at Pomona College would feed into the so - called Pictures Generation of the»70s and»80s.

But it has yet to produce a building that entirely fulfills the terrific promise of its early conceptual work.

Dennis Oppenheim's 1973 Whirlpool (Eye of the Storm), a five - panel photo document, an early conceptual work in which he hired a skywriter to «draw» a tornado form.

Not exact matches

While the theoretical principles guiding the use of the NBO and the accompanying training program, include many of the conceptual themes that informed our work with the NBAS, they are influenced by theoretical and clinical principles from the fields of infant mental health, child development, brain development, behavioral pediatrics, systems theory, communication studies, nursing, early intervention and cultural studies, among its influences.

However, its request for about $ 120 million over 5 years for conceptual design work on the CEPC failed to win approval earlier this year from China's National Development and Reform Commission; instead, the project received some $ 5 million for preliminary study.

Using this model as reference, they first performed a conceptual analysis of the work of earlier theorists, going back to as early as 1806.

Other projects in the works (NextGeneration Light Source and Long Baseline Neutrino Experiment) are in earlier stages of development and do not yet have an approved conceptual design.

Dr. Anju Vasudevan's work on early embryogenesis of the forebrain vascular system has opened up an entirely new conceptual framework from which to view this important component of brain development.

GM says the Chevy / Glass partnership is «purely conceptual» now, but that the system works so well already in these early stages is definitely a good sign for technophiles.

The exhibition begins with works by early Minimalist artists such as Sol LeWitt and Carl Andre; drawings by conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.

This exhibition will shed scholarly light on the aesthetic and intellectual concerns undergirding the development of this important strand of early American modernism to explore the origins of its style, its relationship to photography, and its aesthetic and conceptual reflection of the economic and social changes wrought by industrialization and technology.

Gabriele Schor, director of the SAMMLUNG VERBUND, has performed a scholarly assessment of the conceptual beginnings of her oeuvre and is now publishing a catalogue raisonné of her early work.

From her early conceptual pieces to her current solo exhibition at the Guggenheim Bilbao, Ono's performance, film, musical, and written works engage the active participation of the audience.

Exhibited across two floors of the gallery, the paintings here range in scale from the tablet - sized Boardwalk Barter a reminiscence from the artist's earlier years selling his work in Venice, California, to one of his signature, immersive flower - like explosions, which can be read as either the conceptual origin or the end point of all other work.

Upholding the visual poetics and conceptual impulses of her earlier series these works bring together many cultural references amongst them; Japanese Ama divers, Ethiopian natives from the Ono Valley, childhood reminiscences of the soft frail architecture of sand castles and sensual memories of eating quince fruit - a soul food in Adriana's native Brazil.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

Gaines» interest in systems aesthetics can be related to the systematized work of minimalist, Fluxus and early conceptual artists, yet his works differ in their preparedness to engage directly with prosaic, social, political and philosophical propositions.

However, these pieces all followed the conceptual lead of his earlier works, although they did use a lot more colors than their predecessors.

Oil on canvas Hand - signed «Pat Steir, 1988» verso Excellent Condition Though her early work was loosely allied with Conceptual Art and Minimalism, Pat Steir's poured «Waterfall...

This selection of early paintings documents a conceptual shift in the artist's work as the landscape imagery offered by earlier paintings begins to incorporate and is consumed by the symbol - laden abstract compositions that would become a recurring theme throughout his career.

By the early 2000s Johns had embarked on the pared - down and more conceptual Catenary series which, along with other recent works such as 5 Postcards, 2013 and Regrets, 2013, shows the rich productivity and vitality of this late phase of his career.

Charles Gaines: Gridwork 1974 - 1989, the first museum exhibition of Gaines's early conceptual serial work, opened last weekend at the Hammer Museum.

Oil on canvas Hand - signed «Pat Steir, 1988» verso Excellent Condition Though her early work was loosely allied with Conceptual Art and Minimalism, Pat Steir's poured «Waterfall» paintings initiated in 1988 gained her critical acclaim.

Today, the gallery presents contemporary multimedia and conceptual work, as well as painting and sculpture and continues to show the artists it has worked with in the early nineteen eighties, while it presents and works with new talents.

From early assemblages to pioneering works in film, from photography and photograms to prints, drawings, paintings, and conceptual works, Conner pursued a distinctive vision that endlessly broke new ground.

As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest watercolors in the 1960s through his recent photographs.

Currently on view at MCA Chicago through May 20, the exhibition spans Pindell's five - decade career, «featuring early figurative paintings, pure abstraction and conceptual works, and personal and political art that emerged in the aftermath of a life - threatening car accident in 1979.

July 17 — Oct. 26, 2014 Charles Gaines at the Studio Museum in Harlem New York The Studio Museum in Harlem is presenting the early work of Los Angeles - based Charles Gaines, an important conceptual artist «celebrated primarily for his photographs, drawings and works on paper that investigate systems, cognition and language.»

Spanning a broad gamut of themes and applied constructs, the show includes such as early works as shots taken in Nadar's 19th century Parisian studio, of the mime artist Charles Deburau posing as Pierrot the clown (an example of a performance played out purely for the camera); through the theatrical and conceptual work of Carolee Schneemann and Paul McCarthy; nuanced developments of self - identity in the work of Marcel Duchamp, Cindy Sherman and Andy Warhol; and onto the hyper - contemporary world of selfies and social - media disseminated flotsam.

Barbara Kruger's deeply conceptual and politically oriented body of work developed out of her earlier career in design for magazines such as Mademoiselle, House and Garden and Aperture.

Works on view are varied, including pioneering x-rays and aerial views, artifacts of early photojournalism, and recent examples of conceptual art all grouped in arrangements to emphasize the range of possibilities offered by photography as a medium.

This includes artists such as conceptual art pioneer Stephen Willats, whose multimedia works employed computers as early the 1970s.

Comprehensive in scope, the exhibition traces the evolution of Weems's career from her early documentary and autobiographical photographic series to the more conceptual and philosophically complex works that have placed her in the forefront of contemporary art.

I'm willing to concede that a conceptual agenda could be as much at work here as in his earlier abstractions, but it has been eclipsed, in my perception at least, by his paint qua paint.

Her early art training at the Boston Museum of Fine Arts, and undergraduate work at Massachusetts College, helped form her minimalist and conceptual aesthetic.

Upstream Gallery presents work of Dutch artist Marinus Boezem (1934) at Art Basel 2018 Feature section, dedicated to signal his position as pioneer in the international development of conceptual art and early video and television art through an extensive survey of unique works, editions and arc...

The Jewish Museum in New York to Present Mel Bochner: Strong Language May 2 — September 21, 2014 Exhibition Explores Mel Bochner's Text - Based Works From Early Conceptual Drawings to Recent, Large Scale Thesaurus Paintings New York, NY — From May 2 through... Continued

Many first generation Conceptual artists working in the late 60s and early 70s de-emphasized the art object, in part as a gesture against what they perceived as the increasing commercialization of the artwork (one thinks of Sol LeWitt's ephemeral wall drawings, painted over at the end of their exhibition, or the linguistic investigations of Lawrence Weiner who in 1972 wrote, «I do not mind objects, but I do not care to make them»).

Many of his early works took the form of conceptual photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.

From iconic photo series to early sculpture and large - scale installation, the works included in this presentation represent the foundations or conceptual departure points that have defined practices and broader dialogues in contemporary art since the 1990s.