Sentences with phrase «early dance works»

That same weekend Lucinda Childs re-presented a half - dozen of her early dance works, with Center funding; the group met to discuss reconstruction, restaging, and reenactment across artistic fields.

Not exact matches

Among the most moving of his stories is his account of dancing at a wedding with a lovely female friend and simply having no awareness of her «sexual value,» the very apt term employed by Blessed John Paul II in his early work Love and Responsibility.

Taking a step back to a fortnight ago when I was taken out of my busy routine of shoot, edit, workout, work, repeat, repeat, repeat to be dancing in the early morning light barefoot on the sand on a deserted beach in Langkawi.

Over the past forty - plus years, the British filmmaker has put together one of the most diverse and innovative filmographies you can imagine — from her early experimental work, to her fourth - wall - breaking classic of gender fluidity, Orlando (1992), to the minimalist dance - romance The Tango Lesson (1997), in which she played herself, to the Cold War coming - of - age drama Ginger & Rosa (2012).

She was a Dance Teacher early in life for 10 years and that is where she developed her desire to work with children and parents.

From early figurative paintings, through collages and video installations, to her radical work in dance and performance, Ms. Schneemann has consistently — insistently — made the personal political, bridging divides between eras and cultures, even species.

The gifted works range from early creations such as Discourse on a Chair (1985), which was only recently rediscovered, to his latest works — More Sweetly Play the Dance, which was recently shown at Marian Goodman Gallery in London and is discussed in this interview with the artist.

Dancers from L.A. Dance Project will perform excerpts from Springweather and People (1955), Suite for Five (1956), Changeling (1957), and other early work by Merce Cunningham.

The representaion of Shanoza has been a recurring theme in Opie's work and earlier projects featuring the same subject include lenticular acrylics of Shahnoza dancing Naked and Shahnoza dancing in White Dress.

Her work engages connected themes of change and community, and in the early» 00s, this often took the form of dinner parties (organized with her sister and performance artist Marianne Vitale), dance marathons, and social invasions, among other carnivalesque happenings.

The Conversations series, which has shaped programming at Lynden in July as we prepare for a performance of Trisha Brown's «Early Works» on July 27, has been considering Brown's earliest dances in the context of Lynden's monumental sculptures — both products of the»60s and»70s.

For his early work Instead of Allowing Some Thing to Rise Up to Your Face Dancing Bruce and Dan and Other Things (2000), Sehgal trains dancers to enact a series of movements taken from early video works by Dan Graham and Bruce Nauman while lying on the floor.

Setting the stage for the performances of Trisha Brown's Early Works at the Barnes Foundation, Susan Rosenberg, scholar - in - residence at the Trisha Brown Dance Company, offers an overview of Brown's career at the crossroads of dance and visualDance Company, offers an overview of Brown's career at the crossroads of dance and visualdance and visual art.

Morris» early Minimal Art works, to which Untitled (Ring with Light)(1965 - 66) also belongs, are closely linked to his dance compositions such as Site (1964) or Waterman Switch (1965) in which the dancers partly executed onstage task - oriented movements with geometrical objects.

Inspired early in his career by modern dance — notably through his relationship with members of New York City's influential Judson Church dancers — and Japanese Zen gardens, the artist sought to create works that engage viewers in movement, taking in his large - scale sheet - metal pieces by navigating the space around them.

The second series featuring dancing couples — a new theme for the artist — is a shift away from his early work.

Works in Lucite, bronze, and steel span Safer's career and will include early geometric works such as Cube on Cube, 1969 and lyrical forms that evoke the movements of athletes and dancers such as Serve, 1989 and Dancer and the Dance, Works in Lucite, bronze, and steel span Safer's career and will include early geometric works such as Cube on Cube, 1969 and lyrical forms that evoke the movements of athletes and dancers such as Serve, 1989 and Dancer and the Dance, works such as Cube on Cube, 1969 and lyrical forms that evoke the movements of athletes and dancers such as Serve, 1989 and Dancer and the Dance, 1993.

With fellow students Robert Rauschenberg, Cy Twombly, and John Chamberlain, she thrived in the unique cross-disciplinary curriculum at Black Mountain and brought this sense of exchange and collaboration when she moved to New York, working in dance and performance in renowned early pieces with Rauschenberg, Claes Oldenburg, and Carolee Schneemann, among many others.

Informed by a shifted sociopolitical consciousness, Nengudi's earliest work synthesized feminism, African and Japanese dance, music, and religious rituals in experimental sculptures and performances.

Ishikawa and Eyene discuss the photographer's inspiration from diverse art forms, including music and dance, his early practice and more recent work, and multifaceted portraiture of his hometown of Okinawa.

By the»70s, his ink and gouache compositions, like July 2, 1972, had successfully blended the cutout forms of Matisse's that inspired his early work, with his own gestural lightness, his own way of infusing lyrical design with white space in a dance of positive and negative elements.

He made Bedroom Breast, 2004, a painted metal relief, referring back to his earlier work, and also Man Ray at the Dance, a large canvas painting, at more than eight by six feet, and eight Sunset Nudes including Sunset Nude with Frame, a painted metal work.

It will be presented by 25 high - contrast black and white photographs, which are from editorial images of the 90's for VOGUE, HARPER»S BAZAAR, INTERVIEW and many other international magazines, to his personal work inspired by modern dance, landscapes, early German and East European cinema and photography.

The fun begins from 6 pm until the early hours, audiences for Art Night 2016 will experience a trail of art, architecture, dance, design and music, including: Artist and choreographer Alexandra Bachzetsis will present new work in the rooms of Two Temple Place, a highly ornate building designed by neo-Gothic architect John Loughborough Pearson.

A dancing effect materializes and the works approach the near figurative, as if in conversation with paintings of an earlier era with a similar emphasis on joie - de-vivre, perhaps those of Matisse and his fauvist compatriots.

Where his early work simply collided high and low, black and white, sacred and profane, art and shit, Ofili now makes more commanding, syncretic images — of the raising of Lazarus, or couples boogying on intricately patterned dance floors — that reject such dualism and thrill to mixing, creolisation, and promiscuity.

Nauman's early works were originally discussed in the context of contemporary practices and discourses, such as minimal music, postmodern dance, conceptual art, Gestalt therapy or the philosophy of language.

A giant in the history of video art, Charles Atlas has been steadily pushing the boundaries of his medium since the early 1970s with his varied and highly influential films and productions, including especially his pioneering work in media - dance or «dance for camera» with renowned choreographer Merce Cunningham.

In the early 90's she worked with the Dance Company Sasha Waltz + Guests on Stage Design and Performances.

On the walls, photographs of major dance works from the 1960s and early 1970s are accompanied by the artist's thoughts on how to create «ordinary,» unpretentious dance from the basics of human activity.

Like Wolfe's earlier work, Branching Systems is interactive by design — for an entire city block in the heart of Shoreditch, Wolfe's individually - programmed, hand - crafted butterflies dance along wire branches among delicate robotic leaves as individual sensors react to the movement of the people and the street, setting the entire system in motion.

Sally Smart's most recent work The Choreography of Cutting is a series of projects re-framing early 20th century avant - garde dance movements and their performative multi-disciplinary practice in experimental visual art forms.

Initiated in 2004 with the help of artists Olivier Mosset and Steven Parrino, Cinema Zero is a concept of nomadic events mixing screenings (of early 20th century experimental films as well as contemporary works) with performance, painting, sculpture, dance or sound.

Below was a video of the Trisha Brown Dance Company in Donald Judd's light - filled SoHo studio, performing one of Ms. Brown's spare early works, «Figure 8,» as part of the company's site - specific initiative «In Plain Site.»

While in her earlier works Silke Otto - Knapp depicted mainly exalted cityscapes as well as artificial and exotic nature, in the past few years she has concentrated almost exclusively on the theme of choreography and dance.

Our conversation centered on the issue of the survival of folklore (songs, dances, stories, and good times after hard days at work) from early American slavery through the present, by way of oral tradition.

Emerging in the early 1960s world of experimental film, music, poetry, dance and Happenings, Carolee Schneemann's multimedia work addresses the interrelationship between postmodern issues and broader cultural concerns.

She shifted to paintings only of the female body, usually solo although the dialectical dance of two figures in the earlier erotic works is continued in one of the most intriguing conceptual devices in the current show, the layering of an open - outline figure across fully rendered figures, sometimes at the same scale, sometimes in a different scale, as in Double Embrace.

This season features works in ballet, urban vernacular, early tap and rural percussive, authentic jazz and modern dance; collaborations with two visual artists, a composer, and featuring live music.

Emerging in the early 1960s world of experimental film, music, poetry, dance and Happenings, Carolee Schneemann's work is characterized by experiments in kinetic technologies, as well as research into archaic visual morphologies, pleasure wrested from suppressive taboos and the body of the artist depicted in dynamic relationship with the social body.

Where his early works encompassed portraits and Impressionist landscape painting, as well as genre - painting featuring groups of figures in cafes, dance - halls, boats, or riverside scenes, his later works are largely concerned with female nudes or semi-nudes.

Galleries highlight different milestones of Halston's career including his early work, designs using innovated fabrics and collaborations with artistic contemporaries including the photographer Hiro, designer Elsa Peretti, the Martha Graham Dance Troup and others.

Performances by the Trisha Brown Dance Company (at Bryn Mawr College and The Barnes Foundation) and by Pennsylvania Ballet (at the Merriam Theater) span from her Early Works (task - based, often off - balance pieces exploring the body's architecture) to her classics such as Set and Reset, which established a new approach to partnering, to 2004's O zlozony / O composite, Brown's first creation for a ballet company.

These photographs document the intertwining of dance and sculpture in Nengudi's early work, and reigster the diverse social and artistic traditions from which that work drew inspiration.

An artist with 14 works in the Museum's collection, Atlas worked with the Merce Cunningham Dance Company from the early 1970s to 1983 as stage manager, lighting designer, and in - house filmmaker, and maintained a close working relationship with Cunningham until his death in 2009.

The exhibition brings together works made in and about Los Angeles ranging from his early photographs of the city to his most recent inkjet prints incorporating dance and architecture to his two «glass house» projects — buildings by Philip Johnson and Pierre Chareau.

This body of work focuses on the dance of color planes through complex still lifes; earlier drawings explore repeated movements of customers and musicians in restaurants and pubs.

Anyone familiar with McNeil's late work will do a double take upon encountering Dance Cuba (1941), one of three early paintings that introduce the show.

The show is the outgrowth of a project Lerner and Ortiz - Torres worked on together earlier, a 1995 film called Frontierland / Fronterilandia; one piece of found footage had theme park performers dressed as Donald Duck and Mickey Mouse doing an interpretation of a traditional Mexican hat dance.

Gedney's works speak to this aesthetic of spontaneity, which by the early 1960's had established an intersection between painting, dance, automatic writing, and jazz improvisation.