Sentences with phrase «early floor pieces»

For the exhibition, Benglis will show one of her early floor pieces composed of brightly pigmented poured latex, as well as new works and a selection of earlier wall works.

In the smaller room, Lynda Benglis presents new works in ceramic alongside early floor pieces of brightly pigmented poured latex and a selection of wall pieces in wax.

Not exact matches

The museum is very doable with kids (two floors, reasonably sized) and includes an impressive collection of early American pieces.

They attempted earlier this year to score term limits for the leadership and committee chairs and a measure that would allow any piece of legislation with 76 sponsors to come to the floor.

After a typical Albany late night / early morning where a number of major pieces of legislation were rushed to the floor for a quick vote with little or no debate Gov. Andrew Cuomo does not seem to be in a rush to get in front of a gaggle of reporters.

Signature pieces of early Australian antique furniture take pride of place in spacious living areas, and queen size beds adorned with crisp white linens are the perfect foil for the polished Tasmanian oak floors throughout, and with digital televisions, stereos and individually controlled reverse cycle air conditioners, the Pavilions offer every amenity you would expect of an establishment of this quality.

However, Nico can not enter the art gallery as the investigator's guard has been instructed to not allow anyone in; when you figure out a rather amusing way past the guard, you will find that the investigator is only interested in blood related evidence which you deliberately falsify using tomato source from the underside of a pizza box that was conveniently dropped on the floor by George earlier on, although the tomato source does have a piece of chewing gum stuck in the centre of it that has to be removed with Nico's press card.

On view in P.S. 1's second floor galleries, the exhibition includes six works from the early 1970s and one contemporary piece.

An early portion of the five - hour - long piece involves a significant amount of headbanging; at another point, one performer presses another to the glass floor in slow motion.

Judy Pfaff (a wall and floor scatter piece that counters Reed's constraint with a kind of dissociative formalism — every time I see a photo of one of Pfaff's forever vanished early installations, I have to catch my breath)

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

In her floor pieces, installations, and prints, the patterns and colors are a site of specific personal and cultural histories ranging from the playful palettes of the Power Puff Girls, the iconic primary spots of Wonder Bread, to the stripes of Gene Davis.On view will be an early «Splat» floor piece from the late 1990s, Blue Haired Nirvana, exhibited for the second time ever.

These pieces are set to be installed on the second floor of the wing in November and go on public view in early January 2016.

The works are arranged more or less chronologically with the earliest pieces on the top floors, and more contemporary works installed on lower levels, including Hartley's Painting Number 5 (1914 - 15), created during the artist's stay in Berlin.

Apfelbaum's earlier floor - bound installations incorporate hundreds of pieces of velvet, hand - dyed in bold hues and often arranged in sprawling configurations that appear to be organically inspired or like abstract paintings that melted off the wall, forming vibrant puddles.

Viewers familiar with Anthony Caro's groundbreaking painted steel sculptures from the early 1960s, which discarded with the traditional pedestal and seemed to spread out horizontally along the floor, may have been surprised to see a series of tightly arranged table pieces from his Arena series of the 1990s at Álvaro Alcázar Gallery.

GILBERT & GEORGE: DRINKING PIECES & VIDEO SCULPTURES, 1972 - 1973: This exhibition set in the ground floor Ely Gallery brings together a group of «Drinking Pieces» and «Video Sculpture» dating from the early PIECES & VIDEO SCULPTURES, 1972 - 1973: This exhibition set in the ground floor Ely Gallery brings together a group of «Drinking Pieces» and «Video Sculpture» dating from the early Pieces» and «Video Sculpture» dating from the early 1970s.

Spanning three floors of the museum, the exhibition provides an overview of the artist's career, from earlier studies and drawings to recent work created in 2015, bringing together several pieces that have never been seen before.

The photogravures of the glass negatives (Thirty Pieces of Silver, 2015) hark back to an early work by Parker, Thirty Pieces of Silver, (1988 - 89), which comprised of over a thousand pieces of silver plate flattened by a steamroller and suspended on wires hovering above a gallery Pieces of Silver, 2015) hark back to an early work by Parker, Thirty Pieces of Silver, (1988 - 89), which comprised of over a thousand pieces of silver plate flattened by a steamroller and suspended on wires hovering above a gallery Pieces of Silver, (1988 - 89), which comprised of over a thousand pieces of silver plate flattened by a steamroller and suspended on wires hovering above a gallery pieces of silver plate flattened by a steamroller and suspended on wires hovering above a gallery floor.

In his first presentation since re-joining the gallery earlier this year, he will show a historical range of work including a major stone floor piece, a text piece and a monumental mud wall work.

[46] In the earlier sculpture show, this trick proved impossible for one piece, an Alexander Calder mobile whose wire inevitably hung at a true plumb vertical, «suggesting hallucination» in the disorienting context of the tilted floor.

As part of Galerie Thaddaeus Ropac's inaugural programme for their new London Gallery, Gilbert & George: Drinking Pieces & Video Sculpture 1972 - 73 is installed in the spacious ground floor gallery at Ely House, providing a unique and timely opportunity to review the importance and resonance of Gilbert & George's early art.

When opening up the building where he worked early one morning, Natalie's client slipped on a piece of rubbish lying on the floor and fell, injuring his shoulder.