Sentences with phrase «early flag paintings»

In his early flag paintings, you can see every single brushstroke.

Not exact matches

Other striking male performances were provided by: Leonardo DiCaprio, Matt Damon, Mark Wahlberg, Martin Sheen, Ray Winstone, Alec Baldwin and Anthony Anderson in The Departed; Edward Norton, Liev Schreiber and Toby Jones in The Painted Veil; Wim Willaert in When the Sea Rises; Leslie Phillips and Richard Griffiths in Venus; Clive Owen, Denzel Washington, Christopher Plummer, Willem Dafoe, and Chiwetel Ejiofor in Inside Man; Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase and Shido Nakamura in Letters from Iwo Jima; Greg Kinnear, Steve Carell, Alan Arkin and Paul Dano in Little Miss Sunshine; Edward Norton, Paul Giamatti and Rufus Sewell in The Illusionist; Patrick Wilson, Jackie Earle Haley, Noah Emmerich, Gregg Edelman and Ty Simpkins in Little Children; Keanu Reeves, Christopher Plummer and Dylan Walsh in The Lake House; Nicolas Cage, Michael Pena and Stephen Dorff in World Trade Center; Tim Blake Nelson, Pat Corley, Jeffrey Donovan, Stacy Keach and Scott Wilson in Come Early Morning; Ryan Gosling and Anthony Mackie in Half Nelson; Jason Schwartzman, Rip Torn, and Danny Huston in Marie Antoinette; Matt Damon, Michael Gambon, Alec Baldwin, William Hurt, Billy Crudup, Robert De Niro, Keir Dullea, Timothy Hutton, Eddie Redmayne, Mark Ivanir and Joe Pesci in The Good Shepherd; Hugh Jackman, Patrick Stewart, Ian McKellen, Kelsey Grammer, James Marsden, Shawn Ashmore, Aaron Stanford, Vinnie Jones and Ben Foster in X-Men: The Last Stand; Mads Mikkelsen, Jeffrey Wright, Giancarlo Giannini, Simon Abkarian, Sebastien Foucan, Jesper Christensen and Tobias Menzies in Casino Royale; Ebru Ceylan and Mehmet Eryilmaz in Climates; Adrien Brody, Ben Affleck and Bob Hoskins in Hollywoodland; Jamie Foxx, Danny Glover, Keith Robinson and Hinton Battle in Dreamgirls; Brian O'Halloran, Jeff Anderson, Jason Mewes, Trevor Fehrman, Kevin Smith and Jason Lee in Clerks II; Justin Kirk and Jamie Harrold in Flannel Pajamas; Stanley Tucci, Simon Baker and Adrian Grenier in The Devil Wears Prada; Will Ferrell, Dustin Hoffman and Tom Hulce in Stranger Than Fiction; Samuel L. Jackson, Curtis Jackson, Chad Michael Murray, Sam Jones III and Brian Presley in Home of the Brave; Harris Yulin, Ty Burrell and Boris McGiver in Fur: An Imaginary Portrait of Diane Arbus; Max Minghella, John Malkovich, Jim Broadbent, Matt Keeslar, Ethan Suplee, Joel David Moore and Nick Swardson in Art School Confidential; Joseph Cross, Brian Cox, Joseph Fiennes and Alec Baldwin in Running with Scissors; Jamie Foxx, Colin Farrell, Ciarán Hinds, Justin Theroux, Barry Shabaka Henley, Luis Tosar and John Ortiz in Miami Vice; Michael Sheen, James Cromwell, Alex Jennings, Roger Allam and Tim McMullan in The Queen; Samuel L. Jackson, Ron Eldard, William Forsythe, Anthony Mackie, Marlon Sherman and Clarke Peters in Freedomland; Vin Diesel, Peter Dinklage, Linus Roache, Alex Rocco, Ron Silver and Raul Esparza in Find Me Guilty; Josh Hartnett, Bruce Willis, Stanley Tucci, Morgan Freeman and Ben Kingsley in Lucky Number Slevin; Hugh Grant, Dennis Quaid, Chris Klein, Shohreh Aghdashloo, John Cho, Tony Yalda, Sam Golzari and Willem Dafoe in American Dreamz; Keanu Reeves, Robert Downey Jr., Woody Harrelson and Rory Cochrane in A Scanner Darkly; Adam Beach, Ryan A. Phillippe, Jesse Bradford, John Benjamin Hickey, Jon Slattery, Barry Pepper, Jamie Bell, Paul Walker and Robert Patrick in Flags of Our Fathers; Chow Yun - Fat in Curse of the Golden Flower; Sergi López, Doug Jones, Álex Angulo and Federico Luppi in Pan's Labyrinth; Bill Nighy in Notes on a Scandal.

Built as an homage to the Rallye Kadett B Sprint from the early 1970s, the three door Corsa is covered in Sunny Melon Yellow paint that is offset by a standard black hood and tailgate with the checkered flag motif on either body panel as a color matching accent.

Donnellan created the Black Flag painting across three days at the EB Expo in Sydney earlier this month.

These are just a few of the one thousand paintings that make up Betty Tompkins's series «Women Words, Phrases, and Stories,» 2011 — 16, which debuted earlier this year at the Flag Art Foundation.

This massive, clothbound volume is comprised of paintings made between 1973 and 2013 and includes artwork from nearly every stage in the artist's oeuvre - from his early oil on canvas works to his most recent flag paintings.

On the one hand his five paintings, including the famous Green Target and White Flag, are perhaps the strongest single body of work in the show, but on the other, one suspects Johns was the only artist not to be represented with a recent work because it is a fashionable position to assume only his early nark counts.

WOMEN Words, Phrases, and Stories debuted at FLAG Art Foundation in New York City earlier this year, but in her first Los Angeles solo, they are uniquely exhibited together with several of Tompkins» famous Fuck Paintings, the hyperrealistic pornographic works she began in 1969 and still makes today.

Perhaps this search began in the mid-1980s, with Johns's cycle The Seasons (1985 — 86), in which picturing this venture of thought required a detour through picturing something like a self — hard to commit to it being Johns's self — through references to some of the artist's earlier image strategies (flags, devices) as well as icons of philosophical thinking such as the Platonic forms, Joseph Jastrow's duck - rabbit diagram (the latter made famous by Ludwig Wittgenstein's inquiry into «seeing as» in the Philosophical Investigations, 1953) and Pliny's origin story of the birth of painting as the tracing of a loved - one's silhouette in shadow.

In a way, as critic Charles Darwent has written, Ofili «seems to be reliving 20th - century modernism backwards,» cycling through clear formal periods wherein his compositions have become more stripped - down, foregoing the dense layering and collaged elements of earlier works, and often focusing on a limited color palette — including the red, green, and black of Marcus Garvey's pan-African flag in the series of paintings he began in 2000 and showed in concert in an immersive environment at the 2003 Venice Biennale's British Pavilion.

In early 1958, inspired by Jasper Johns's Flags and Targets — which he had seen at the Leo Castelli Gallery the preceding year — he began painting abstract arrangements of stripes and rectangles.

The earliest work in the show is an example of Wiley's early abstract expressionist style, Flag Song, painted in 1960.

SO This notion of doubt... we've never spoken of the day Pop and Minimal Art appeared, in the early»60s; Stella had shown the Black Paintings in ’59 and Johns had shown the flags in» 55 — there was already this «thing» in the air.

VIERIA»S FIRST SOLO exhibition, in 2006 at Small A Projects in Portland, Ore., featured ink drawings that reference passages from 18th - century historical paintings by artists such as Hubert Robert, Platonic installation of geometric forms, paper tube sculptures resembling columns and striped works on paper evoking early versions of the American flag as allusions to the American revolution.

This richly illustrated survey spans the artist's prolific career from the early Flag and Target paintings — which were central to establishing his reputation as a major young artist in the mid 1950s, and have since become icons of twentieth century art — to the compelling compositions of the recent «Catenary» series - works that testify to Johns's continuing artistic ambition at the start of the twenty first century.

American Impressionist painter Childe Hassam also hoped to inspire patriotism with his series of thirty flag paintings painted in the early years of World War I. By depicting elegant scenes of New York's Fifth Avenue filled with flags, Hassam signaled his belief that the United States should intervene in the war.