Sentences with phrase «early drip paintings»

The show will include early drip paintings from the 1940s by Rolph Scarlett, one of the pioneers of drip painting who had his own show of drips at the Whitney in 1951.

As with Wool's early drip paintings, the influence of Jackson Pollock is observed here.

Not exact matches

During the early 1950s, the couple was spending thousands on Sèvres and Spode dinner services at a time when a Jackson Pollock drip painting could be bought for $ 800.

Gary Snyder Fine Art in New York City presents the work of Janet Sobel, whose early 1940s drip paintings inspired Pollock to explore the possibilities of that style and essentially found the Abstract Expressionist school.

The strange violence that has been exerted on the canvas, and therefore to the Nurse of Greenmeadow herself, with paint dripping down the surface, recalls the shock and scandal with which de Kooning's celebrated paintings of women were received in the late 1940s and early 1950s, puncturing the myth of the woman in art.

«Pollock's extraordinary, still controversial black paintings of 1951 finally get the attention they deserve; they prove to be just as radical as his earlier, more celebrated all - over drip paintings, and speak even more to our own time as well,» said John Elderfield, Chief Curator Emeritus of Painting and Sculpture, Museum of Modern Art.

With Mylar foil and straw bales, painted stripes and gestural drips, German painter and sculptor Anselm Reyle (born 1970) breathes new life into the motifs of Abstract Expressionism, Pop art, Minimalism and earlier movements, leaving no modernist master untouched in his reprisings of their motifs.

A photo shows a drip painting in its earliest stage, and the Whitney argues that a Cubist grid guides it to its ultimate destination.

The Parrish show also includes one of Dubuffet's great «texturologies» from the mid»50s: a painting that, like Pollock's drip paintings from a few years earlier, appears to be completely abstract.

Although Bluhm lived an ocean away from the epicenter of abstract expressionism, his works of the early 1950s share its gestural brushstrokes, visible paint drips, and pulsating color.

As Pollock developed from his early abstractions to the «drip» paintings for which he is known, his work fell more into Greenberg's ideal — painting about space and color and, above all, about painting itself.

(born 1938, Bronxville, New York, USA) in his earliest mature works explored a reductive strategy which seemed similar to that of Jasper Johns's and Ellsworth Kelly's contemporaneous works, yet more formalist: paintings such as Return 1 consist of subtly grey fields painted in encaustic (wax - medium) with a narrow strip along the bottom of the canvas where Marden left bare evidence of process (i.e., drips and spatters of paint).

These works follow on from Pollock's abstract action paintings which saw the artist drip brightly coloured paint onto canvases laid flat on the studio floor, and are far lesser known yet just as intriguing as these early, pioneering works.

In Slow Storm (2017), grey circular strokes spiral, tornado - like, in the canvas's upper right corner, grabbing paint from earlier layers while dripping onto patches of raw canvas.

In the early 1970s the precise forms of his abstracts — the L - shapes, the lozenges, rectangles, ovals, trapezoids — began to be scumbled and overlaid with dripped or poured paint.

These works are much messier than her earlier paintings, and they celebrate the sexual tactility of food preparation amidst a haze of faux - expressionist drips of paint that spew from perfectly plotted Ben - Day dots.

In the mid-1960s he used tubes of paint, dripping color directly onto the canvas, and his earlier «Cachets,» or rubber stamp prints, suggest a mechanical version of all - over paintings.

In his early Joke paintings, the artist experimented with layering pilfered cartoon illustrations and their pun - riddled, Freudian punchlines on canvas with a silkscreen while also inviting incidents of chance, dripping and other fragmentary evidence of his hand.

Using a method that involves dripping and pouring paint as well as often stitching and adhering fragments and strips from earlier paintings onto larger canvases, Bowling creates works in the Color Field idiom that are noted for their optical and surface complexities.

In the early 1940's, a painter by the name of Jackson Pollock began developing a technique that allowed him to spontaneously drip enamel paint onto flat canvases, resulting in...

Pollock's early work was figurative, becoming increasingly abstract over time until the «drip» paintings of the early 1950s, for which he is most famous.

Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dripped, splashed and poured «Waterfall» paintings, which she started in the 1980s, and for her later site - specific wall drawings.

His oeuvre includes early modernist works, geometric abstractions, drip paintings, stain paintings and abstract expressionist works.

This exhibition emphasizes the drip for two reasons: first, following a ten year hiatus from painting — roughly from 1972 to 1982 — after a sever illness resulting from toxicity to aluminum paint and auto lacquer used in his earlier work, Batterton returned to the drip in his new artwork.

Another important figure in the development of Colour Field painting was Helen Frankenthaler (b. 1928), who began as a Cubist before exploring Abstract Expressionist styles in the early 1950s, making a significant development of Pollock's «drip» technique.

In works like Sleeping Effort Pollock synthesized the expressive handling of his drip paintings with the psychological interests of his work from earlier in the 1940s.

She uses techniques of dripping, layering and pouring to apply paint, which derives from her earlier work with glazes.

Though with her early work Steir was loosely allied with Conceptual Art and Minimalism, she is best - recognized for dripped, splashed and poured «waterfall» paintings which she first started in the late 1980s.