Sentences with phrase «early exhibitions include»

Early exhibitions include a solo exhibition of Al Taylor and Peter Saul's recent work, paintings and works on paper by Christopher Wool, Thomas Locher and Claudia Hart, as well as an exhibition of Five German Artists: Rosemarie Trockel, Thomas Ruff, Günther Förg, Thomas Huber and Georg Herold.

Other important early exhibitions include Processes of Visualized Thought: Young Italian Avant - garde, Kunstmuseum Luzern (1970) and A Painting Exhibition of Painters who Place Painting in Question, curated by Michel Claura, Stadtische Museum, Monchengladbach (1973).

Early exhibitions include curator Paul Schimmel's seminal 1992 exhibition Helter Skelter at the Museum of Contemporary Art, Los Angeles and the 1993 Biennale di Venezia / Venice Biennale.

Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of BBruce Nauman's seminal early shows; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.

Early exhibitions include curator Paul Schimmel's seminal 1992 exhibition Helter Skelter at the MOCA / Museum of Contemporary Art, Los Angeles and the 1993 Biennale di Venezia / Venice Biennale.

Notable early exhibitions include a 1977 show of minimalist works by Carl Andre, Dan Flavin, Donald Judd, and Sol Lewitt; seven of Bruce Nauman's seminal early shows; eleven Richard Long exhibitions; and the installation of one of Mario Merz's celebrated glass and neon igloos in 1979 — part of the gallery's ongoing dedication to Arte Povera artists, including Alighiero Boetti.

Earlier exhibitions included Wood: The Cyclical Nature of Materials, Sites, and Ideas at the Het Nieuwe Instituut, Rotterdam (2014), which explored links between wood in design and architecture and the economic, politi ¬ cal, natural, and cultural cycles that surround its production, circulation, and consumption.

A longstanding forum for interchange between artists nationally and internationally, early exhibitions included work by Craig Kauffman, John Baldessari, Llyn Foulkes, Ed and Nancy Kienholz, Peter Shelton, and Wayne Thiebaud.

A forum for interchange between artists nationally and internationally, early exhibitions included work by Craig Kauffman, John Baldessari, Llyn Foulkes, Ed and Nancy Kienholz, Peter Shelton, and Wayne Thiebaud.

Earlier exhibitions include the 2005 «Basquiat» show at the Brooklyn Museum (it traveled to L.A. MOCA and the Houston MFA) and «One Planet Under a Groove: Contemporary Art and Hip Hop,» which in 2001 - 03 appeared at the Bronx Museum of Art, the Spelman College Museum of Fine Art in Atlanta, and the Walker Art Center in Minneapolis.

Earlier exhibitions include: Orsola, an installation at the Oratorio di San Lodovico, Venice, 2006; Rood at the Green on Red Gallery, Dublin, 2005; Portraits at Purdy Hicks Gallery, London, 2003; Gorget at the David Nolan Gallery, New York, 2000; Knot at Dublin City Gallery The Hugh Lane, Dublin, 1999; Swimmers at Le Credac Centre d'Art, Ivry - sur - Seine, 1996; and Familiar at the Douglas Hyde Gallery, Dublin, 1994.

Early exhibitions included Ad Reinhardt's «Black Paintings», Robert Morris's «felt pieces» and John Baldessari's photographs and text paintings from the 1960s.

Not exact matches

Earlier, the General Manager of the National Theatre, Mallam Kabir Yusuf Yar» Adua, conducted the Minister around the facilities at the complex, which include; the banquet, cinema and exhibition halls, the sub-power station, the water works, the police post and the artiste village, among others.

An internationally known medieval art scholar, Dr. Vikan has curated a number of the most significant exhibitions in the museum's history, including Silver Treasure from Early Byzantium; Holy Image, Holy Space: Frescoes and Icons from Greece; Gates of Mystery: The Art of Holy Russia; and African Zion: The Sacred Art of Ethiopia.

His work has also been featured in a series of major outdoor exhibitions in cities since the early 1970s, including in 1975 the first exhibition of a living artist at the Tuilleries in Paris and then a citywide exhibition presenting work in all five boroughs in New York City.

Penjweny, who also worked as a news photographer for Reuters, had a solo exhibition that included the «Saddam» series at the Ikon Gallery in Birmingham, England, earlier this year.

This exhibition is the first comprehensive look at the artist's work in nearly twenty years and includes rarely exhibited watercolors and early experiments.

Recent solo exhibitions include Whitford Fine Art, an exhibition of his early 80's steel sculptures; other significant exhibitions include Hayward Gallery and Serpentine Gallery, Guggenheim, Venice, Ikon Gallery, Birmingham, Galerie Josine Bockhoven, Amsterdam, Robert Steele Gallery, New York, Bodo Niemann Gallery, Berlin, Waddington & Shiell Gallery, Toronto, Musee Dʼart Moderne, France and The National Gallery, Australia, Flowers Gallery, London, Whitford Fine Art, London, and Henry Moore Institute, Leeds.

The image - rich volume «Thornton Dial in the 21st Century» coincided with a 2005 exhibition at the Museum of Fine Arts, Houston, that included a series of large - scale works Dial created in tribute to the Gee's Bend artists, and «Thornton Dial: Thoughts on Paper» explores his early drawings.

Among the exhibition's many highlights are bold, groundbreaking paintings by Matisse from his most adventurous years, as well as highlights from nearly every phase of Diebenkorn's oeuvre from the early 1950s to 1980 — including several monumental canvases from his Ocean Park series, a renowned exploration of color, light, and space.

Featuring nearly one hundred drawings spanning the artist's career to date, the exhibition will include Barney's earliest drawings made in the late 1980s, drawings created in conjunction with the CREMASTER film cycle (1994 — 2002), and those related to his current project RIVER OF FUNDAMENT.

Many of these early exhibitions sought to bring visibility to artists of color or were organized around the most urgent political concerns of the day, including racism, Apartheid, and the US government's intervention into Central America.

The exhibition will look back at Hockney's most iconic works and key moments in his career from the 1960s to the present, including his early experiments with modernist abstraction, his mid-career experiments with illusion and realism, and his current jewel - toned landscapes.

Permanent exhibitions include «So Ends This Long Journey», «Early Suffolk Farm Life and The Rise of Crafts», «Early Suffolk Transport», «From Near and Far: Ceramics in Suffolk County Households, 1750 - 1870» and «Arms & Armament».

The Met is presenting «Michelangelo: Divine Draftsman and Designer,» an exhibition including 133 of his drawings, three marble sculptures, his earliest painting and a wood architectural model for a chapel vault.

The exhibition looks back at Hockney's most iconic works and key moments in his career from the 1960s to the present, including his early experiments with modernist abstraction, his mid-career experiments with illusion and realism, and his current jewel - toned landscapes.

Asawa has exhibited widely throughout the world since the early 1950s, including solo exhibitions at Peridot Gellery, New York in 1954, 1956, and 1958.

The exhibition includes photos by Ming Smith, who was an early member of the Kamoinge workshop, a group of black photographers who collaborated and supported one another in their creative endeavors.

The exhibition includes examples from several bodies of work, including the «Variables» series, developed in the early - to mid-1960s.

As with the subsequent ROCI exhibitions, the presentation in Mexico City included Rauschenberg artworks from earlier in his career, as well as works that were particularly inspired by the host country.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Tracing the evolution of Green's work from monochromatic canvases of the early 1970s to recent explorations of black and white, the exhibition includes 18 paintings and 52 works on paper, including works borrowed from the Solomon R. Guggenheim Museum and the Corcoran Gallery of Art in Washington, D.C. Resonating emphasizes Green's complex understanding of painting that is based on a combination of Aboriginal and Modern Western approaches.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manearly historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero ManEarly Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.

Her participation in three of the city's first artist - run Exhibition Momentum salons beginning in the late»40s, including one curated by Alfred Barr Jr. and Sidney Janis, gave her career an early boost.

The exhibition includes early geometric light projections, prints and drawings, installations exploring sensory deprivation and seemingly unmodulated fields of colored light, and recent two - dimensional work with holograms.

The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.

In 1982, the Museum organized an exhibition of 48 Lichtenstein paintings from 1951 to the early 1980s, the first to include rarely seen early works such as the iconic Look Mickey (1961).

An earlier monograph simply titled «Lorna Simpson» accompanied a tour exhibition and includes contributions from Okwui Enwezor, Helaine Posner, Hilton Als, and Thelma Golden.

Senior curator Jennifer Powell explains the exhibition will include «early sculptures and works on paper from the late 1930s onwards as well as large scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.

On view in P.S. 1's second floor galleries, the exhibition includes six works from the early 1970s and one contemporary piece.

Early in his career, his work was included in a number of significant exhibitions that defined the sphere of postwar art, including Sixteen Americans (Museum of Modern Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 1971).

Major exhibitions under Shearer's tenure include — the Labeltalk series; annual Day Without Art AIDS; David Hammons Yardbird Suite; Introjection: Tony Oursler mid career survey, 1976 — 1999; Carrie Mae Weems: The Hampton Project; Prelude to a Nightmare: Art, Politics and Hitler's Early Years in Vienna 1906 — 1913; Kara Walker: Narratives of a Negress; and she brought American Dreams: American Art to 1950 to the Williams College Museum of Art.

The exhibition includes over twenty - five examples of Mapplethorpe's early use of instant photography.

Since Garabedian began painting in his early thirties, the Los Angeles - based artist has ploughed a determinedly idiosyncratic furrow, never adhering to contemporary fashions (though he was included in Marcia Tucker's 1978 «Bad» Painting exhibition at the New Museum, New York) nor to received conceptions of balance, taste or beauty.

This exhibition will include her early paintings of the 1950s, her «painting constructions» with moving parts of the 1970s, and later crossovers between painting, performance, and film.

A NY1 news segment previewed the fine arts thesis exhibition, Flameproof, which includes work by drawing and painting students, all of whom were affected to various degrees by the fire at Pratt earlier this year...

The Sidney Janis Gallery held an early Pop Art exhibit called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Rotella, Jean Tinguely, and Schifano.

This exhibition traces the career of artist Gary Erbe from his early troupe l'oeil works to his recent paintings combining realism with modernist tendencies, including works that focus on objects arranged to emphasize composition, form and structure.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

The current exhibition includes more than 20 paintings and sculptures the artist made in Dresden during the 1960s and early 1970s, when the political circumstances in the then - German Democratic Republic «kept most contemporary works of art underground», says Gordon VeneKlasen, the director of the gallery who organised the show.