A skillful and conscientious historian, he looks back on the late fourteenth and
early fifteenth centuries in order to document a failure of theological method.
In
the early fifteenth century the Catholics mistook static ecclesiastic forms for the content of their faith.
The Met has done the same with the Belles Heures de Jean, Duc de Berry, from
the early fifteenth century.
Norse colonies which had settled in a formerly warmer Greenland starved and vanished by
the early fifteenth century as crops failed and livestock froze.
Not exact matches
And it was in Italian that Orlando ultimately achieved his apotheosis as the supreme hero of chivalric fiction, in the three greatest Italian romances of the late
fifteenth and
early sixteenth
centuries: the Morgante of Luigi Pulci, the Orlando Innamorato of Matteo Boiardo, and the Orlando Furioso of Ludovico Ariosto.
More particularly, and with pointed significance for the tale of Joseph, we know that Egypt, which
earlier in this period controlled the affairs of Palestine, was itself under the rule of foreign dynasties (the
fifteenth to the seventeenth dynasties) from a point in the eighteenth
century to about the middle of the sixteenth
century B.C..
Church structures and teachings of the
fifteenth century were not workable or sustainable in the
early sixteenth
century.
But as
early as the fifth
century, it was an important «Nestorian centre», and by the eighth
century, continuing until the
fifteenth century, had its own metropolitan.
The
earliest parliamentary documents kept in the tower date from the very end of the
fifteenth century.
First inspired by the printed book in the late
fifteenth century,
early printed series frequently depicted narrative subjects drawn from literary sources.
The Courtauld Gallery has an expansive collection of over 24,000 prints dating back as
early as the
fifteenth century, so as you might expect, the comparatively minuscule selection of gems shown here in the Bruegel to Freud exhibition are some of the most exquisite prints in existence today.
This intimate exhibition presented paintings, sculpture, decorative arts, works on paper and books from
fifteenth - to
early nineteenth -
century Europe, drawn from the museum's collection and supplemented by loans from important public and private collections.
Rooted in a fascination with
fifteenth century Venetian and
early Flemish painting, and inflected by the formal restraint and reduced palette of Minimalism, Simpson has developed a distinctive, darkly comedic artistic vocabulary with which to create works that move beyond their subject matter to question the nature of painting itself.
At heart a collaborative venture, the creation of
early fifteenth -
century panel paintings in Italy depended upon a tight network of connections between patrons, painters, woodworkers, and gilders.
It is effective, emotional and unlike any of the
Early Netherlandish paintings of the
fifteenth century.
Among the
earliest works were a rare compositional sketch by the
fifteenth -
century Florentine master Fra Filippo Lippi, an exquisite red - chalk figure study by Michelangelo, and sheets by Annibale Carracci, Domenichino, Pietro da Cortona, and both Giambattista and Domenico Tiepolo.
Low maximum sea ice extent also occurred over periods of some decades (e.g., mid-seventeenth and mid-eighteenth
centuries,
early fifteenth and late thirteenth
centuries), with absolute values in some cases as low as the twentieth
century ones, but these periods were in no case as persistent as in the twentieth
century. . .