Sentences with phrase «early exhibition american»

Works by Lewis were included in the Newark Museum's early exhibition American Negro Art (1944) as well as Black Artists: Two Generations (1971), all works lent by the artist.

Not exact matches

REVIEW This exhibition explores the African - American quest for equality through nine chronological periods from the early national period through the twentieth century.

This spring, the Philadelphia Museum of Art will present an exhibition exploring the creative responses of American artists following the rapid pace of change that occurred in the US during the early decades of the twentieth century.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

As early as 2013, the Rubell Family Collection in Miami introduced a host of Chinese abstract painters to American audiences in an exhibition called «28 Chinese.»

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs, sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the work of a unique and significant American artist.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

Xavier Hufkens is pleased to present an exhibition of the early work by legendary American artist Robert Mapplethorpe in the new gallery space in rue Saint Georges, Brussels.

Still working today on photographic projects of unrivaled global scale, this intimate exhibition will showcase a rare portfolio of 20 of the most important images from Salgado's early Latin American series.

In addition to the founding stories of the RA and PAFA, this exhibition recognizes the other artist - founders of PAFA, West's role as the teacher of eighteenth - and early - nineteenth - century American artists, and the development of monumental history paintings such as Christ Rejected and Death on the Pale Horse.

The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.

This exhibition will shed scholarly light on the aesthetic and intellectual concerns undergirding the development of this important strand of early American modernism to explore the origins of its style, its relationship to photography, and its aesthetic and conceptual reflection of the economic and social changes wrought by industrialization and technology.

Although unfortunately Hans Hofmann was left out of this exhibition, his arrival in America in 1930 was one of the most hopeful highlights of the early thirties for the American art world.

The conversations of the 2016 Summit built on the dialogues on U.S. - China museum partnerships and exchanges that were the focus of three earlier conferences: «Meeting the West: Exhibitions from American Museums» (Nanjing, 2014), organized by the American Federation of Arts and the Nanjing Museum, and the «U.S. - China Museum Leaders Forum» (Shanghai and Hangzhou, 2014) and «U.S. - China Museum Directors Forum» (Beijing, 2012), both organized by Asia Society and the Chinese People's Association for Friendship with Foreign Countries.

Also featured in the exhibition will be a series of paintings based on memorabilia from the American punk scene of the 1970 - 80s and other works that use early Modernism as a starting point to address topics such as fascism, sex and boredom, which the artist likens to «Suprematism on poppers.»

Devoted exclusively to papier collés and related works on paper from the 1940s and early 1950s by Robert Motherwell, this exhibition features nearly sixty artworks and examines the American artist's origins and his engagement with collage.

Early in his career, his work was included in a number of significant exhibitions that defined the sphere of postwar art, including Sixteen Americans (Museum of Modern Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 1971).

Major exhibitions under Shearer's tenure include — the Labeltalk series; annual Day Without Art AIDS; David Hammons Yardbird Suite; Introjection: Tony Oursler mid career survey, 1976 — 1999; Carrie Mae Weems: The Hampton Project; Prelude to a Nightmare: Art, Politics and Hitler's Early Years in Vienna 1906 — 1913; Kara Walker: Narratives of a Negress; and she brought American Dreams: American Art to 1950 to the Williams College Museum of Art.

The Sidney Janis Gallery held an early Pop Art exhibit called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Rotella, Jean Tinguely, and Schifano.

It turns out to have gone to Crystal Bridges Museum of American Art, which announced the acquisition, along an upcoming exhibition of O'Keeffe's work, earlier this week.

The exhibition is broadened beyond the major works American Surfaces and Uncommon Places from the 1970s and 1980s and draws upon his first street photos from the early 1960s and...

About Skarstedt: Skarstedt (20 E. 79th Street, New York, NY) was founded in 1994 by Per Skarstedt to mount historical exhibitions by Contemporary European and American artists that had become the core of his specialty in Sweden and New York in the late 1980s and early 1990s.

Unprecedented in its concept and execution, the exhibition River Crossings: Contemporary Art Comes Home intertwined two historic sites with world - renowned contemporary art in a setting that was the genesis of American art in the early nineteenth century.

Dominique Moody: The Nomad 18th Street Arts Center Art Lot 1639 18th Street Santa Monica, CA 90404 Exhibition: October 10 - 18, 2015 Dominique Moody's creative journey began early in life as a child born of African - American parents in...

Though Tuttle's work is now canonical, it was met with fierce criticism early in his career: the artist's 1975 solo exhibition at the Whitney Museum of American Art was received terribly by many prominent critics, most famously by Hilton Kramer of the New York Times, and curator Marcia Tucker — who went on to found the New Museum of Contemporary Art later that year — was fired from the museum, allegedly because of the controversy surrounding the show.

For an exhibition earlier this year, Bas presented works referencing the American Transcendentalists (Emerson, Thoreau, Alcott)- or, in Bas's words, the «original hippies», as their writing suggests a «back to nature» perspective.

The exhibition is the inugural of a show, which also traveled to The American Academy of Rome later that year and in early» 01.

Hirschl & Adler's exhibition celebrating its imminent «change of address» in early 2018 explores fashion in American and European art from the 18th to the 20th centuries.

Presented by the Whitney Museum of American Art in New York, the exhibition coincides with a number of other notable moments for Taylor, including his work gracing the March cover of Art in America magazine, his first - ever public art installation, and a new artist record at auction achieved at Christie's London earlier this month.

[33] Another pivotal early exhibition was The American Supermarket organised by the Bianchini Gallery in 1964.

So when the Fine Arts Museums of San Francisco made a deal early this year to acquire 62 works by 22 contemporary African American artists, the museums decided to produce a full - scale exhibition with catalog in four months — a fraction of the normal lead time — to celebrate.

William Glackens (1870 - 1938) has been represented in many group exhibitions of American art in the early 20th century presented in museums across the country and in France.

Although Don Nice is best known for his depictions of contemporary American culture such as candies, soda bottles and branded sneakers, the early watercolor and oil paintings in this exhibition stem from the artist's upbringing on an open range and his love of nature.

The Whitney has tried to reinforce its own early recognition of the most famous member of the School of Paris by devoting a room to photographs taken by the American painter Charles Sheeler of the 1923 Whitney Studio Club exhibition, Recent Paintings by Pablo Picasso and Negro Sculpture.

Other exhibitions such as «It Takes a Nation: Art for Social Justice: With Emory Douglas, and the Black Panther Party, Africobra, and Contemporary Washington Artists» at American University in Washington, D.C., and «Ruddy Roye: When Living is a Protest» at Steven Kasher, make the connection between earlier black rights movements and today's Black Lives Matters activism.

Keith Haring: 1978 — 1982 is the first large - scale exhibition to explore the early career of one of the best - known American artists of the twentieth century.

The lively paintings were celebrated, winning her a solo museum show at the de Young as early as 1957 and a spot in the Guggenheim's seminal 1954 group exhibition «Younger American Painters» alongside de Kooning, Pollock, Franz Kline, and more — though it's only recently that the historical influence of her work has been recognized and revived.

Currently, the Evans Center features an exhibition called Pose / Re-Pose: Figurative Works Then and Now, which showcases works by acclaimed African American artists of the late 19th and early 20th centuries in dialogue with contemporary artists who utilize the body as a primary focus.

The Jazz Age: American Style in the 1920s, September 30 to January 14 in the Smith Exhibition Hall, is the first major museum exhibition to focus on American taste in art and design during the dynamic years of the 1920s and eaExhibition Hall, is the first major museum exhibition to focus on American taste in art and design during the dynamic years of the 1920s and eaexhibition to focus on American taste in art and design during the dynamic years of the 1920s and early 1930s.

This group exhibition of early American abstraction includes rare paintings by seven of the ten members of the Transcendental Painting Group (TPG): Emil Bisttram, Ed Garman, Lawren Harris, Raymond Jonson, Agnes Pelton, Florence Miller Pierce and Stuart Walker.

Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out «the true artist helps the world by revealing mystic truths,» which at once summarized and opened to critique the perennial mystique of the artist, up through his three - venue Golden Lion Award - winning exhibition at the 2009 Venice Biennale, Nauman's work has long been an indispensable part of the narrative of recent American art.

1975 Early Surrealist Works by Leo Kenny & Morris Graves, Seattle Art Museum, Seattle, WA American Art from The Phillips Collection: A Selection of Paintings, 1900 - 1950, University of Wyoming Art Museum, Laramie, WY; Utah State University Galleries, Logan, UT; Bringham Young University Provo, UT; Denver Art Museum, Denver, CO; University of New Mexico, Albuquerque, NM; The Phillips Collection, Washington, DC A Gift Of Love: An Exhibition of Contemporary Pacific Northwest Art Selected from the gift of The Haseltine Family to the University of Oregon Museum of Art, University of Oregon Museum of Art, Eugene, OR

One of the largest exhibitions MoMA has ever lavished on an artist, the Polke show — titled «Alibis» — will serve as a vital introduction to his work (which most Americans have only seen in dribs and drabs) and help viewers understand how his early importation of Pop techniques helped shape the work of Kippenberger, Oehlen, and the other standard - bearers of visionary postwar German painting.

The traveling exhibition celebrates the interwoven Luso - American stories of the Azorean, Cape Verdean, and Brazilian communities to the United States from early immigration in the 18th century through the latter half of the 20th century.

Work from Sharon Core's Early American series is featured in the Everson Museum of Art exhibition Still Life: Revisited, which opened June 25 and runs through September 11.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

The Void, his spare, abstract work from 2017 is available at Galeria Nara Roesler (São Paulo, Rio de Janeiro, and New York), which hosted the artist's debut North American solo exhibition earlier this year.

His first mid-career survey «Catholic Tastes» at the Whitney Museum of American Art in 1993 was a marker of his reception and influence in the early 1990s, while his contribution to Sonsbeek 93 — an exhibition called «The Uncanny» — demonstrated his acumen for creating a critical curatorial framework.

In the first section of the exhibition, devoted to Hopper's development and early years, Hopper's own works are joined by those that influenced him, including works by American artists...

Early in his career, his work was included in a number of significant exhibitions that defined the art in the postwar era, including Sixteen Americans (Museum of Modern Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962) The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 1971).